Frank Lloyd Wright

YEAR	TITLE	AUTHOR	DESCRIPTION	PAGES	ST#
1895
1895	The Poetical Works of John Keats. Given From His Own Editions and Other Authentic Sources and Collated With Many Manuscripts. Edited with Notes and Appendices By H. Buxton Forman. Complete Edition. Tan Cover (Published by Thomas Y. Crowell Co., New York. Copyright 1895, By Thomas Y. Crowell & Co. Printed in the United States of America)	Keats, John; Dole, Nathan Haskell; Forman, H. Buxton; Hunt, Leigh	(Deluxe Edition, edges gilt three sides.) In 1883 Reeves first published a four volume set of Keats complete poetical works which included and extensive preface by Forman. In 1884 Reeves condensed the set into a single volume which included Forman’s extensive Editor’s Preface. In 1889 the four volume set was republished with minor revisions. In 1890 the single 1884 volume was reissued as "Prose and Poetry, A Book of Fresh Verses and New Readings". In 1895 Crowell published three separate versions of the "Works of Keats". This 1895 edition is identical to 1895 Astor and Gladstone editions. It includes the extensive biographical sketch by Nathan Haskell Dole, and includes Forman’s notes as well as Hunt’s Reviews from 1820 and 1844. Dole writes of his earlier work "It is interesting to note that the modern worshippers of Keats, treasure with peculiar tenderness his very faults, his words quaintly misspelled, his grammatical errors, his exuberant immaturities of form and idea, his crude unconventionalities." Portrait of Keats. Wright designed the title page for the 1896 Auvergne Press edition of "The Eve of St. Agnes". 5 x 7.25. Hard Cover. (First Edition) For more information on the Eve of St. Agnes see our Wright Study.	Pp 661	0018.21.1010
1895	The Poetical Works of John Keats. Given From His Own Editions and Other Authentic Sources and Collated With Many Manuscripts. Edited with Notes and Appendices By H. Buxton Forman. Complete Edition. (Published by Thomas Y. Crowell Co., New York. Copyright 1895, By Thomas Y. Crowell & Co. Printed in the United States of America) Note: First Version. This version is virtually identical to the second Crowell edition. Title, title page and portrait changed.	Keats, John; Dole, Nathan Haskell; Forman, H. Buxton; Hunt, Leigh	(Astor Edition embossed on front cover.) In 1883 Reeves first published a four volume set of Keats complete poetical works which included and extensive preface by Forman. In 1884 Reeves condensed the set into a single volume which included Forman’s extensive Editor’s Preface. In 1889 the four volume set was republished with minor revisions. In 1890 the single 1884 volume was reissued as "Prose and Poetry, A Book of Fresh Verses and New Readings". In 1895 Crowell published three separate versions of the "Works of Keats". This 1895 edition is identical to 1895 and Gladstone editions. It includes the extensive biographical sketch by Nathan Haskell Dole, and includes Forman’s notes as well as Hunt’s Reviews from 1820 and 1844. Dole writes of his earlier work "It is interesting to note that the modern worshippers of Keats, treasure with peculiar tenderness his very faults, his words quaintly misspelled, his grammatical errors, his exuberant immaturities of form and idea, his crude unconventionalities." Portrait of Keats. Wright designed the title page for the 1896 Auvergne Press edition of "The Eve of St. Agnes". 5 x 7.25. Hard Cover. (First Edition) For more information on the Eve of St. Agnes see our Wright Study.	Pp 661	0018.06.0610
1895	The Poetical Works of John Keats. Given From His Own Editions and Other Authentic Sources and Collated With Many Manuscripts. Edited with Notes and Appendices By H. Buxton Forman. Complete Edition. (Hard Cover) (Published by Thomas Y. Crowell Co., New York and Boston. Copyright 1895, By Thomas Y. Crowell & Co.)	Keats, John; Dole, Nathan Haskell; Forman, H. Buxton; Hunt, Leigh	Published as part of the Gladstone Edition of Poets Series. Virtually the same edition as the 1895 and Astor, with slight change to title page. This 1895 edition includes the extensive biographical sketch by Nathan Haskell Dole, and includes Forman’s notes as well as Hunt’s Reviews from 1820 and 1844. Dole writes of his earlier work "It is interesting to note that the modern worshippers of Keats, treasure with peculiar tenderness his very faults, his words quaintly misspelled, his grammatical errors, his exuberant immaturities of form and idea, his crude unconventionalities." Hard Cover. First Edition. 5 x 7.5. Wright designed the title page for the 1896 Auvergne Press edition of "The Eve of St. Agnes". For more information on the Eve of St. Agnes see our Wright Study.	Pp 661	0018.11.0710
1895	The Gladstone Edition of Poets (Published by Thomas Y. Crowell & Co., New York)	Thomas Y. Crowell & Co.	Brochure for The Gladstone Edition of Poets Series includes "The Poetical Works of John Keats". "A new line of standard poets, well printed on good paper, from clear type, with frontispieces and specially designed title pages. Strongly and beautifully bound in cloth, with neat design, gilt top. Per vol., $0.75. Also published in Half Calf, Gilt Top, Full gilt back, marble paper sides. Per vol., $1.75." 3.5 x 5.75.	Pp 4	0018.12.0710
1895	The Poetical Works of John Keats. Given From His Own Editions and Other Authentic Sources and Collated With Many Manuscripts. Edited with Notes and Appendices By H. Buxton Forman. Complete Edition. Burgundy Cover Hard Cover. (Published by Thomas Y. Crowell & Co., New York. Copyright 1895, By Thomas Y. Crowell & Co.)	Keats, John; Dole, Nathan Haskell; Forman, H. Buxton; Hunt, Leigh	In 1883 Reeves first published a four volume set of Keats complete poetical works which included and extensive preface by Forman. In 1884 Reeves condensed the set into a single volume which included Forman’s extensive Editor’s Preface. In 1889 the four volume set was republished with minor revisions. In 1890 the single 1884 volume was reissued as "Prose and Poetry, A Book of Fresh Verses and New Readings". In 1895 Crowell published three separate versions of the "Works of Keats". This 1895 edition includes a new extensive biographical sketch by Nathan Haskell Dole, and includes Forman’s notes as well as Hunt’s Reviews from 1820 and 1844. Dole writes of his earlier work "It is interesting to note that the modern worshippers of Keats, treasure with peculiar tenderness his very faults, his words quaintly misspelled, his grammatical errors, his exuberant immaturities of form and idea, his crude unconventionalities." Portrait of Keats. 5.1 x 7.9. Hard Cover. (First Edition) Wright designed the title page for the 1896 Auvergne Press edition of "The Eve of St. Agnes". For more information on the Eve of St. Agnes see our Wright Study.	Pp 661	0018.24.1011
1895	The Complete Poetical Works of John Keats with Notes and Appendices by H. Buxton Forman. (Deluxe Leather Hard Cover) (Published by Thomas Y. Crowell Company, New York. Copyright 1895, By Thomas Y. Crowell & Co. Printed in the United States of America) Note: Second Version. This version is virtually identical to the first Crowell edition. Title "Complete...", title page and portrait changed. Deluxe leather cover.	Keats, John; Dole, Nathan Haskell; Forman, H. Buxton; Hunt, Leigh	In 1883 Reeves first published a four volume set of Keats complete poetical works which included and extensive preface by Forman. In 1884 Reeves condensed the set into a single volume which included Forman’s extensive Editor’s Preface. In 1889 the four volume set was republished with minor revisions. In 1890 the single 1884 volume was reissued as "Prose and Poetry, A Book of Fresh Verses and New Readings". In 1895 Crowell published three separate versions of the "Works of Keats". This 1895 edition includes a new extensive biographical sketch by Nathan Haskell Dole, and includes Forman’s notes as well as Hunt’s Reviews from 1820 and 1844. Dole writes of his earlier work "It is interesting to note that the modern worshippers of Keats, treasure with peculiar tenderness his very faults, his words quaintly misspelled, his grammatical errors, his exuberant immaturities of form and idea, his crude unconventionalities." Portrait of Keats by Joseph Severn from a Miniature. Wright designed the title page for the 1896 Auvergne Press edition of "The Eve of St. Agnes". 4.7 x 7. (First Edition) For more information on the Eve of St. Agnes see our Wright Study.	Pp 661	0018.08.0710
1895	The Poetical Works of John Keats. Given From His Own Editions and Other Authentic Sources and Collated With Many Manuscripts. Edited with Notes and Appendices By H. Buxton Forman. Vol. I and Vol. II. (Published by Thomas Y. Crowell & Company, New York: 46 East 14^th Street. Boston: 100 Purchase Street. Copyright 1895, By Thomas Y. Crowell & Co. Printed by Rockwell and Churchill, Boston.) Note: Third Version. This two volume version is virtually identical to the first and second Crowell editions, but in two volumes. Vol. I, pages 1-311, Vol. II, pages 313-661. Title page and illustrations changed.	Keats, John; Dole, Nathan Haskell; Forman, H. Buxton; Hunt, Leigh	In 1883 Reeves first published a four volume set of Keats complete poetical works which included and extensive preface by Forman. In 1884 Reeves condensed the set into a single volume which included Forman’s extensive Editor’s Preface. In 1889 the four volume set was republished with minor revisions. In 1890 the single 1884 volume was reissued as "Prose and Poetry, A Book of Fresh Verses and New Readings". In 1895 Crowell published three separate versions of the "Works of Keats". This 1895 edition includes a new extensive biographical sketch by Nathan Haskell Dole, and includes Forman’s notes as well as Hunt’s Reviews from 1820 and 1844. Dole writes of his earlier work "It is interesting to note that the modern worshippers of Keats, treasure with peculiar tenderness his very faults, his words quaintly misspelled, his grammatical errors, his exuberant immaturities of form and idea, his crude unconventionalities." Volume I, pages 1-311: Portrait of Keats by Joseph Severn from a Miniature., One illustration by Samual Palmer and five by E. H. Garrett. Also includes Table of Contents. Volume II, pages 313-661: Includes one illustration by William Hilton, two by Joseph Severn, one by Monsieur Edouart and five Masks of Keats. Wright designed the title page for the 1896 Auvergne Press edition of "The Eve of St. Agnes". Hard Cover 5 x 7.9. (First Edition) For more information on the Eve of St. Agnes see our Wright Study.	V I: Pp 1-311 V II: Pp 313-661	0018.09.0710 0018.10.0710
1895	John Keats. A Critical Essay. By Robert Bridges. (Privately Printed, 1895. Two Hundred and Fifty Copies printed.)	Bridges, Robert	An extensive essay on the writings of John Keats. Bridges writes, "The Eve of St. Agnes... is much more powerful. It is well done throughout, and except for some expressions, criticism could only quarrel with the machinery of the story... The Eve of St. Agnes is not only a passionate tale, but it is very rich in the kind of beauty characteristic of Keats, and contains high poetry both of diction and felling: the majority of readers would not wish it different from what it is... Had Keats left us only his Odes, his rank among the poets would not be lower that it is, for they have stood apart in literature... Keats’ vocabulary, to judge by the impression that one gets from reading his poems, is rich, and his use of quite a large number of words that are not commonly found must be reckoned among the factors of his style... the very seal of his poetry, that which sets poetry above the other arts; I mean the power of concentrating all the far-reaching resources of language on one point, so that a single and apparently effortless expression rejoices the aesthetic imagination at the moment when it is most expectant and exacting, and at the same time astonishes the intellect with a new aspect of truth. This is only found in the greatest of poets, and is rare in them; and it is no doubt for the possession of this power that Keats has been often likened to Shakespeare." Wright designed the title page for the 1896 Auvergne Press edition of "The Eve of St. Agnes". Digital and printed version. 3.5 x 6.5. For more information on the Eve of St. Agnes see our Wright Study.	Pp 97	0018.07.0710
1895	The Poetical Works of John Keats. Given From His Own Editions and Other Authentic Sources and Collated With Many Manuscripts. Edited by H. Buxton Forman. Third Edition. Augmented and Corrected in Three Volumes. Vol. I-III. (Published by J. B. Lippincott Company, Philadelphia. Copyright, 1894 By J. B. Lippincott Company. Printed by J. B. Lippincott Company, Philadelphia, U. S. A.)	Keats; Dole; Forman, H. Buxton	This three volume set includes Forman’s extensive Editor’s Preface dated December 1883 with a Postscript dated January 1889. Forman writes: "The manuscripts of Endymoin, Lamia, The Eve of St. Agnes and portions of Isabella should be mentioned as especially fruitful of various readings and canceled passages... Hunt, in his admirable remarks upon The Eve of St. Agnes, points to the fainting of Porphyre at sight of Madeline as the one flaw in the poem, and apologizes for it on the score of the poet’s enfeebled state of health at the time. But I think this is rather hard on all three - poem, poet and disease. If it be so decided a fault, I fear we must acquit bodily disease of any part or lot in it, for Keats’s young people always had a way of fainting, whether conceived in his more vigorous or in his less vigorous period..." Volume one includes one portrait of Keats and five additional halftone illustrations. Volume two includes seven halftone illustrations. Volume three includes three halftone illustrations. Wright designed the title page for the 1896 Auvergne Press edition of "The Eve of St. Agnes". Hard Cover. 5.5 x 8.5. (Third Edition) For more information on the Eve of St. Agnes see our Wright Study.	Pp 1-199 Pp 200-420 Pp 421-597	0018.13.0810 0018.14.0810 0018.15.0810
1895	The House Beautiful (Hard Cover) (Published by James H. West Co., Boston Mass.)	Gannett, William Channing	1895 Cloth Version, Pre Frank Lloyd Wright. This was published two - three years before Frank Lloyd Wright published his version. It was a version like this he read. "I brought out a copy of William C. Gannet's (Sp) 'The House Beautiful,' an essay which I admired very much...".⁽¹⁾ There at least two cloth hard cover version published by James H. West Co. This version: white cloth, gold stamped cover. Inside front and back cover white-ivory paper. Original HC List Price Cloth, 50 cents; white and gold, full gilt, in box, 75 cents. 4.6 x 6.25. (First Edition)	Pp 60	0018.03.0301
1895	The House Beautiful (Hard Cover) (Published by James H. West Co., Boston Mass.)	Gannett, William Channing	1895 Cloth Version, Pre Frank Lloyd Wright. This was published two - three years before Frank Lloyd Wright published his version. It was a version like this he read. "I brought out a copy of William C. Gannet's (Sp) 'The House Beautiful,' an essay which I admired very much...".⁽¹⁾ There at least two cloth hard cover version published by James H. West Co. This version: white cloth, gold stamped cover. The only difference between this and the above version is that the inside front and back cover is a printed and gold stamped floral patterned paper. Original HC List Price Cloth, 50 cents; white and gold, full gilt, in box, 75 cents. 4.6 x 6.25. (Note: water damaged cover) (First Edition)	Pp 60	0018.04.1101
1895	The House Beautiful (Soft Cover) (Published by James H. West Co., Boston Mass.)	Gannett, William Channing	1895 Tinted Paper, Choice Edition. Pre Frank Lloyd Wright. This was published two-three years before Frank Lloyd Wright published his version. It was a version like this he read. "I brought out a copy of William C. Gannet's (Sp) 'The House Beautiful,' an essay which I admired very much...".⁽¹⁾ "Paper, choice edition, silk-stitched, white of tinted covers, put in entitled envelopes" (inside back cover). Original SC List Price choice edition 15 cents; cheap edition, 6 cents. 4.6 x 6. (First Edition)	Pp 26	0018.05.1101
1895	Volunteer Grain (Published by Way & Williams, Chicago. One hundred and sixty copies printed from type, of which one hundred and fifty were for sale. Printed by John Wilson and Son on Laid paper with "Van Gelder Zonen and a "crowned fleur-de-lis symbol" watermark. Top edge gilt, others uncut.)	Browne, Francis Fisher	One hundred and sixty copies were printed, of which one hundred and fifty were for sale. Printed on hand-made paper.(Critic1895, p94). According to The Publishers' Weekly, April 25, 1896, p716, the list price was net $2.25. Chauncey L. Williams (1895 - S.033), a client of Wright's, partnered with Washington Irving Way in 1895 to form Way & Williams, Publishers, Importers and Booksellers of Fine Books. In December 1986 Williams became the sole owner. The firm only lasted for three years until 1898. In all they published over 65 different volumes. Their first published project was "Volunteer Grain", Francis F. Browne's first work. Williams also collaborated with Wright and another of Wright's clients William H. Winslow (1894 - S.024) in publishing "The Eve of St. Agnes". 5.4 x 7.9. (First Edition) Kraus 1 For more information see our Wright Study on Browne’s Bookstore. See our Study on Way & Williams.	Pp 70	0018.16.0411
1895	Queen Helen and Other Poems (Hard Cover) (Published by Way & Williams, Chicago. Printed at the De Vinne Press, with two reduced engravings from the composition of John Flaxman illustrating The Iliad of Homer. Printed on hand-made paper, top edge gilt, others uncut.)	Cheney, John Vance	A compilation of fourteen poems. Queen Helen being the longest. Homeric Experiments include seven. "Note. These experiments are based on the English verse and prose of several translators; to whom, especially to Messrs. Lang, Leaf, and Meyers, is here offered most humble apology." Also includes Anacreon (2), Homer, The Iliad, The Odyssey, and Halcyone. Cover lettering and design stamped in gold on the cover. One hundred and sixty copies printed, one hundred and fifty of them for sale. Original list price $3.00. 4.9 x 7. Kraus 4. Two copies. See our Study on Way & Williams.	Pp 78	0018.18.0411 0018.20.0511
1895	Paul & Virginia of a Northern Zone (Poul og Virginie under nordlig Bredde) From the Danish of Holger Drachmann. (Translated by Francis F. Browne. (Hard Cover) (Published by Way & Williams, Chicago. Printed for Way and Williams by R. R. Donnelley and Sons Co at the Lakeside Press, Chicago, from Plates made by The Dial Press: 1895) Printed on a very fine light beige laid paper with "Way and Williams" watermark. (Republished in 1901 as "Nanna, Story of Danish Love".)	Drachmann, Holger; Re-written in English by Browne, Francis F.	"Introductory Note. Some years ago my excellent Danish friend, the lamented Thorkild A. Schoovelin, spoke to me in admiration of the works of his countryman Holger Drachmann, and suggested the project of making an English translation... and at his request I aided in the not easy task of giving to this charming Northern Idyll an adequate English setting. In revising the work for publication in book form, I am conscious of the shortcomings which, had my friend lived, he might have done much to aid in remedying. Yet I trust enough of the beauty and distinctiveness of the original has been transferred to these pages, not only to afford a rare pleasure to the English reader, but to justify in his view the naming of the little tale after the French classic which, in spite of an unlikeness in style and treatment answering to that of the races from which the works are sprung, it still in a way suggests. Francis F. Browne. Chicago, September 1895." 4.6 x 7. (First Edition) Kraus 8 For more information see our Wright Study on Browne’s Bookstore. See our Study on Way & Williams.	Pp 208	0018.17.0311
1895	The Death-Wake or Lunacy. A Necromaunt in three Chimeras. (Published by John Lane, London, Way & Williams, Chicago. Printed by Ballantyne, Hanson & Co. At the Ballantyne Press, London & Edinburgh. Prinhted on laid paper, top edges trimmed, others uncut.)	Stoddart, Thomas. With an Introduction by Lang, Andrew	"Introduction. The extreme rarity of The Death-Wake is a reason for its republication, which may or may not be approved of by collectors. Of the original edition the Author says that more than seventy copies were sold in the first week of publication, but thereafter the publisher failed in business. Mr. Stoddart recovered the sheets of his poem, and his cook gradually, and perhaps not injudiciously, expended them for domestic purposes..." Included at the end are an additional sixteen pages of a Catalogue of Publications for Jane Lane. "Of this Edition 500 Copies have been printed for England and America." Original list price $1.50. 4.5 x 7. Kraus 21. See our Study on Way & Williams.	Pp 124	0018.19.0411
1896
1896	The House Beautiful (Original Collotype Proof) (Proof photographed and hand printed by Frank Lloyd Wright circa 1896. Proof on Japanese tissue before publication of "The House Beautiful" by William Channing Gannett. Auvergne Press, River Forest, Ill., 1897. Design: Frank Lloyd Wright.	Wright, Frank Lloyd	After commissioning Wright to design his home in 1893, William Herman Winslow also charged him with the design of this book, which they printed together by hand. The text is a quintessential expression of Arts and Crafts philosophy, but the design, apart from its great emphasis on decoration does not follow the usual Arts and Crafts lines. Rather it shows the innovative brilliance of Wright, ahead of his time in bookwork, just as he was giving the lead in architecture. Published in: (Decorative Designs - Hanks, Pg 4), (Arch Rev 6/1900 pg 63), (Frank Lloyd Wright and the Prairie, Birk, Pg 77). This item was exhibited in Japan from January 2 - July 28, 1991 at four different museums as part of the exhibit titled “Frank Lloyd Wright Retrospective”. It was also printed in the Guide with the same name, page 225, item #183. (Sweeney 18)	Proof	0018.01.0101
1896-7	House Beautiful, The (1896-7) (Published by The Auvergne Press, River Forest. The Auvergne Press was established by two of Wright's clients, William H. Winslow and Chauncey L. Williams in the stable designed for Winslow.) Printed by hand by Winslow and Wright.	Gannett, William Channing	Cover Binding - Book #69 of 90. The House Beautiful was produced in a limited edition of 90. Includes fragments of an original binding of copy number 69 of edition of 90 which were handprinted by Wright. This book was acquired by Kelmscott Gallery, Chicago in the early 1980s from a member of the Fletcher family. Fletcher was W. H. Winslow's business partner and brother-in-law to John Wellborn Root of Burnham & Root. The corner was chewed on by a family dog and the book was incomplete, so the decision was made to disbind it and sell the pages individually. Includes the front green end papers with fold that held Wright’s collotypes (photos) and one original sheet of rice paper wrap. Also included are four pages of the original paper which includes title page and final blank spread, and back green end papers. 11.75 x 14. (First Edition) (Sweeney 18)	Pp 55	0018.00.0806
1896-7	The House Beautiful (Single Sheet) (Published by Auvergne Press, River Forest, Illinois)	Gannett, William Channing	Four pages from the disbound book 69 of 90. (First Edition) (Sweeney 18)	Pages 24-27	0018.02.1200
C 1896	The Eve of St. Agnes (Circa 1896 Caldwell Version) (Hard Cover) (Illustrated by Edmund H. Garrett. Under The Supervision of Geo T. Andrew. Published By H. M. Caldwell Co. (New York, Boston). (Geo T. Andrew was an artisan who worked on many books during this time period. Lacking a photographic process, the illustrations were engraved on wood by hand, creating exquisite reproductions of the original illustrations.)	Keats, John	Published with twenty five Illustrations by Edmund H. Garrett. Exactly like the Estes version, but the page with the copyright and date has been deleted. Cloth and gilt-stamped cover with floral illustration on the cover. Printed on heavy paper (card stock). Some references to this version being printed in 1890. On April 11, 1896 Herbert M. Caldwell ran a full page ad in the Publishers’ Weekly and announced the organization of H.M. Caldwell Co. to publish books. "The catalogue to be issued will include more than a thousand titles." 9 and 11 East 16^th St., New York. (PW 1896 p.645). He also opened an office in Boston. Company was possibly a subsidiary of Estes & Lauriat (John W. Tebbel). H.M. Caldwell Co. New York and Boston, 1896-1914. Wright designed the title page for the 1896 Auvergne Press edition. First Caldwell edition. 7 x 8.9. For more information on the Eve of St. Agnes see our Wright Study.	Pp 43	0022.01.0510
C 1896	The Eve of St. Agnes (1896 Caldwell Version II) (Illustrated by Edmund H. Garrett. Under The Supervision of Geo T. Andrew. Published By H. M. Caldwell Co. (New York, Boston). (Geo T. Andrew was an artisan who worked on many books during this time period. Lacking a photographic process, the illustrations were engraved on wood by hand, creating exquisite reproductions of the original illustrations.) (Note: Only change to this Version II is illustration pasted on the cover, and front and back End Papers (paper which half is pasted to the inside covers of the book, and the other half is trimmed to form the first leaf in the book.)	Keats, John	Published with twenty five Illustrations by Edmund H. Garrett. Exactly like the Estes version, but the page with the copyright and date has been deleted. Cloth and gilt-stamped cover with floral and farm illustration on the cover. Printed on heavy paper (card stock). Some references to this version being printed in 1890. On April 11, 1896 Herbert M. Caldwell ran a full page ad in the Publishers’ Weekly and announced the organization of H.M. Caldwell Co. to publish books. "The catalogue to be issued will include more than a thousand titles." 9 and 11 East 16^th St., New York. (PW 1896 p.645). He also opened an office in Boston. Possibly as a subsidiary of Estes & Lauriat. (John W. Tebbel ). H.M. Caldwell Co. New York and Boston, 1896-1914. Wright designed the title page for the 1896 Auvergne Press edition. First Caldwell edition. 7 x 8.9. For more information on the Eve of St. Agnes see our Wright Study.	Pp 43	0022.06.0810
1896	Poems by John Keats, Edited, and with Introduction and Notes by Arlo Bates (Published as part of the Atbenaeum Series, by Ginn & Company, Boston U.S.A., and London)	Keats, John; Bates, Arlo	Bates writes " He continued in failing health through the spring, sometimes better and sometimes worse, unable to do any work beyond the revising of his last volume of poems for the press. This appears in the summer of 1820. It was called, ‘Lamia, Isabella, The Eve of St. Agnes and Other Poems’. The fragment of ‘Hyperion’ was included at the request of the publishers. The reviews of this volume were respectful, and in many cases even enthusiastic. Jeffrey praised it in the Edinburgh Review, and poor Keats, in poverty, despairing and dying, began to be recognized as a man of genius." Wright designed the title page for the 1896 Auvergne Press edition of "The Eve of St. Agnes". Digital and printed version. 4.75 x 7.1. For more information on the Eve of St. Agnes see our Wright Study.	Pp 339	0022.02.0610
1896	Matthew Arnold, Essays in Criticism. The Study of Poetry. John Keats; Wordsworth. Edited by Susan S. Sheridan. Hillouse High School, New Haven, Conn. The Academy Series of English Classics. (Published by Allyn and Bacon, Boston and Chicago. Copyright, 1896, By Susan S. Sheridan. Printed by Norwood Press. J.A. Cushing & Co. - Berwick & Smith, Norwood, Mass. U.S.A.)	Arnold, Matthew; Sheridan, Susan S.	In Arnold’s extensive essay on Keats he writes, "We who believe Keats to have been by his promise, at any rate, if not fully by his performance, one of the very greatest of English poets... Keats was a great spirit, and counts for far more than many even of his admirers suppose... No one else in English poetry, save Shakespeare, has in expression quite the fascinating felicity of Keats, his perfection of loveliness." Sheridan also includes excerpts from "Keats. Significant Facts in the Life of Keats. (From Masson’s Essay on Keats.) " "We can hardly be wrong in believing that, had Keats lived to the ordinary age of man, he would have been one of the greatest of our poets." Wright designed the title page for the 1896 Auvergne Press edition of "The Eve of St. Agnes". Digital and printed version. 4.5 x 6.6. For more information on the Eve of St. Agnes see our Wright Study.	Pp 101	0022.03.0710
1896 (1908)	John Keats. The Apothecary Poet. By William Osler, M.D. (Read at the John Hopkins Hospital Club, October 29, 1895. Published in the John Hopkins Hospital Bulletin, Volume VII, No. 58, January, 1896.) (Reprinted here in An Alabama Student and Other Biographical Essays. By William Osler, M.D. Published by Oxford University Press Canadian Branch. Toronto, London. 1908)	Osler, William	Osler writes, "When all the circumstances are taken into account, the English Parnassus affords no parallel to the career of Keats... In June, 1820, appeared Keats's third work, Lamia, Isabella, The Eve of St. Agnes, and other poems, which placed him in the first rank of English writers... All lovers of poetry cherish Keats's memory for the splendour of the verse with which he has enriched our literature. There is also that deep pathos in a life cut off in the promise of such rich fruit. He is numbered among ‘the inheritors of unfulfilled renown’, with Catullus and Marlowe, with Chatterton and Shelley, whom we mourn as doubly dead in that they died so young." Wright designed the title page for the 1896 Auvergne Press edition of "The Eve of St. Agnes". Digital and printed version. 4.9 x 8.2. For more information on the Eve of St. Agnes see our Wright Study.	Pp 37-54	0022.04.0710
1896	The Eve of St. Agnes (Published on a hand press by Auvergne Press, River Forest, Illinois)	Keats, John, with an appreciation by Leigh Hunt.	“Printed on a hand press by William H. Winslow & Chauncey L. Williams (both were Wright neighbors and clients), for pleasure and their friends, at The Auvergne Press, River Forest, Illinois; and finished the 19th day of December 1896. This copy is number 14 of an edition of sixty five copies, printed on hand-made paper. The title page of this little book is from a design especially made for it by Frank L. Wright.” Title page published in: “FLW Graphic Artist” 2002, Fowler, page 16. “FLW & The Book Arts”, 1993, Hamilton, page 44. “FLW Retrospective”, 1991, page 227; “The Decorative Designes of FLW”, 1979, Hanks, page 171; "FLW An Annotated Bibliography", 1977, Sweeney, plate 1. Printer’s device published in “FLW Graphic Artist” 2002, Fowler, page 15; “FLW & The Book Arts” 1993, Hamilton, page 48. 5 x 8. (First Edition) (Sweeney 22)	Pp 27	0022.00.1106
1896	Ecce Puella and other Prose Imaginings (Published by Elkin Mathews, London, Way & Williams, Chicago. Printed by R. ffolkard & Son, 22, Devonshire Street, Bloomsbury, London, W.C. Printed on laid Abbey Mills Greenfield paper, with "Crown (symbol) Abbey Mills, Greenfield" watermark. Top edge trimmed, others uncut.)	Sharp, William	"Note. ‘Ecce Puella’ comprises all that the author cares to disengage from Fair Woman, an illustrated monograph which he undertook at the instance of the late Philip Gilbert Hamerton, for the Portfolio Series. It has, of course, been reworked into this, its essential form. ‘Love in a Mist’ originally was published, with illustrations, in Good Words. ‘Fragments from the Lost Journals of Piero di Cosimo’ appears some years ago, in two consecutive numbers of The Scottish Art Review." Original list price $1.25. 5.4 x 7.9. (First Edition) Kraus 19. See our Study on Way & Williams.	Pp 124	0022.12.0411
1896	A Mountain Woman (Hard Cover) (Published by Way & Williams, Chicago. Printed by University Press: John Wilson and Son, Cambridge, U. S. A., on Laid paper. Top edge gilt, others uncut. )	Peattie, Elia W.	"Foreword. Most of the tales in this little book have been printed before. ‘A Mountain Woman’ appeared in Harpers’ Weekly, as did ‘The Three Johns’ and ‘A Resuscitation.’ ‘Jim Lacy’s Waterloo’ was printed in he Cosmopolitan, ‘A Michigan Man’ in Lippincott’s and ‘Up the Gulch’ in Two Tales... E. W. P." Lettering and design n the cover stamped in silver. Back cover has the same design as the front minus lettering. Cover design by Bruce Rogers. Original list price $1.25. 4.6 x 6.9. (First Edition) Kraus 23. See our Study on Way & Williams.	Pp 251	0022.08.0411
1896	Ode For The Bicentenary Commemoration of Henry Purcell, With Other Poems and a Preface on the Musical Setting of Poetry. (Published by Elkin Mathews, Vigo Street, London. Printed by R. Folkard & Son. Printed on laid Abbey Mills Greenfield paper, with "Crown (symbol) Abbey Mills, Greenfield" watermark. Top edge trimmed, others uncut. Note: This is the English first edition. Way & Williams version is second edition, only change includes "Way & Williams" on title page.)	Bridges, Robert	Ode to Music. "Preface. The words of the Ode as here given differ slightly from those which appeared with Dr. Parry’s Cantata, sung at the Leeds Festival and at the Purcell Commemoration in London last year. Since the poem was never perfected as a musical ode, – and I was not in every particular responsible for it, – I have tried to make it more presentable to readers, and in so doing have disregarded somewhat its original intention..." Includes an "Analysis of Ode", the "Ode to Music. Written for the Bicentenary Commemoration of Henry Purcell" and four additional poems by Robert Bridges. Original list price One Schilling net. 4.5 x 7. (First Edition) Kraus 24. See our Study on Way & Williams.	Pp 43	0022.19.0411
1896	The Colour of Life and Other Essays on Things seen and Heard (Hard Cover) (Published by John Lane: Vigo St., London. Way and Williams, Chicago. Printed by W. H. White and Co. LTD. Edinburgh Riverside Press. Printed n laid paper, top trimmed, others uncut.)	Meynell, Alice	"The colour of Life. Red has been praised for its nobility as the color of life. But the true colour of life is not red. Red is the colour of violence, or of life broken open, edited, and published. Or if red is indeed the colour of life, it is so only on condition that it is not seen..." A compilation of fourteen short stories. (First published by John Lane in 1893, this third edition is possibly first edition for Way & Williams.) Original list price $1.25. 4.5 x 7. (First Edition) Kraus 26. See our Study on Way & Williams.	Pp 103	0022.16.0411
1896	The Sonnet in England and other Essays (Published by John Lane, London. Way & Williams, Chicago. Printed by J. Miller and Son, Edinburgh, on laid paper, top edge gilt, others uncut. Elkin Mathews monogram printed on back cover. First edition published in by Mathews and Lane in 1893. This second edition published by Land and Williams & Way.)	Noble, J. Ashcroft	"The greater part of the contents of this volume has previously been printed. The first essay appeared in the Contemporary Review, the second in Fraser’s Magazine, the third in the London Quarterly Review, the fourth in Macmillan’s Magazine, and the papers on Robert Stephen Hawkers and Mr. Robert Buchanan are expansions of articles contributed to a work which, my own share in it being very unimportant, I may praise without indelicacy, - that delightful anthology The Poets and the Poetry of the Century, edited so admirably by Mr. Alfred H. Miles..." Noble, November 26^th, 1892. Original list price $1.50. 4.8 x 7.75. Kraus 27 (Second Edition, First W&W.) See our Study on Way & Williams.	Pp 211	0022.07.0411
1896	The Epistolary Flirt In Four Exposures (Hard Cover) (Published by Way & Williams, Chicago. Printed at the Lakeside Press by R. R. Donnelley and Sons Co. 1896, on laid Abbey Mills Greenfield paper, with "Crown (symbol) Abbey Mills, Greenfield" watermark. Top edges cut and tinted yellow, others uncut. According to Kraus, there are a number of different versions. A&B: Red cloth, lettering and border in gold or black; C: White cloth, dark blue lettering and border on front and back cover.)	Amory, Esmerie	The story is narrated in dialogue form and is told in "four exposures" (four scenes), with three characters. Ernestine, a woman who writes verses; Irwin, a man who writes verse; and Philip, a man who writes poetry. "Scene I. Place: The library of a city house. Present: Ernestine and Philip. Time: Evening. Philip. – How did it begin? Ernestine. – How does anything begin, Philip? First the blade, then the ear. And the blade was such an innocent little green thing. Who could have dreamed that the full corn would be as heavy as this? [She lifts a large package of letters, and lets it drop to the floor.]..." Also bound at the end is a ten page catalog for "The Publications of Way and Williams" which includes a list of thirty-five volumes, with a brief description and price. Original list price $1.00. 4.4 x 6.9. (First Edition) Kraus 32. See our Study on Way & Williams.	Pp 100	0022.15.0411
1896	The Real Issue (Hard Cover) (Published by Way & Williams, Chicago. Printed at the Lakeside Press by R. R. Donnelley and Sons Co., on laid paper with a "Semper Paratus", a symbol of a "Dragon with wings holding a pole with two flags", "Cumberland" watermark. Top edges gilt, others uncut.)	White, William Allen	"It was near the close of a long session – a session which had lasted a winter and a spring and a summer, and threatened to push itself into the first days of autumn, when Wharton, the western member, who had been in the house five terms, concluded to pack his valise and go home..." White was the editor of the Emporia Gazette in Kansas. "...believing that Kansas has never been properly recognized in literature, (he) wrote a group of stories..." Republished by Way and Williams in 1897 under the title "The Real Issue, A Book of Kansas Stories". Original list price $1.25. 4.6 x 7. (First Edition) Kraus 35. See our Study on Way & Williams.	Pp 212	0022.09.0411
1896	Aucassin & Nicolete (Published by David Nutt, London. Way and Williams, Chicago. Translated June, 1887. Originally published in November, 1887. This is Way & Williams' First Edition.)	Done in English by Lang, Andrew	"Introduction. There is nothing in artistic poetry quite akin to 'Aucassin and Nicolete.' By a rare piece of good fortune the one manuscript of the Song-Story has escaped those waves of time, which have wrecked the bark of Menander, and left of Sappho but a few floating fragments. The form of the tale is peculiar; we have nothing else from the twelfth or thirteenth century in the alternate prose and verse of the cante-fable... It cannot be certainly known whether the form of 'Aucassin and Nicolete' was a familiar from -- used by many jogleors, or wandering minstrels and story-tellers such as Nicolete, in the tale, feigned herself to be, -- or whether this is a solitary experiment by 'the old captive' its author, a contemporary, as M. Gaston Paris thinks him, of Louis VII. (1130)..." 4.3 x 6.8. (Second Edition, First W&W Edition) Kraus 36. See our Study on Way & Williams.	Pp 51	0022.25.0611

1897
1897	The Real Issue, A Book of Kansas Stories (Hard Cover) (Published by Way & Williams, Chicago. Printed at the Lakeside Press by R. R. Donnelley and Sons Co., on laid paper, some pages with "Way & Williams" watermark, and some with a "Semper Paratus", a symbol of a "Dragon with wings holding a pole with two flags", "Cumberland" watermark. Note: Second watermark is the same as the first edition. Possibly used sheets left over from first edition. Top edges gilt, others uncut.)	White, William Allen	"It was near the close of a long session – a session which had lasted a winter and a spring and a summer, and threatened to push itself into the first days of autumn, when Wharton, the western member, who had been in the house five terms, concluded to pack his valise and go home..." White was the editor of the Emporia Gazette in Kansas. "...believing that Kansas has never been properly recognized in literature, (he) wrote a group of stories..." First published by Way and Williams in 1896 under the title "The Real Issue". Added to copyright notice on page 4 "First Edition, November 25, 1896, Second Edition, January 6, 1897. New cover design by Frank Hazenplug printed on the front and back. Note "H" bottom left hand corner of cover. Original list price $1.25. 4.6 x 7. (Second Edition, two copies) Kraus 35A. See our Study on Way & Williams.	Pp 212	0022.17.0411 0022.24.0511
1897	The Real Issue, A Book of Kansas Stories (Hard Cover) (Published by Way & Williams, Chicago. Printed at the Lakeside Press by R. R. Donnelley and Sons Co., 1897, on laid paper, no watermarks this edition. Top edges cut, others uncut.)	White, William Allen	(Fifth Edition) First published by Way and Williams in 1896 under the title "The Real Issue". Added to copyright notice on page 4 "First Edition, November 25, 1896, Second Edition, January 6, 1897, Third Edition February 20, 1897, Fourth Edition April 26, 1897, Fifth Edition July 15, 1897. Cover design by Frank Hazenplug, design on the front cover only this time. Note "H" bottom left hand corner of cover. Original list price $1.25. 4.6 x 7. (Fifth Edition) Kraus 35D. See our Study on Way & Williams.	Pp 212	0022.21.0511
1897	The Eve of St. Agnes, Dramatic Ballad. From the Poem by Keats. Composed for Soli, Chorus and Orchestra. By Thomas Whitney Surette. Novello’s Original Octavo Edition. (Published by Novello, Ewer and Co. London & New York. Copyright, 1897, by Novello, Ewer and Co.)	Keats, John; Surette, Thomas Whitney	To commemorate the one-hundredth anniversary of John Keats’ birth (1895) Surette composed a ballad of the much loved "The Eve of St. Agnes" which was "received with genuine enthusiasm". "Mr. Surette’s new dramatic ballad, founded on Keats’s well-known poem, had its first performance on February 27, in the Musical Fund Hall, Philadelphia, under the direction of the composer. There was a large audience which completely filled the hall, and the work was received with genuine enthusiasm... Mr. Surette’s composition is highly descriptive and interesting, being distinctly modern, yet very melodious and rich in orchestral effects, which reflect the magic warmth of the poem most vividly... ‘The Eve of St. Agnes’ should ensure its attractiveness to choral societies." Review published in Musical Times, April 1, 1898, p264. Wright designed the title page for the 1896 Auvergne Press edition of "The Eve of St. Agnes". Digital and printed version. 6.75 x 10. For more information on the Eve of St. Agnes see our Wright Study.	Pp 63	0022.05.0710
1897	Hours With Famous Parisians (Hard Cover) (Published by Way & Williams, Chicago. Printed at the Lakeside Press by R. R. Donnelley and Sons Co. 1897, on laid paper with a "Way & Williams" watermark. Top edges gilt, others uncut.)	Henry, Stuart	"Note. Several of these sketches have appeared in London and New York periodicals." A compilation of short biographical sketches of twenty-two writers, actors, painters and composers. Stuart Henry, Author of "Paris Days and Evenings". Cover design printed on back cover also. Original list price $1.25. 4.6 x 6.9. (First Edition) Kraus 38. See our Study on Way & Williams.	Pp 227	0022.10.0411
1897	Bolanyo, A Novel (Published by Way & Williams, Chicago. Printed by Blakely Printing Company, Chicago, for Way & Williams, May 1897, on laid paper, top edges gilt, others uncut.)	Read, Opie. Author of A Kentucky Colonel, The Jucklins, etc.	"On the night ot the 26th ol April our company closed an engagement at the St. Charles Theater in New Orleans; and before the clocks began to strike the hour oi twelve, our bags and baggage had been tumbled on board a steamboat headed for St. Louis. The prospects of the National Dramatic Company had been bright; competent critics had pronounced our new play a work of true and sympathetic art, before production, but had slashed at our tender vitals when the piece had passed from rehearsal to presentation. The bad beginning in the East had not truthfully foretold a good ending in the South..." The cover designed by Mr. Maxfield Parrish. (Note: Later that year, 1897, Way & Williams published the first book illustrated by Maxfield Parrish, "Mother Goose in Prose".) Decorations by Mr. Charles Francis Browne (not related to Francis Fisher Browne.) Original list price $1.25. 4.6 x 6.9. (First Edition) Kraus 39. See our Study on Way & Williams.	Pp 309	0022.18.0411
1897	Dreams of To-day (Published by Way and Williams, Chicago. Printed by R. R. Donnelley and Sons Company at the Lakeside Press, on a laid paper with "Way and Williams" watermark. Top of the pages are gilt, others are uncut.)	Pollard, Percival	"Opinions differ: some call it Life; others say it is all a dream. At any rate, there is so much of the one in the other, that a writer may be excused if he use the term ‘Dreams’ for some of the pictures he fashions from the color of life... Percival Pollard, New York, April, 1897." A collection of fifteen short stories, several reprinted from Truth, Vogue, Wave and Chap-Book. Cover designed by Mr. Frank A. Nankivell. Frontispiece (Photogravure) designed by Mr. Orson Lowell. Two versions, this is Kraus Version 1. Original Hard Cover list price $1.25 (Version 1), Paper Cover $0.75 (Version 2). 4.4 x 6.8. (First Edition) Kraus 40. See our Study on Way & Williams.	Pp 264	0022.20.0511
1897	The Miracles of Madame Saint Katherine of Fierbois. Translated from the edition of the abbe J.J. Bourasse, Tours, 1858: by Andrew Lang. (Hard Cover) (Published by Way & Williams, Chicago. Printed by The De Vinne Press, New York, U.S.A. Printed on Laid paper with "Van Gelder Zonen and a "crowned fleur-de-lis symbol" watermark. Top edge trimmed, others uncut.) "This edition of ‘Miracles of Madame Saint Katherine of Fierbois’ consists of fifty copies on Japan paper and three hundred on hand-maid paper numbered from 1 to 350, for American, and of fifty copies on Japan paper and three hundred on hand-made paper, numbered from 1 to 350, for England." (This is the American edition.)	Bourasse, Jean Jacques; Translated by Lang, Andrew	No. 193/350. American Edition. "The title-page, the head- and tail- pieces, and the initials in this book are the work of Selwyn Image. Preface. Invited by my friend Mr. Way to translate a little book as a companion to my version of "Aucassin and Nicolete," I could find nothing more curious than the Abbe Bourassse's edition of the Fierbois Chapel chronicle, "Les Miracles de Madame Sainte Katherine" (Manuscript in the Bibliotheque Nationale). One or two very dull narratives I have ventured to omit, and have added an essay on Fierbois and the Maid's connection with the shrine." Original list price (U.S. edition) $3.50, (English edition) 3s 6d. 5 x 7.6. (First Edition) Kraus 41. See our Study on Way & Williams.	Pp 152	0022.22.0411
1897	The Miracles of Madame Saint Katherine of Fierbois. Translated from the edition of the abbe J.J. Bourasse, Tours, 1858: by Andrew Lang. (Hard Cover) (Published by Way & Williams, Chicago, David Nutt, London. Printed by The De Vinne Press, New York, U.S.A. Printed on Laid paper with "Van Gelder Zonen and a "crowned fleur-de-lis symbol" watermark. Top edge trimmed, others uncut.) "This edition of ‘Miracles of Madame Saint Katherine of Fierbois’ consists of fifty copies on Japan paper and three hundred on hand-maid paper numbered from 1 to 350, for American, and of fifty copies on Japan paper and three hundred on hand-made paper, numbered from 1 to 350, for England." (This is the English edition.)	Bourasse, Jean Jacques; Translated by Lang, Andrew	No. 284/350. English Edition. "The title-page, the head- and tail- pieces, and the initials in this book are the work of Selwyn Image. Preface. Invited by my friend Mr. Way to translate a little book as a companion to my version of "Aucassin and Nicolete," I could find nothing more curious than the Abbe Bourassse's edition of the Fierbois Chapel chronicle, "Les Miracles de Madame Sainte Katherine" (Manuscript in the Bibliotheque Nationale). One or two very dull narratives I have ventured to omit, and have added an essay on Fierbois and the Maid's connection with the shrine." Original list price (U.S. edition) $3.50, (English edition) 3s 6d. 5 x 7.6. (First Edition) Kraus 41a. See our Study on Way & Williams.	Pp 152	0022.11.0411
1897	The Story of Ab. A Tale Of The Time of The Cave Man (Hard Cover) (Published by Way & Williams, Chicago.)	Stanley Waterloo. Author of A Man and A Woman, An Odd Situation, Etc.	"This is the story of Ab, a man of the Age of Stone, who lived so long ago that we can not closely fix the date, and who loved and fought well." "A Tale of the Time of the Cave Men. While the discoveries of science form the foundation of this work, the author has avoided the language of scientific exposition. Ab is a real man, and his people are real people, whose fortunes the reader follows with sympathy as keen as if they were of our own day, instead of children of the Caverns of the Earth, who lived and died ages before history begins." The cover was designed by Mr. Will Bradley and appears on the front and back covers. The Frontispiece is an illustrated map describing the area where the story takes place, printed on a glossy stock. Printed during August 1897, by the Blakely Printing Company, Chicago, for Way and Williams. Printed on laid paper, top edges gilt, others uncut. Original Hard Cover list price $1.50. 5 x 7.7. (First Edition) Kraus 44. See our Study on Way & Williams.	Pp 351	0022.27.1211
1897	Pippins and Cheese. Being the relation of how a number of persons ate a number of dinners at various times and places. (Published by Way & Williams, Chicago. Printed by R. R. Donnelley & Sons Co. at the Lakeside Press, Chicago, for Way and Williams, Chicago, U.S.A. 1897. Printed on laid paper, top edges gilt, others uncut.)	Peattie, Elia W.	A book of stories and conversations. The tales are each built about a dinner, breakfast, or luncheon, at which people of more or less wit are present. "Foreword. I desire to thank the proprietors of Harper's Weekly, and of the Cosmopolitan magazine, for courteous permission to reprint two of the stories in this book." A compilation of nine short stories. "Uniform with this volume, A Mountain Woman. The cover and title page are from designs by Mr. Frank Hazenplug." Cover design is printed on the front, back and spine. Original list price $1.00. 4.6 x 7. (First Edition) Kraus 49. See our Study on Way & Williams.	Pp 282	0022.26.0711
1897	A Book of True Lovers (Published by Way and Williams, Chicago. Printed by the Press of Stromberg, Allen & Co. Chicago. Printed on laid paper, top edges gilt, others uncut.)	Thanet, Octave	A compilation of seven short stories. "Note: ‘The Strike at Glasscock’s’ was first published in the Northwestern Miller, ‘The Judgement on Mrs. Swift’ and ‘The Court of Last Resort,’ in Peterson’s Magazine (1893), ‘The Dilemma of Sir Guy the Neuter,’ in Scribner’s Magazine, ‘The Ladder of Grief,’ in McClure’s Magazine, "Why Abbylonia Surrendered,’ in Harper’s Bazar, and ‘The Captured Dream,’ in Harper’s Magazine." Cover designed by Mr. J. C. Leyendecker, and printed on the front and back. Original list price $1.25. 4.6 x 7. (Two copies: First and Second Edition) Kraus 57. See our Study on Way & Williams.	Pp 277	0022.13.0411 0022.23.0511
1897	The Books of William Morris, Described With Some Account of His Doings in Literature and in The Allied Crafts (Hard Cover) (Published by Way and Williams, Chicago. Printed by Billing and Sons, Printers, Guildford, on wove paper, Top Edges gilt, others uncut. Very similar in appearance to the edition published by Frank Hollings, London, 1897.)	Forman, H. Buxton, C.B., Author of "Our Living Poets," The Shelley Library," Etc., and Editor of The Works of Shelley and Keats.	William Morris (March 24, 1834 – October 3, 1896) was an English designer, artist, writer, and noted for his influence in the English Arts and Crafts Movement of the late 1800s. He founded the Kelmscott Press in 1891. "Preface. The object of the present work may be stated in a few words. Convinced that ‘the world of books is still,’ of all worlds in which an artist is privileged to live, the most ‘living works’..." An exustive summary of the life and work created by Morris. Includes 29 illustrations, many printed single sides, bound tissue facing. 5.9 x 9. (First Edition) Kraus 61. See our Study on Way & Williams.	Pp 224	0022.14.0411
1898
1898	Halley’s Pictorial Oak Park (Digital Edition) (Published by William Halley, Oak Park, IL)	Halley, William	The history of Oak Park, Illinois up through 1898. Includes information and a biography of Alonzo W. Pebbles, one of the original founders of Pebbles & Balch. Also indicates that Anna L. Wright and Catherine L Wright (Frank Lloyd Wright’s mother and wife) were on the board of the Nineteenth Century Club (P 84). This copy originally belonged to Thomas H. Gale, "Real Estate and Loans". Gale was an early client of Wright's in 1892 and 1897. This copy courtesy of the University of Illinois Library, at Urbana-Champaign. 5.25 x 3.5 (Digital Edition.) See our Wright Study on the Pebbles & Balch Remodel.	Pp 128	0032.05.1111
1898	Under the Stars and Other Songs of the Sea (Original: Soft Cover, light greenish gray wrappers. Note: This volume desecrated and rebound in a hard cover and pages trimmed by Forbes Library, Northampton, Mass.) (Published by Way and Williams, Chicago. This impression of one thousand copies was printed by R. R. Donnelley and Sons Company at the Lakeside Press, Chicago, for Way and Williams, in the month of May, Eighteen Hundred and Ninety-Eight. Printed on laid paper)	Rice, Wallace; Eastman, Barrett	"Clear a voice sounds o’er the cannon. Of the Chesapeake and Shannon: ‘Keep the flag flying!’ Lawrence, wounded lying –. Pain nor death his spirit shrinks: ‘Fight her till she strikes of sinks!’ Through the battle’s roar and rip, Above the cheers, across the years, That dying word our sailor hears: ‘Don’t give up the Ship! To the Wider Patriotism." A compilation of sixteen poems with notes that follow. Original list price $0.25. 4.6 x 6.7. (First Edition) Kraus 63. See our Study on Way & Williams.	Pp 62	0032.03.0411
Circa 189x	The Eve of St. Agnes (Tan Suede Cover) (Published by Henry Frowde, London. Printed by Horace Hart, Oxford, Printer to the University.)	Keats, John	Stamped tan suede cover, letters are gilt. Gilt letters repeated on the spine. Pages are trimmed three sides. Color portrait of Keats on frontispiece. Front end paper lining is a color illustration entitled "Isabella or the Pot of Basil" by M. Jameson. Back end paper lining is a color illustration entitled "The Eve of St. Agnes" by M. Jameson. This miniature is undated. Information is scarce concerning the printing of this edition. WorldCat dates this volume 18xx. Henry Frowde became manager of the Oxford University Press in 1880, and retired in 1913. Horace Hart was appointed as Controller of the Oxford University Press in 1884 and worked there until his death in 1915. Little can be found about Jameson. There was an artist M. Jameson born in 1861. 2.75 x 3.9. Wright designed the title page for the 1896 Auvergne Press edition of "The Eve of St. Agnes". For more information on the Eve of St. Agnes see our Wright Study.	Pp 42	0032.06.1211
1899
1899	The Story of Ab. A Tale Of The Time of The Cave Man (Hard Cover) (Published by Herbert S. Stone & Company, Chicago & New York.)	Stanley Waterloo. Author of A Man and A Woman, An Odd Situation, Etc.	"This is the story of Ab, a man of the Age of Stone, who lived so long ago that we can not closely fix the date, and who loved and fought well." "A Tale of the Time of the Cave Men. While the discoveries of science form the foundation of this work, the author has avoided the language of scientific exposition. Ab is a real man, and his people are real people, whose fortunes the reader follows with sympathy as keen as if they were of our own day, instead of children of the Caverns of the Earth, who lived and died ages before history begins." The cover was designed by Mr. Will Bradley but does not appear on the back cover of this edition published by Herbert S. Stone. The spine remains the same, including the text "Chicago Way & Williams". The Frontispiece is an illustration by Simon Harmon Vedder. The original frontispiece, an illustrated map describing the area where the story takes place, is now facing page 1. Printed by R. R. Donnelley and Sons Company at The Lakeside Press, Chicago. Printed on laid paper, top edges trimmed, others uncut. Hard Cover. 5 x 7.7. (Fifth Edition) Kraus 44. See our Study on Way & Williams.	Pp 351	0032.07.0811
1900
Circa 1900	The Eve of St. Agnes (Published by Thomas Y. Crowell and Co., New York. Not dated, Circa 1900)	Keats, John	Deluxe green leather cover, lettering and floral illustration gilt-stamped, end-paper gilt-floral design. Portrait of Keats by Joseph Severn from a miniature. Title page red, green and gilt design. Red ribbon book mark. Title page design is similar to, and the illustration is the same as published in the Crowell 1895 Poetical Works. Printed on laid paper with "Old Stratford USA" watermark. Top pages gilt, others uncut. Possibly part of Crowell’s Verona Edition. Other Verona Editions published by Thomas Y. Crowell and Co., New York: "Saul" By Robert Browning. 1896 and 1901 (Dated). Title page, page design and end-paper matches this edition. "The Traveler" By Oliver Goldsmith. (Not Dated). Title page design matches this version. "Poor Richard's Almanac" By Benjamin Franklin, (Not Dated) ca. 1900. Illustrated with a tissue-protected frontis portrait of Franklin, and an illuminated title page. Bound in green leather. "A Dream of Fair Women", By Alfred Tennyson, not dated. Tissue-protected portrait of Tennyson. Gilt on top edge of pages. "Lamia". By John Keats, 4.5" X 7", not dated. Gilt top. Protected Frontispiece of author, (dated 1908 by the 1924 Boston Public Library Keats Exhibition). First edition. 4.5 x 7. For more information on the Eve of St. Agnes see our Wright Study.	Pp 40	0041.04.0511
1901
1901	Nanna, A Story of Danish Love. (Poul og Virginie under nordlig Bredde) From the Danish of Holger Drachmann. Re-written in English by Francis F. Browne. (Originally published in 1895 by Way & Williams, Chicago, as "Paul & Virginia of a Northern Zone".) (Hard Cover) (This 1901 edition published by A. C. McClurg & Co., Chicago, and printed on a very fine light beige laid paper.)	Drachmann, Holger; Re-written in English by Browne, Francis F.	"Introductory Note. Some years ago my excellent Danish friend, the lamented Thorkild A. Schoovelin, spoke to me in admiration of the works of his countryman Holger Drachmann, and suggested the project of making an English translation... and at his request I aided in the not easy task of giving to this charming Northern Idyll an adequate English setting. In revising the work for publication under a new title, taken from its heroine in accordance with the usage of the popular series of love-tales of which it now forms a part, I am conscious of the shortcomings which, had my friend lived, he might have done much to aid in remedying. Yet I trust enough of the beauty and distinctiveness of the original has been transferred to these pages, not only to afford a rare pleasure to the English reader, but to justify in his view the author’s naming of his little tale after the French classic which, in spite of an unlikeness in style and treatment answering to that of the races from which the works are sprung, it still in a way suggests. Francis F. Browne. Chicago, October 1901." 4.4 x 6.6. (First Edition) For more information see our Wright Study on Browne’s Bookstore.	Pp 208	0048.02.0311
1902
1902	The New Industrialism (Hard Cover) (Published by National League of Industrial Art, Chicago)	Wright, Frank Lloyd	Part III of 3 parts. Chapter by Wright. "The Art and craft of the Machine." Text of a speech by the same title, given to the Daughters of the Revolution, Illinois on March 14, 1902. The original speech by the same title was first given at the Hull House on March 28, 1901 (S.43). Published by National League of Industrial Art for the Daughters of the Revolution. 6.3 x 9.75. (Limited to 500 Copies, of which this Copy is Number 51.) (First Edition) (Sweeney 50)	Pp 79-111	0050.00.0602
1902	Shelley’s Adonais and Alastor. Edited, With Introduction and Notes By Charles G. D. Roberts, M.A. (Published by Silver, Burdett and Company, New York, Boston, Chicago. Part of The Silver Series of Classics, which also included Keats "The Eve of St. Agnes" and Other Poems.)	Shelley, Percy Bysshe; Roberts, Charles G. D.	In Shelley’s Introduction and biographical sketch, he writes, "On the 1^st of July (1822) Shelley set out with Williams (one of his closest friends) in the Ariel (their yacht) to meet Leigh Hunt at Leghorn. On the afternoon of the 8^th they left Leghorn... A storm was threatening... Then the bodies of Shelley and Williams were washed ashore. In Shelley’s pocket was found a copy of Keats, doubled back at ‘The Eve of St. Agnes’... the ceremony was conducted by Trelawney, Hunt, and Byron... The ashes were taken to Rome and buried in that cemetery where lay already the poet’s child William, and his great fellow-craftsman, Keats." In his preface Shelley writes. "The genius of the lamented person to whose memory I have dedicated these unworthy verses, was not less delicate and fragile than it was beautiful..." Shelley laments "I weep for Adonais - he is dead! O, weep for Adonais! though our tears, Thaw not the frost which binds so dear a head! And thou, sad Hour, selected from all years, To mourn our loss, rouse thy obscure compeers, And teach them thine own sorrow, say: with me Died Adonais..." Of note is Shelley’s second wife. He was married to Mary Shelley, novelist, who authored "Frankenstein". Wright designed the title page for the 1896 Auvergne Press edition of "The Eve of St. Agnes". Original Hard Cover list price 35c. 4.5 x 7. (First Edition) For more information on the Eve of St. Agnes see our Wright Study.	Pp 108	0052.02.0710

1903
Circa 1903	The Eve of Saint Agnes (Undated) (Published by George W. Jacobs & Co., Philadelphia. The Astolat Oakleaf Series. Printed by The Astolat Press, Guildford, England.) Endpaper printed on handmade paper with a "Lexham Airdried" watermark. Balance of the pages are printed on handmade Laid paper with an "Unbleached Arnold" watermark. Top edges are trimmed and gilt. Other edges uncut. Cover is red leather with gilt lettering and a stamped design consisting of oak leaves and acorns.	Keats, John	Undated edition of "The Eve of Saint Agnes". The "Catalogue of a Loan Exhibition Commemorating the Anniversary of the Death of John Keats" from 1921, dates this edition "189-?". During the 1890s A. C. Curtis operated a bookstore in Guildford, England, southwest of London. Being influenced by the Arts & Crafts movement and the reemergence of finely crafted books, he formed The Astolat Press and began publishing books, much like Browne’s Bookstore began doing in 1908. Possibly as early as 1896, but not confirmed until 1901 Curtis began publishing fine books. The title page and printers device were always consistent in his volumes and those that partnered with him. In 1903 A. C. Curtis published "The Eve of St. Agnes". The cover consisted of grey paper covered boards, the design being almost identical to this Jacobs’ edition. When Way & Williams began publishing books in 1895, like this volume, they partnered with English printers and publishers. Although this version was published with it’s own cover, the inside is identical to the Curtis version. The title page of the Curtis edition was dated 1903. The nearly identical Jacobs edition was undated. 4.4 x 7.1. (First U.S. Edition.) For more information on the Eve of St. Agnes see our Wright Study.	Pp 23	0054.04.1011
1903	Poems You Ought To Know (Published by Fleming H. Revell Company, Chicago, New York, Toronto, London, Edinburgh.)	Selected by Peattie, Elia W. (Literary Editor of the Chicago Tribune)	The first time Peattie came to our attention during our study of "The eve of St. Agnes", published by Wright and two of his clients, Winslow and Williams. Sixty-five copies were printed, No. 24 was inscribed by the publisher (most likely Williams) to Elia W. Peattie. In 1896, Williams and Way published "A Mountain Woman" [23] by Elia W. Peattie, and a year later published a second book by Peattie, "Pippins and Cheese" [49]. Her name surfaced again during our study of Browne’s Bookstore. In 1908 she wrote an article about Browne’s Bookstore which was published in the New York Post. The article, along with an article written by Wright’s uncle was republished in "A Notable Bookstore", a booklet about Browne’s Bookstore. In 1911, she wrote an extensive article about the Fine Arts Building, published in The International Studio. It was later republished in book form. "Introduction: Each morning, for several months, The Chicago Tribune has published at the head of its first column, versus under the caption: ‘Poems You Ought to Know’... By publishing these poems The Tribune hopes to accomplish two things: first, to inspire a love of poetry in he hearts of many of its readers..." A collection of over 150 poems. Illustrated by Ellsworth Young. Top edge gilt, others uncut. 6.1 x 9.3.	Pp 233	0054.03.0411
1904
1904	The Iron and Steel Works of The United States 1904 (Compiled and Published by The American Iron & Steel Association, Philadelphia, PA. Sixteenth Edition, Printed by Allen, Lane & Scott, Philadelphia)	American Iron & Steel	Includes information concerning W. I. Moody, General Manager of the Muncie Works, American Rolling Mill Corporation, with offices in the Rookery Building (S.113), Chicago, Ill. Moody was involved in financing and promoting the Como Orchard Summer Colony, University Heights (S.144) and the Bitter Root Inn (S.145). (Digital copy) For more information on the Bitter Root Inn see our Wright Study.	Pp 468	0055.02.1009
1904	Twentieth Century Biographical Dictionary of Notable Americans, Volume II (Digital Edition) (Published by The Biographical Society, Boston. Printed by Blimpton Press, Norwood, Mass.)	Johnson, Rossiter; Brown, John Howard	"Browne, Francis Fisher, editor and author... son of William Goldsmith Browne, a well-known poet and editor. He learned the printer’s trade in his father’s office in Chicopee, Mass. In the summer of 1862 he enlisted in the 46^th Mass. Regiment, in North Carolina and in the Army of the Potomac. In 1866 he entered the law department of the University of Michigan. In 1867 he removed to Chicago, Ill... He was editor of ‘The Western Monthly’ and ‘The Lakeside Monthly’ from 1869 to 1874; afterward was literary editor of ‘The Alliance’, and in 1880 founded ‘The Dial’ which he edited... Besides his critical writings, he wrote many short poems, some of which have found a place in standard literary anthologies. His books include: "The Every-Day Life of Abraham Lincoln", "Bugle Echoes, a collection of Poems of the Civil War, Northern and Southern", "Golden Poems by British and American Authors", and "The Golden Treasures of Poetry and Prose". He also edited an extended series of popular poems." (Page 17). Digital and printed version. 7 x 10. For more information see our Wright Study on Browne’s Bookstore.	Pp 440	0055.03.0311
1906
1906	Hiroshige: An Exhibition of Colour Prints from the collection of Frank Lloyd Wright (Published by The Art Institute of Chicago, Chicago)	Wright, Frank Lloyd	The Art Institute of Chicago. March the twenty-ninth, Nineteen hundred six. An exhibition catalog listing the prints in the exhibition. Introduction by Frank Lloyd Wright. While in Japan, Wright invested heavily in Japanese Prints as well as other items. One year later Wright exhibited over two hundred Hiroshige woodcut colour prints. He also purchased Japanese paper while in Japan which Wright used for the exhibition catalog. This solo exhibition was a first for Wright and for Hiroshige’s work. Soft Cover. 5.5 x 10. (First Edition) (Sweeney 60)	Pp 12	0060.00.0405
1907
1907	The Faith That Makes Faithful (This version published by James Pott & Company, New York. First published in 1896 by Charles H. Kerr & Company)	Gannett, William Channing; Jones, Jenkin Lloyd	A book of sermons by two Unitarian ministers. Eight chapters, four by each. Both having connections to Frank Lloyd Wright. Gannett: In 1895 he published “The House Beautiful”. In 1896-7 it was published by The Auvergne Press which was established by two of Wright's clients, William H. Winslow and Chauncey L. Williams in the stable designed for Winslow. Jenkin Lloyd Jones was born in 1843. The uncle of the architect, Frank Lloyd Wright, He became a Unitarian minister in Chicago. He was the author of numerous works, among them is this volume. 4.5 x 6. (Second Edition)	Pp 228	0080.04.1206
1908
1908	The Art Institute of Chicago. Catalogue of a Loan Exhibition of Japanese Colour Prints March 5 to March 25 1908. Catalogue for a major exhibition of 655 Japanese prints held at the Art Institute of Chicago. (Soft Cover) (Published by The Art Institute of Chicago, Chicago)	Art Institute of Chicago	Committee in charge and major contributors were Clarence Buckingham, Frederick W. Gookin, J. Clarence Webster and Frank Lloyd Wright. Introductory essay by Gookin. It was the largest exhibit of Ukiyo-e prints ever displayed in America. Included 205 Wright prints, 24 illustrations of prints of which Wright owned 7. Wright designed the exhibition installation for the Art Institute. (First Edition)	Pp 132	0080.02.0304
1908	Musical Memories, My Recollections of Celebrities of the Half Century, 1850--1900 (Published by A. C. McClurg & Co., Chicago. Printed by The University Press, Cambridge, U.S.A.)	Upton, George P.	"The Studebaker Theatre... is but one feature of the Fine Arts Building... and is the accomplishment of Mr. Charles C. Curtiss. It is a hive of busy workers in music, painting, sculpture, literature, and the arts and crafts. Its various cells house the theatre, the music hall, the assembly hall, the Amateur Musical Club, the Fortnightly Club, the Caxton Club, ‘The Dial,’ the only high-class literary periodical in the country... The Studebaker Theatre was dedicated September 29, 1895, as the Studebaker Hall, and was opened as a theatre in the first week of April, 1899, by the Castle Square Opera Company... Since 1899 (through October 1908), eighty-eight different works of a musical character have been performed in the theatre, besides a large number of dramas and many concerts... The light operas include...Pirates of Penzance, 2 (performances)... Yankee Consul, 56..." Digital and printed version. 5.5 x 8.3. For more information see our Wright Study on Browne’s Bookstore.	Pp 345	0085.08.0311
1910
1910	Ausgeführte Bauten und Entwürfe von Frank Lloyd Wright (Published by Ernst Wasmuth A.-G., Berlin)	Wright, Frank Lloyd	Portfolio Cover Boards. Each set consisted of two portfolios and 100 separate plates (sheets). Printed in German. The complete set consisted of 72 plates numbered I through LXIV and included eight with a or b. 28 were tissue overlays and were attached to the corresponding plates. Each set also included a 31 page introduction, consisting of unbound sheets, folded once. 16 x 25.5. Two sets (four portfolios) (First Edition) (Sweeney 87)	Pp Cover Portfolio	0087.00.0806 0087.01.0806
1910	Ausgeführte Bauten und Entwürfe von Frank Lloyd Wright. Plate VIII (8) "Studies and Executed Buildings". (Single Sheet) (Published by Ernst Wasmuth A.-G., Berlin)	Wright, Frank Lloyd	Plate VIII (8) - "Perspective of dwelling for Mr. McAfee, Chicago." Original vintage lithograph. (Sweeney 87)	Plate VIII (8)	0087.08.0704
1910	Ausgeführte Bauten und Entwürfe von Frank Lloyd Wright. Plate VIII (8b). "Studies and Executed Buildings". (Single Sheet) (Published by Ernst Wasmuth A.-G., Berlin)	Wright, Frank Lloyd	Plate VIII (8b) “House for Mr. McAfee, Chicago, Grounds.” Original vintage lithograph on tissue. 17.5 x 25. Framed. (Sweeney 87)	Plate VIII (8b)	0087.08.1006
1910	Ausgeführte Bauten und Entwürfe von Frank Lloyd Wright. Plate XV (15b) "Studies and Executed Buildings". (Single Sheet) (Published by Ernst Wasmuth A.-G., Berlin)	Wright, Frank Lloyd	Plate XV (15b) "Ground plan for the Hardy House, Recine, Wisc." From the Deluxe Edition (17.5 x 25) printed on white Japanese tissue paper. Original vintage tissue lithograph. (Sweeney 87)	Plate XV (15b)	0087.15.0604
1910	Ausgeführte Bauten und Entwürfe von Frank Lloyd Wright. Plate XVIII (18) "Studies and Executed Buildings". (Single Sheet) (Published by Ernst Wasmuth A.-G., Berlin)	Wright, Frank Lloyd	Plate XVIII (18) "Suburban dwelling of Frank Thomas, Oak Park, IL." Original vintage lithograph. (Sweeney 87)	Plate XVIII (18)	0087.18.0202
1910	Ausgeführte Bauten und Entwürfe von Frank Lloyd Wright. Plate XXXVI (36). "Studies and Executed Buildings". (Single Sheet) (Published by Ernst Wasmuth A.-G., Berlin)	Wright, Frank Lloyd	Plate XXXVI (36) “”Exposition building, containing an exhibition-room and lecture-room for the Larkin Co. at the Jamestown Exhibition. Browne’s Book-Store. A long narrow room in a down-town building converted into a book-store. The walls and ceiling were re-formed, and alcoves with chairs and tables provided for the convenience of customers.” Original vintage lithograph. 15.75 x 25.25. (Sweeney 87)	Plate XXXVI (36)	0087.36.0607
1910	Ausgeführte Bauten und Entwürfe von Frank Lloyd Wright. Plate LIII (53b). "Studies and Executed Buildings". (Single Sheet) (Published by Ernst Wasmuth A.-G., Berlin)	Wright, Frank Lloyd	Plate LIII (53b) “House, pergola and garage for Burton S. Westcott at Springfield, Ohio.” Original vintage lithograph on tissue. 17.5 x 25. Framed. (Sweeney 87)	Plate LIII (53b)	0087.53.1006
1910	Ausgeführte Bauten und Entwürfe von Frank Lloyd Wright. Plate LVI (56) "Studies and Executed Buildings". (Single Sheet) (Published by Ernst Wasmuth A.-G., Berlin)	Wright, Frank Lloyd	Plate LVI (56) "Living Room for Mr. Coonley, Riverside, IL." Original vintage lithograph. Reproduced In: 1) #1050 Pg 65; 2) #1401 Pg 51; 3) #1604c Pg 25 4) #1648 Pg 35; 4) #1999-2 Pg 113 (Sweeney 87)	Plate LVI (56)	0087.56.0101
1910	Ausgeführte Bauten und Entwürfe von Frank Lloyd Wright. Plate LVIIa (57a) "Studies and Executed Buildings". (Single Sheet) (Published by Ernst Wasmuth A.-G., Berlin)	Wright, Frank Lloyd	Plate LVIIa (57a) “House for Avery Coonley, Riverside, Ill.” Original vintage lithograph. 16 x 25.5. Framed. (Sweeney 87)	Plate LVIIa (57)	0087.57.0506
1910	Ausgeführte Bauten und Entwürfe von Frank Lloyd Wright. Plate LVIIb (57b) "Studies and Executed Buildings". (Single Sheet) (Published by Ernst Wasmuth A.-G., Berlin)	Wright, Frank Lloyd	Plate LVIIb (57b) “House for Avery Coonley, Riverside, Ill., Ground Plan.” Original vintage tissue lithograph. 16 x 25.5. Framed. (Sweeney 87) Plate LVIIb (57b)	Plate LVIIa (57b)	0087.57.0506
1910	Ausgeführte Bauten und Entwürfe von Frank Lloyd Wright. Plate LXII (62) "Studies and Executed Buildings". (Single Sheet) (Published by Ernst Wasmuth A.-G., Berlin)	Wright, Frank Lloyd	Plate LXII (62) "Ground plan for the Bock atelier" Original vintage tissue lithograph. (Sweeney 87)	Plate LXII (62)	0087.62.0303
1910	Bygone Days in Chicago, Recollections of the "Garden City" of The Sixties (Digital Edition) (Published by A. C. McClurg & Co., Chicago. April 9, 1910. Printed by The Lakeside Press, R. R. Donnelley & Sons Company, Chicago)	Cook, Frederick Francis	"Francis F. Browne and ‘The Lakeside’. Along with the many changes in the social order that marked the close of the war, there was awakened a literary consciousness, seeking to come into touch with the spirit of older communities... and the new spirit found expression in the pages of The Lakeside Monthly, under the stimulating editorship of Francis F. Browne. The founding of this high class publication marked the first step in the local literary output inviting critical comparison with what was doing in the world at large; and as such received flattering recognition both at home and abroad. It set up a standard whose influence on the character of local production, even if not always recognized, was almost immediate, and most salutary... and the work thus begun, and still carried forward under the same inspiriting leadership in the pages of the present Dial a critical force surpassed, perhaps, by none in America has its due reward in a germinating soil and literary fruition that has not only made a distinct place for itself, but is receiving an ever larger recognition as a formative influence in American literature. (Pages 239-240.) Includes portrait of Browne. Digital and printed version. 4.5 x 7.5. For more information see our Wright Study on Browne’s Bookstore.	Pp 400	0094.07.0311
1910	Catalogue of the Ninth Annual Exhibition of Original Designs for Decorations and Examples of Art Crafts having Distinct Artistic Merit (Published by the Art Institute of Chicago)	Art Institute of Chicago	December 6 To December 23, 1910. In 1907 Frank Lloyd Wright designed the shop for Pebbles & Balch, Oak park (1907 - S.131). Mrs. Grace M. Pebbles exhibited five items at the show. This gives us a glimpse into the types of merchandised, other than wallpaper, that was available at Pebbles & Balch. Item 908:Screen, pine tree design, mahogany mount. 909: Curtain, Silk, horsechestnut design. 910: Flower holder, brass, narcissus design. 911: Necklace, silver gilt and coral. 912: Box, brass. (Digital Edition) 4.7 x 7.5. Related to Study of Pebbles & Balch. See our Wright Study on the Pebbles & Balch Remodel.	Pp 94	0094.20.1111
1910	Neither Dorking Nor The Abbey (Soft cover) (Published by Brown’s Bookstore, Chicago. 1910 and in 1912) (This 1910 edition: Greenish blue paper cover with paper label on outside front cover. Silk stitched to inside pages, which were printed on hand-made Strathmore laid paper, with watermarks "The P M Co, Quality, Hand-made in Italy." 1912 edition Light yellowish brown paper cover. Note: We have also seen a 1911 version printed at Hillacre. Sewn greenish dark olive paper cover with paper label similar to Browne’s 1910 edition. Also accompanied by Hardy's poem, "G.M. 1828 - 1909." 300 copies were printed for the Hillacre Bookhouse.)	Barrie, J. M.; Hardy, Thomas	"Of the many tributes to George Meredith called forth by his death last May, probably the most appropriate and beautiful was that contributed by Mr. J. M. Barrie to '' The Westminster Gazette" of London, under the title "Neither Dorking nor the Abbey." That this brilliant little essay may not be lost to the many who love both Meredith and Barrie, we have issued it in attractive booklet form, printed on handmade paper and silk-stitched in blue handmade paper wrappers with printed title-label. There is a brief prefatory note, and appended are Thomas Hardy's fine verses on the death of Meredith. As the edition is limited, orders should be sent at once. Price, 50 cents, postpaid." From an ad in The Dial, July 1, 1910, page 22. Hand written on first title page (page 1) "K Eith June 15^th 1910". "Note. In England recently there died a great man – the greatest of his day. Immediately there arose much vain contention as to whether or no his dust should be given resting place among that of his peers in Westminster Abbey. Finally come the decision that Westminster was not to be so honored; and the urn containing all of him that had outlived the fire was place in the sunny graveyard of Dorking village..." (page 5-6) 5 x 6.75. (First Edition) For more information see our Wright Study on Browne’s Bookstore.	Pp 14	0094.08.0311
1910	Neither Dorking Nor The Abbey (Soft cover) (Published by Brown’s Bookstore, Chicago. 1910) (This 1910 edition: Tan colored laid paper cover with "Fabriano Italy" watermark. The title is printed on cover. Silk stitched to inside pages, which were printed on Strathmore paper, with "Strathmore" and "USA" watermarks. Accompanied by Hardy's poem, "G.M. 1828 - 1909.") (Reprinted again in 1911 and 1912.)	Barrie, J. M.; Hardy, Thomas	"Of the many tributes to George Meredith called forth by his death last May, probably the most appropriate and beautiful was that contributed by Mr. J. M. Barrie to '' The Westminster Gazette" of London, under the title "Neither Dorking nor the Abbey." That this brilliant little essay may not be lost to the many who love both Meredith and Barrie, we have issued it in attractive booklet form, printed on handmade paper and silk-stitched in blue handmade paper wrappers with printed title-label. There is a brief prefatory note, and appended are Thomas Hardy's fine verses on the death of Meredith. As the edition is limited, orders should be sent at once. Price, 50 cents, postpaid. " From an ad in The Dial, July 1, 1910, page 22. "Note. In England recently there died a great man – the greatest of his day. Immediately there arose much vain contention as to whether or no his dust should be given resting place among that of his peers in Westminster Abbey. Finally come the decision that Westminister was not to be so honored; and the urn containing all of him that had outlived the fire was place in the sunny graveyard of Dorking village..." (page 5-6) 4.75 x 6.25. (First Edition) For more information see our Wright Study on Browne’s Bookstore.	Pp 14	0094.14.0311
1910	Twenty Years at Hull-House, with Autobiographical Notes. (Published by The MacMillan Company, New York, Boston, Chicago, Atlanta, San Francisco. MacMillan & Co., Limited, London, Bombay, Calcutta, Melbourne. The MacMillan Co. of Canada, Ltd. Toronto.)	Addams, Jane	The Browne’s Bookstore edition was published by Macmillan, New York, in 1910. 6 1/4 x 9 3/4". 462 pages including index. Two hundred ten numbered copies were signed by the author, and "Printed especially for Browne's Bookstore, Chicago". It was produced in brown cloth boards, vellum spine with bright gilt titles. This third edition was first published in November 1910, reprinted November and December 1910 by Norwood Press, J. S. Cushing Co. - Berwick & Smith Co., Norwood, Mass., U.S.A.. The first November 1910 publishing could have been for Browne’s, with the second November 1910 directly for MacMillan. This edition produced with reddish brown cloth, gilt lettering and border. Includes three photographic and nine illustrated plates printed on glossy cream stock, printed singled sided. The nine illustrations, plus an additional 51 illustrations included within the text, by Norah Hamilton, Hull-House. Edges are cut, the top edge gilt. 5.25 x 8. (Third Edition) For more information see our Wright Study on Browne’s Bookstore.	Pp 462	0094.15.0411
1911
1911	The Morality of Women and Other Essays. Authorized Translation From the Swedish, of Ellen Key. By Namah Bouton Bothwick (Mamah Bouton Borthwick). (Hard Cover) (Published by The Ralph Fletcher Seymour Co. Fine Arts Building, Chicago.) (Version 1)	Key, Ellen; Bothwick, Namah Bouton (Borthwick, Mamah Bouton )	In 1909, Wright and Borthwick left their respective spouses and traveled to Europe, settling in Italy for about a year. Wright worked on his portfolio titled "Ausgefüührte Bauten und Entwüürfe von Frank Lloyd Wright". Borthwick spent her time translating the work of Ellen Key. After Wright’s return to the States from Europe, he presented three manuscripts to Ralph Fletcher Seymour, along with adequate funds to publish the three volumes. "The Morality of Woman and Other Essays" (1911), "Love and Ethics" (1912) with Wright’s assistance, and "Torpedo Under the Ark; ‘Ibsen and Women" (1912). This volume included "The Morality of Women", "The Woman of the Future" and "The Conventional Woman". Borthwick also translated "The Woman Movement". According to Publishers Weekly, March 23, 1912, p1072, the original list price was $1.00. 5.4 x 8.7. (First Edition) (Sweeney 95)	Pp 78	0095.01.1111
1911	The Morality of Wome\an and Other Essays. Authorized Translation From the Swedish, of Ellen Key. By Mamah Bouton Borthwick. (Hard Cover) (Published by The Ralph Fletcher Seymour Co. Fine Arts Building, Chicago.) (Version 4)	Key, Ellen; Borthwick, Mamah Bouton	In 1909, Wright and Borthwick left their respective spouses and traveled to Europe, settling in Italy for about a year. Wright worked on his portfolio titled "Ausgefüührte Bauten und Entwüürfe von Frank Lloyd Wright". Borthwick spent her time translating the work of Ellen Key. After Wright’s return to the States from Europe, he presented three manuscripts to Ralph Fletcher Seymour, along with adequate funds to publish the three volumes. "The Morality of Woman and Other Essays" (1911), "Love and Ethics" (1912) with Wright’s assistance, and "Torpedo Under the Ark; ‘Ibsen and Women" (1911). This volume included "The Morality of Woman", "The Woman of the Future" and "The Conventional Woman". Borthwick also translated "The Woman Movement". According to Publishers Weekly, March 23, 1912, p1072, the original list price was $1.00. 5.4 x 8.7. (First Edition) (Sweeney 95)	Pp 77	0095.00.0610
1911	Frank Lloyd Wright, Ausgeführte Bauten (Executed Buildings) (Soft Cover) (Published by Ernst Wasmuth A.-G., Berlin)	Wright, Frank Lloyd	This is the original Ausgeführte Bauten, written by Frank Lloyd Wright and published by Verlegt Wasmuth in 1911 and is all in German. It is a softcover. (First Edition) (Two Copies) (Sweeney 96)	Pp 141	0096.00.0202 0096.00.0502
1911	Frank Lloyd Wright, Chicago. Verlegt bei Ernst Wasmuth A.-G., Berlin 1911. (8. Sonderheft der Architektur des XX. Jahrhunderts. #8 Special Edition of Architecture of the 20th Century.) (Soft Cover) (Published by Ernst Wasmuth A.-G., Berlin)	Wright, Frank Lloyd	Second Version of "Frank Lloyd Wright Ausgefuhrte Bauten". Text is the same, but laid out differently. Some of the photos and Illustrations also differ. Cover states that "This German issue is for sale only in Europe." More information in "Frank Lloyd Wright, The Lost Years, 1910-1922". Alofsin, Anthony, Page 76-7 Original List Price of other issues in this series M. 5, to M. 12, (5,-12, Marks?). Original Direct Order Price M. 3, to M. 7,75 (3,-7,75 Marks?). (First Edition) (Sweeney 101)	Pp 113	0101.00.1204
C 1911	A Miracle in Hotel Building, Being the Story of the Building of the New Canyon Hotel In Yellowstone Park (Published by the Yellowstone Park Hotel Company)	Raftery, John Hentry; Photographs by F. J. Haynes	Relates to the Quinton Blair Residence (S.351). "...The two regiments of men who spent the winter of 1910-11 building this marvelous mountain hotel have been practically isolated from the world for months. They have worked always seven days of the week ; they had no saloon or club or theater to beguile their time or bemuse their faculties, and even for the younger, pleasure-loving workers there was no diversion, except the fierce thrill of gliding and coasting on skis over the glacier-like slopes of the desolate amphitheatre which surrounded them. There is probably no other like example of hotel-building in history, and the structure which is the result, the scene which it civilizes without desecrating, the strange region which it adorns without vulgarizing are all in keeping and in singular symmetry. ...Rustic it is not, in the sense that Old Faithful Inn is rustic. Architect Robert C. Reamer, who also contrived and constructed the historic Old Faithful Inn, smiled gravely when I commented upon this impressive feature of his latest and greatest work, saying: "I built it in keeping with the place where it stands. Nobody could improve upon that. To be at discord with the landscape, would be almost a crime. To try to improve upon it, would be an impertinence." Digital copy. 6 x 9.25. For more information on the Blair Residence see our Wright Study. For additional details on this book see "A Miracle in Hotel Building. Yellowstone Canyon Hotel"	Pp 15	0104.06.0909
1911	Joy of The Road. A Little Anthology in Praise of Walking (Hard Cover) (Published by Browne’s Bookstore, Chicago. Note: have seen a copy with "Printed by The Merrymount Press, Boston". This copy does not include that text. No other changes.)	Compiled by Browne, Waldo Ralph	A compilation of nine poems and short stories by the son of Francis Fisher Browne, which include: "The Joys of the Road", by Bliss Carman; "On Going A Journey", by William Hazlitt; "The Vagabond" by Robert Louis Stevenson; "Walking Tour", by Robert Louis Stevenson; "Afoot", by C. Fox Smith; "Walking" by Henry David Thoreau; "On the Roads" by Arthur Symons; "The Exhilarations of the Road" by John Burroughs; "Night and the Inn" by William Morris. 4.25 x 6.5. (First Edition) For more information see our Wright Study on Browne’s Bookstore.	Pp 104	0104.09.0311
1911	On The Art of The Theatre (Hard Cover) (Published by Browne’s Bookstore, Chicago. Printed on cream laid paper in England by Richard Clay & Sons, Limited, London and Bungay.)	Craig, Edward Gordon	Actor, director, designer and pioneering theorist, Edward Gordon Craig was one of twentieth century theatre’s great modernizers. This volume stands as one of the most influential books on theatre of the twentieth century. Loose tissue protects title page. Preface dated August 16, 1911, London, E. G. C. Introduction by Dr. Alexander Hevesi, Dramaturg-Regisseur of the State Theatre, Budapest. July 10, 1911. Sixteen illustrations by Edward Gordon Craig, selected from his collection of designs for stage scenes and costumes. Illustrations printed on cream gloss stock, single sided and bound with protective tissue. Tissue printed with description of scene. 6.25 x 8.5. (First Edition) For more information see our Wright Study on Browne’s Bookstore.	Pp 296	0104.10.0411
1911	The Ballad of Reading Gaol (Hard Cover) (Published by Browne’s Bookstore, Chicago. Printed on cream, laid Abbey Mills Greenfield paper, with "Crown (symbol) Abbey Mills, Greenfield" watermark. Printed by T. and A. Constable, Printers to His Majesty at the Edinburgh University Press.)	Wilde, Oscar	"In Memoriam, C.T.W., Sometime Trooper of the Royal Horse Guards, Obiit (sp) H.M. Prison, Reading, Berkshire, July 7th, 1896." Charles Thomas Wooldridge was a trooper in the Royal Horse Guards. He was convicted of the murder of his wife. He was executed at Reading Gaol (Redding Jail). Wilde was a fellow inmate at the time. "Note. At the end of the completed text, in this new popular edition, will be found a shorter version based on the original draft of the poem. This included for the benefit of reciters and their audiences who have found the entire poem too long for declaration... Which represents the author’s first scheme for a poem - never intended of course for recitation. Robert Ross, Reform Club, 25 May, 1910." Original list price 50c. 4.4 x 6.8. (First Edition) For more information see our Wright Study on Browne’s Bookstore.	Pp 86	0104.11.0311
1911	The Charm of Childhood, Being A Little Book On The Modern Child (Dust jacket over stick cover) (Published by Browne’s Bookstore, Chicago. Title and end pages printed on cream, laid Abbey Mills Greenfield paper, with "Crown (symbol) Abbey Mills, Greenfield" watermark. Balance of pages printed on cream stock. Lettering on cover embossed and gild. Circular illustration printed in four-color with circular dotted border, embossed and gild. Top edge gilt, others uncut. Only fragments left of ribbon that wraps through cover and around ends. Printed by Neill and Co., Ltd. Edinburgh.)	Compiled by: Elwes, Hervey; With a Foreword by: Harker, L. Allen	"Foreword: In nothing is changed during the last fifty years more marked than in the mental attitude of the English-speaking races towards children. It seems almost impossible to those born within that fifty years that such places as ‘Dotheboys Hall,’ described by Charles Dickens in Nicholas Nickleby, could ever have existed... We have travelled a considerable distance along the road of humane and kindly dealing since 1867... since the Reverend Arthur Waugh founded his trice excellent ‘Society for the Prevention of Cruelty to Children... To the gentle-hearted therefore, I commend this book, made by one who loves children for such as love children..." A compilation of over two-hundred poems and short stories by different authors. 4.5 x 6.9. (First Edition) For more information see our Wright Study on Browne’s Bookstore.	Pp 246	0104.12.0411
1912
1912	The Woman Movement. Translated by Mamah Bouton Borthwick, A.M. With an Introduction by Havelock Ellis. (Hard Cover) (Published by G.P. Putnam’s Sons, New York and London, The Knickerbocker Press)	Key, Ellen; Borthwick, Mamah Bouton	The Preface by Ellen Key is dated October 1, 1909. The introduction by Havelock Ellis is dated May 1, 1912. In 1909, Wright and Borthwick left their respective spouses and traveled to Europe, settling in Italy for about a year. Wright produced his portfolio titled "Ausgefüührte Bauten und Entwüürfe von Frank Lloyd Wright". Borthwick spent her time translating the work of Ellen Key. After Wright’s return to the States from Europe, he presented three manuscripts to Ralph Fletcher Seymour, along with adequate funds to publish the three volumes. "The Morality of Women and Other Essays" (1911), "Love and Ethics" (1912) with Wright’s assistance, and "Torpedo Under the Ark; ‘Ibsen and Women" (1912). This volume was published by G.P. Putnam’s Sons, New York and London. 5.5 x 7.75. (First Edition) (Sweeney 108)	Pp 224	0108.00.0205
1912	Neither Dorking Nor The Abbey (Soft cover) (Published by Brown’s Bookstore, Chicago. 1912) Tan colored laid paper cover with "Fabriano Italy" watermark. The title is printed on cover. Silk stitched to inside pages, which were printed on Strathmore paper, with "Strathmore" and "USA" watermarks. Accompanied by Hardy's poem, "G.M. 1828 - 1909." (Note: Other than the edition date, it is an exact match to the tan 1910 version.)	Barrie, J. M.; Hardy, Thomas	"Of the many tributes to George Meredith called forth by his death last May, probably the most appropriate and beautiful was that contributed by Mr. J. M. Barrie to '' The Westminster Gazette" of London, under the title "Neither Dorking nor the Abbey." That this brilliant little essay may not be lost to the many who love both Meredith and Barrie, we have issued it in attractive booklet form, printed on handmade paper and silk-stitched in blue handmade paper wrappers with printed title-label. There is a brief prefatory note, and appended are Thomas Hardy's fine verses on the death of Meredith. As the edition is limited, orders should be sent at once. Price, 50 cents, postpaid. " From an ad in The Dial, July 1, 1910, page 22. "Note. In England recently there died a great man – the greatest of his day. Immediately there arose much vain contention as to whether or no his dust should be given resting place among that of his peers in Westminster Abbey. Finally come the decision that Westminister was not to be so honored; and the urn containing all of him that had outlived the fire was place in the sunny graveyard of Dorking village..." (page 5-6) 4.75 x 6.25. (Third Edition) For more information see our Wright Study on Browne’s Bookstore.	Pp 14	0114.05.0311
1912	The Home of the Larkin Idea (Published by the Larkin Co., Buffalo, NY) (Soft Cover)	Anonymous	First published in 1901, Revised in 1906 with the third edition. This is the twelfth edition. “We present this book with the hope that, to those who have visited us, it will serve as a reminder of an hour well spent.” This seems to indicate that this book may have been given to those touring the Larkin Company. Pages 25-28 includes “The Larkin Administration Building” and “The Larkin Restaurant” with seven photographs. The back cover includes an illustration of the Larkin Globe. The book is folded in half to 4.25 x 8. But when opened up, it is actually 8.4 x 8. (Twelfth Edition)	Pp 32	0111.01.0107
1912	Successful Houses and How to Build Them (See 1923)
1913
1913	Modern American Homes (Published by the American School of Correspondence, Chicago)	Prepared by von Holst, H. V., A. B., S. B.	Begins with a Preface by H. V. von Holst, Table of Contents and Acknowledgment, then includes 108 Plates printed on one side only. Examples of many architects including the work of Walter Burley Griffin, Tallmadge & Watson, Von Holst & Frye, Robert C. Spencer, Charles E. White and George W. Maher. Frank Lloyd Wright, Plate 90, includes four photographs of Wright’s work. "Examples of a New Style of Domestic Architecture in and about Chicago. 1) Warren Hickox Exterior, 1900, S.056. 2) Ward W. Willits Living Room, 1901, S.054. 3) Isabel Roberts Living Room, 1908, S.150. 4) Charles A. Brown Exterior, 1905, S.110. 9.6 x 13.1. (First Edition)	Plates 108	0120.11.0411
1913	The Larkin Club-of-Ten (Published by Larkin Co., Buffalo, NY)	Larkin Co.	Includes illustration of Larkin complex including Wright’s Larkin Building and the Larkin Logo on the back cover. 6 x 9. (First Edition)	Pp 48	0120.04.0507

1916
1916	City Residential Land Development: Studies In Planning (Hard Cover) (Published by The University of Chicago Press, Chicago)	Wright, Frank Lloyd	Publication of the City Club of Chicago. Chapter IV: Non-competitive: "Plan By Frank Lloyd Wright". Only Non-competitive plan in book. Includes text and 7 colored illustrations. Original HC List Price $1.00?. 9.25 x 12.25. (First Edition) (Sweeney 132)	Pp 95-102	0132.00.0602
1917
1917	Antique Colour Prints from the Collection Frank Lloyd Wright (Soft Cover) (Published by The Arts Club of Chicago, Chicago)	Wright, Frank Lloyd; Arts Club	(First Edition) (Sweeney 137)	Pp 14	0137.00.1099
1917	The Book of Chicagoans (Published by A. N. Marquis & Company, October 1917)	Marquis, Albert Nelson	Henderson, Frank Bignell. F.B. Hendseron Residence, 1901, Elmhurst, Illinois (S.057). Biographic information on Wright’s client. Henderson appears on page 318. 6x9. High res digital images. For more information on the Henderson Residence see our Wright Study. The Book of Chicagoans	Pp 318	0138.03.1208
1917	Automobile Blue Book - 1917	Hotel Geneva	Hotel Geneva Ad - "Hotel Geneva. New and Modern. 70 Rooms with Bath. Dancing, Swimming and Fishing. Fish or Chicken dinners. 9 Hole Golf Course Open to the Public. A. H. Thierbach, E. T. Nussbaum Owners." The Lake Geneva Inn opened for business in 1912. It was demolished in 1970. 4.5 x 4 Ad. 5 x 9 page. For more information on the Hotel Geneva see our Wright Study.	Pp 624	0138.02.0107
1918
1918	The Pacific Reporter, Volume 171 (Published by West Publishing Co., St. Paul)	West Publishing Co.	"Como Orchard Land Co. v. Markham." Pages 274-276. 6.25 x 10. Relates to the Como Orchard Summer Colony, University Heights (S.144) and the Bitter Root Inn (S.145). (Digital and Printed version.) For more information on the Bitter Root Inn see our Wright Study.	Pp 1183	0139.04.1109
1921
1921	Catalogue of a Loan Exhibition Commemorating The Anniversary of the Death of John Keats. (1821-1921). Held at the Public Library of the City of Boston. February 21 to March 14, 1921. (Published and printed by The Public Library of the City of Boston: Printing Department.)	Boston Public Library	To honor the work of John Keats, the Boston Public Library held an exhibition on the one hundredth anniversary of his death. The exhibition included 84 Single and Collected works, 40 Selection which included number 56 of "The Eve of St. Agnes" published by Auvergne Press in 1896 (S.22). Wright designed the title page for this volume. It also included 29 Autographed letters, and about 150 Illustrations, Portraits and Pictures of Places. "The collection on exhibition, consisting of original editions and a very complete collection of the collected works of John Keats, presentation copies, autographed letters, portraits and views, is contributed by Mr. Fred Holland Day of Norwood, Massachusetts, and is a selection from his well-known collection of Keatsiana. The systematic collection of pictorial material relating to Keats, shown on the walls, is the property of Mr. Louis A. Holman of Boston." (Introduction.) Wright designed the title page for the 1896 Auvergne Press edition of "The Eve of St. Agnes". Digital and printed version. 4 x 5.7. For more information on the Eve of St. Agnes see our Wright Study.	Pp 63	0144.02.0710
1922
1922	Keats, Poems Published in 1820 (1820/1922 Version) (Published by Humphrey Milford, London at the Oxford University Press in 1922)	Keats, John	"This present edition is a reprint, page for page and line for line, of a copy of the 1820 volume in the British Museum..." originally published with the title "Lamia, Isabella, The Eve of St. Agnes, and Other Poems". By John Keats, Author of Endymion. Originally "Printed For Taylor and Hessey. Fleet-Street, London, 1820" This was the first time "The Eve of St. Agnes" was published in a volume. It also includes 12 other poems. Digital and printed version. 4.1 x 6.3. Digital and printed versions. For more information on the Bitter Root Inn see our Wright Study.	Pp 115	0147.03.0510
1923
1923	Successful Houses and How to Build Them (First published in September, 1912 by Norwood Press. J.S. Cushing Co. - Berwick & Smith Co. Norwood, Mass, U.S.A. This edition published in 1923 by The MacMillan Company, New York)	White, Charles E. Jr.	Charles E. White, Jr. was an architect in Chicago, and worked in Wright’s Oak Park studio from 1903 to 1905. White, along with Vernon S. Watson worked with Wright on the River Forest Tennis Club (S.119). The Walter Gerts Residence was designed by White and built in 1905. Wright remodeled it in 1911 (S.177). In this volume, many of Wright’s home were included, but only a few were identified. Images of Wright’s homes included: Moore Residence (First) p 8 (1895 s.034); Dana-Thomas pp 41, 51 (Interior), 216 (1902 S.072), Hill p 66 (2), 425 (1900 S.051); Heurtley, p 217 (1902 S.074); Beachy p 220 (1906 S.117); Winslow p 225 (1894 S.024); Coonley p 284 (1907 S.135); Roberts interior p350 (1908 S.150); Martin interior p 397 (1904 S.100); Winslow Stable p 498 (1894 S.025). These images document the homes prior to 1912. 5.5 x 7.6. (Second Edition)	Pp 520	0156.06.1009
1924
1924	Ausgeführte Bauten Und Entwürfe von Frank Lloyd Wright, (Hard Cover - Cloth string ties) (Published by Ernst Wasmuth A.G., Berlin)	Wright, Frank Lloyd	This is an undated German edition and was published by Wasmuth in Berlin. 100 Plates but reduced to 13 x 19". All one hundred plates are placed in one portfolio like the 1963 version, and the portfolio is similar to that version. The emboss is missing. This was an unauthorized version, and Wright was not pleased by the poor quality of printing. The text and list of plates included as a separate booklet (see 157b). (First Edition) (Sweeney 157)	Pp 100	0157.00.0404
1924	Ausgeführte Bauten Und Entwürfe von Frank Lloyd Wright, (Soft Cover sheets) (Published by Ernst Wasmuth A.G., Berlin)	Wright, Frank Lloyd	This booklet is included with the 1924 Wasmuth portfolio (Sweeney 157). There are 16 sheets folded once, but unbound. They are loosely placed next to each other. (First Edition) (Sweeney 157)	Pp 32	0157.0b.0404
1924	A Primer of Modern Art (Hard Cover) (Published by Tudor Publishing Company, New York)	Cheney, Sheldon	Text and three photos. (Tenth Edition)	Pp 16 223 323 328 334 368	0157.01.1202
1925
1925	The Life Work of the American Architect: Frank Lloyd Wright, (Published by C.A. Mees Santpoort, Holland.)	Introduction by H. Th. Wijdeveld	See: The Life Work of the American Architect: Frank Lloyd Wright, (1925/1948)
1926
1926	Frank Lloyd Wright: Aus dem Lebenswerke eines Architekten (Hard Cover) (Published by Verlag Ernst Pollak, Berlin)	Fries, H. De	(First Edition) (Sweeney 172)	Pp 80	0172.00.1201
1926	Picturesque Lake Geneva (Published by the Wisconsin Transportation Company, Lake Geneva, Wisconsin)	Denison, Bonnie Burton	Tourism and informational booklet concerning Lake Geneva. Includes one photograph of the Hotel Geneva circa 1926. It also confirms owners of the Hotel Geneva as Nussbaum and Thierbach. 25,000 copies printed. Original list price 50c. 11.2 x 8.25. (First Edition) For more information on the Hotel Geneva see our Wright Study.	Pp 32	0172.01.1208
1926	The Chicago Literary Club, A History of its First Fifty Years (Digital Edition) (Published by The Chicago Literary Club, Chicago)	Gookin, Frederick William	"...Mr. Browne conceived the idea of forming a Club somewhat similar to the Century Club of New York, which should accomplish this result..." In a letter to Frederick Gookin, June 3, 1892, concerning the early days of the Literary Club, Browne recalled "I was not present at this meeting owing to serious illness, - from which cause also the magazine was, not long after, given up; and for the next few years I was absent from the city most of the time, and my membership in the club lapsed." Includes one photograph of Francis F. Browne. Digital and Printed version. 5.5 x 9. For more information see our Wright Study on Browne’s Bookstore.	Pp 204	0172.11.0211

1927
1927	Frank Lloyd Wright Collection of Japanese Antique Prints (Soft Cover) (Published by The Anderson Galleries, New York)	Anderson Galleries	Sale number 2120. To be sold by order of Bank of Wisconsin, Madison, Wisconsin. An auction catalogue, of 346 prints owned by Wright. Forward by Wright. Original PB List Price "A Priced Copy of this Catalogue may be obtained for One Dollar for each Session of the Sale". (First Edition) (Sweeney 187)	Pp 163	0187.00.0104
1928
1928	New Dimensions: The Decorative Arts of Today in Words & Pictures (Published by Payson & Clarke LTD, New York) (Hard Cover)	Frankl, Paul T.	Dedicated “To a Great American Architect and Creative Artist Frank Lloyd Wright.” Forward by Frank Lloyd Wright. Includes 80 pages of text and 124 images, of which three relate to Wright. Original cover price possibly $6.00. 9.25 x 12.25. (First Edition) (Sweeney 200)	Pp 168	0200.00.0407
1928	Cyclopedia of Drawing, Vol. I (Leather Bound Stiff Cover) (Published by American Technical Society, Chicago)	American Technical Society	Illustration of Unity Temple (Fifth Edition)	P 1	0187.01.0504
1928	Cyclopedia of Drawing, Vol. III (Leather Bound Stiff Cover) (Published by American Technical Society, Chicago)	American Technical Society	Illustration of Dining Room and floor plan of H.J. Ullman House, Oak Park (Fifth Edition)	Pp 72	0187.02.0504
1928	The Eve of St. Agnes. By John Keats. Illustrated by E. M. Craig. (Hard Cover) (Published by John Lane The Bodley Head Ltd., London. Printed in Great Britain by R. & R. Clark, Limited, Edinburgh)	Keats, John	The sixth title published in the Helicon Series. Includes four illustrations by E. M. Craig. Pages with illustrations printed on one side only. Black cloth covers with gilt-stamped title and design. Wright designed the title page for the 1896 Auvergne Press edition. 5.25 x 6.6. For more information on the Eve of St. Agnes see our Wright Study.	Pp 55	0215.08.0810
1929
1929	The Theory of Evolution (An Inquiry), From A Lawyer’s Point of View. (Hard Cover, Paper label glued to face and spine. ) (Published by The Lakeside Press: Chicago. For Private Circulation.)	Moore, Nathan G.	Frank Lloyd Wright designed Moore's home (S.034) in 1895 and again in 1923. The First Edition was published anonymously in 1929. This second edition using his name, was also published in 1929. Part I: As Applied to Man; Part II: As Applied to Nature; From A Lawyer’s Point of View. In his conclusion to part one, Moore argues that "The proposition of a common origin of living things is therefore completely disproved. These groups of living beings exist, and each family may be traced back to its own recognizable head, but not a common unit... It is therefore completely untenable... The theory that man descended from apes or monkeys is now definitely abandoned. 5 x 8.4. (Second Edition)	Pp 374	0228.09.1211
1930
1930	Our Life in the Jiyu Gakuen (Soft Cover)	Wright, Frank Lloyd	Jiyu Gakuen Girls’ School, Class of 1923. Introduction by Wright. Includes history of School as well as photos of the school. 7 x 10. (First Edition)	Pp 64	0229.01.0405
1930	Revolt in the Arts (Hard Cover) (Published by Brentano's, New York)	Wright, Frank Lloyd	Architecture - "In Between". Chapter by Frank Lloyd Wright, (First Edition)	Pp 123-4, 322, 327-9	0228.01.1101
1930	The New World Architecture (Published by Longmans, Green and Co., London, New York, Toronto) (Hard Cover)	Cheney, Sheldon	Page vii, Author’s Acknowledgment, second sentence: “But I should like to say a word of direct thanks to certain architects who have given me freely of their time and their ideas: most particularly Frank Lloyd Wright, ...” Second paragraph: “For illustrations, I am especially indebted to Hugh Ferriss for permission to reproduce six of his drawings; and to Frank Lloyd Wright for the fine series of photographs of his earlier and later work.” Fifty photographs and two illustrations appear on pages iv, 6, 14, 24, 33, 94-5, 196, 199-200, 202-3, 215, 241, 243, 245, 247, 249-51, 253, 286-7, 311, 314, 327, 341, 383-4, 391, 394. 8 x 10.25. (First Edition)	Pp 404	0249.02.0207
1931
1931	Modern Architecture, Being the Kahn Lectures for 1930 (Hard Cover - Printed) (Published by Princeton University Press, Princeton, New Jersey)	Wright, Frank Lloyd	Wright delivered a series of six lectures at Princeton University in 1930. The six lectures included ”Machine, Materials and Men”; “Style in Industry”; “The Passing of the Cornice”; “The Cardboard House”; “The Tyranny of the Skyscraper”; “The City”. In 1953, this book was reprinted in full as part of “The Future of Architecture” pages 67-182 (S.913). Book Review in Saturday Review. (Designed Cover) (First Edition) (Sweeney 250)	Pp 115	0250.00.0801
1931	Modern Architecture, Being the Kahn Lectures for 1930 (Hard Cover - Cloth) (Published by Princeton University Press, Princeton, New Jersey)	Wright, Frank Lloyd	Wright delivered a series of six lectures at Princeton University in 1930. The six lectures included ”Machine, Materials and Men”; “Style in Industry”; “The Passing of the Cornice”; “The Cardboard House”; “The Tyranny of the Skyscraper”; “The City”. In 1953, this book was reprinted in full as part of “The Future of Architecture” pages 67-182 (S.913). This cloth cover edition is exactly the same as the above printed cover. Note on cloth cover. Our research indicates that this volume was produced as a hard cover and covered in paper with a printed design. There is no indication that it was ever produced as a cloth cover with dust jacket. But it is interesting to note that we acquired a second cloth covered copy and both are exactly the same, and other than the cloth or paper cover, are exactly the same. There is no indication that either cloth covers were rebound. This leads us to wonder if the cloth covered versions were also produced by the publisher. Book Review in Saturday Review. 8.5 x 11. Two Copies. (First Edition) (Sweeney 250)	Pp 115	0250.01.0501 0250.03.1011
1931	Two Lectures on Architecture (Soft Cover - DJ) (Published by The Art Institute of Chicago, Chicago)	Wright, Frank Lloyd	The text of the two lectures given to The Art Institute of Chicago on October 1&2, 1930. Two thousand copies were printed. Original SC List Price $0.75. In 1953, this book was reprinted in full as part of “The Future of Architecture” pages 183-219 (S.913). 7.5 x 10.25. (First Edition) (Two copies, second missing DJ) (Sweeney 261)	Pp 63	0261.00.0902 0261.01.0907

1932
1932	(Related Item:) FRANK LLOYD WRIGHT Rebel... Prophet... Genius Lectures on: MODERN ARCHITECTURE at the ALBRIGHT ART GALLERY, Buffalo, N.Y. NOVEMBER 9th (1932) 8:30p.m.	Albright Art Gallery	This poster announced Frank Lloyd Wright's lectures on Modern Architecture. This was two years after he spoke at Princeton. Those lectures were published in 1931, in his book called MODERN ARCHITECTURE, Being the Kahn Lectures for 1930. My assumption would be that since the title was the same, he spoke on some of the same subjects that were published in his book. Along the lines of a "Book Tour".		0250.02.0401
1932	Modern Architecture: Museum of Modern Art. International Exhibition. New York Feb. 10 To March 23, 1932. Museum of Modern Art. (MOMA) (Published by the Museum of Modern Art, New York)	Hitchcock, Henry-Russell, Jr.	A catalogue for the exhibit held at MOMA on the leaders of the International Style. Part II, First Chapter “Frank Lloyd Wright.” Includes a biography on Wright; Description of the “Model in the Exhibition: Project for House on the Mesa, Denver Colorado”; Chronology of his life; List of work completed through 1932; Seven photographs and five illustrations. This copy library bound and cover pasted on front and back (5000 original copies were printed.) 7.5 x 10.	Pp 29-55	0302.00.0201
1932	An Autobiography (Hard Cover) (Published by Longmans, Green and Company, London, New York, Toronto)	Wright, Frank Lloyd	This Autobiography is divided into four sections. Book One: Family, Fellowship; Book Two: Work; Book Three: Freedom; Photographs, includes 65 photographs. 500 copies were printed of this edition. (See FLW versus America, Page 37) 7.25 x 9.25. (First Edition) (Sweeney 303)	Pp 371	0303.00.0202
1932	The Disappearing City(Published by William Farquhar Payson, New York) (Hard Cover DJ)	Wright, Frank Lloyd	The Disappearing City was rewritten in 1945 and published as "When Democracy Builds." It was rewritten again in 1958 as "The Living City." In 1969 Horizon Press published a new boxed version with Wright's hand written revisions titled "The Industrial Revolution Runs Away." (First Edition) (Sweeney 328)	Pp 90	0328.00.0405
1932	The Disappearing City (Published by William Farquhar Payson, New York) (Hard Cover)	Wright, Frank Lloyd	This copy matches the copy with a DJ. It has a small label that is glued to the cover. Second copy. (First Edition) (Sweeney 328)	Pp 90	0328.01.0303
1932	The Disappearing City (Published by William Farquhar Payson, New York) (Hard Cover)	Wright, Frank Lloyd	Sweeney indicates that a popular edition of the book was published. The only difference between the two copies is the cover. This copy is printed on the cover Third copy. (First Edition) (Sweeney 328)	Pp 90	0328.02.0402
1933
1933	An Autobiography (Hard Cover) (Published by Longmans, Green and Company, London, New York, Toronto)	Wright, Frank Lloyd	First published in 1932. This Autobiography is divided into four sections. Book One: Family, Fellowship; Book Two: Work; Book Three: Freedom; Photographs, includes 65 photographs. No more that 2,000 copies were reprinted of this second edition. (See FLW versus America, Page 37) According to Ad: Original List Price $6.00. 7.25 x 9.25. (Second Edition) (Sweeney 303)	Pp 371	0303.02.0603
1934
1934	Modern Art: The Men, the Movement, the Meaning (Hard Cover - DJ) (Published by Simon and Schuster, New York)	Craven, Thomas	Chapter 14 - An American Architect (First Edition) (Sweeney 371)	Pp 273-289	0371.00.0401
1935
1935	Art In America (Hard Cover) (Published by Reynal & Hitchcock, New York)	Hitchcock, Henry Russell Jr	Chapter VI. III. Wright and the International Style (Third Edition)	Pp 128-130	0377.01.0401
1936
1936	Understanding Modern Art (Hard Cover) (Published by The Delphian Society)	Katz, Leo; Webster, James Carson	Chapter on Wright. Chapter LIII. Frank Lloyd Wright and the International Style. (First Edition)	Pp 775 - 788	0404.01.0403
1937
1937	Architecture & Modern Life (Hard Cover) (Published by Harper & Brothers, New York and London)	Brownell, Baker & Frank Lloyd Wright	What is the effect of architecture on modern life? What, conversely, is the effect of modern life on architecture? What will be the architecture of tomorrow? In a work of unique scope and variety, an eminent architect and a student of contemporary thought survey the whole field of architecture in its relation to our modern social structure, define present trends, and dare to prophesy a future when society and architecture will complement each other in experience the ideals of a new and vital civilization. (Publishers description.) In 1953, two of Wright's chapters in this book were reprinted in full as part of “The Future of Architecture” (S.913) pages 33-64 and pages 295-318. Book review in Saturday Review. Original list price $4.00. (First Edition) (Sweeney 405)	Pp 339	0405.00.1099
1938
1938	An Autobiography (Hard Cover - DJ) (Published by Longmans, Green and Company, London, New York, Toronto)	Wright, Frank Lloyd	First published in 1932. Second edition published in 1933. This Autobiography is divided into four sections. Book One: Family, Fellowship; Book Two: Work; Book Three: Freedom; Photographs, includes 65 photographs. No more that 2,000 copies were reprinted of this third edition. (See FLW versus America, Page 37). Original cover price $3.50. 7.25 x 9.25. (Third Edition) (Sweeney 303)	Pp 371	0303.01.0900
1938	Ad for: An Autobiography (Published Longmans, Green & Co., New York)	Wright, Frank Lloyd	“Now in a Popularly Priced Edition.” Ad for: An Autobiography. “Formerly $6.00, New Edition $3.50.” 3.5 x 3.	Pp 1	0303.03.0808
1938	A New House on Bear Run, Penn. By Frank Lloyd Wright. The Museum of Modern Art, New York, 1938. (Stiff Soft Cover - with Partial Wrap) (Published by The Museum of Modern Art, New York)	Wright, Frank Lloyd (MOMA)	3,000 copies printed. (Has yellow 1/3 wrap around cover) (First Edition) (Sweeney 430)	Pp 24	0430.00.0500
1938	The 1940 Book of Small Houses (Hard Cover - DJ) (Published by Simon and Schuster, Inc., New York)	By Editors of Arch Forum	"Frank Lloyd Wright, Architect, Houses for $5,000-$6,000 Income, To the Blackbourns" (Fourth Edition, Related article: Life Magazine - Sept 1938. Original HC List Price $1.96.	Pp 141-5	0430.01.0201
1939
1939	A Goodly Fellowship (Published in November by The MacMillan Company, New York, Boston, Chicago, Dallas, Atlanta, San Francisco)	Chase, Mary Ellen	Chapter 5. “The Hillside Home School”. Pp 85-121. Describes the school run by Wright’s aunts. She writes about her three year experience of living and teaching there. 5.5 x 8.25. (First Edition) (Sweeney 461)	Pp 305	0461.00.0306
1939	An Organic Architecture: The Architecture of Democracy (Hard Cover) (Published by Lund Humphries & Co. LTD., London)	Wright, Frank Lloyd	The Sir George Watson Lectures of the Sulgrave Manor Board. Four lectures delivered by Wright at the Royal Institute of British Architects in May, 1939. In 1953, the four lectures were reprinted in full as part of “The Future of Architecture” pages 221-293 (S.913). Original cover price £6. (Second Edition) (Sweeney 463)	Pp 56	0463.01.0802
1930's	Arizona Biltmore Hotel near Phoenix, Arizona (Soft Cover)	Arizona Biltmore	Booklet describing the Arizona Biltmore. All photographs are in color. (First Edition)	Pp 16	0501.02.0704