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Benjamin Adelman Residence, Phoenix, Arizona (1951 - S.344)

 
  Floor Plan 1951    Natural House (1954)    Arizona Highways (1956)    Maynard Parker (C 1953-54)    Remodel 1957    Adelman C1957 
Adelman 1963    Adelman 1968    Adelman 1973    Adelman 1979    Adelman 1996 
 
Floor Plan Benjamin Adelman House (1951 - S.344)
 

Floor plan for the Benjamin Adelman House, 1951. Courtesy of "A Natural House", Wright, 1954, Two separate buildings are connected by a covered walkway, with a perforated wall on the south side. The Garden Courts are enclosed by a block wall. The seven hundred square foot primary quarters included the Living and Dining Rooms, Workspace (kitchen), Master Bedroom and Bath. The secondary five hundred square foot guest house to the West included the Maid's Bedroom and Bath, Guest Room, Bath and a Sitting Room with a fireplace. Illustration text adapted by Douglas M. Steiner.

 
 
 
Benjamin Adelman Residence - "The Natural House" (1954)
 
The first photographs of the Benjamin Adelman House were published in "A Natural House." This home is considered to be the first Usonian Automatic House designed by Frank Lloyd Wright. In 1936, Wright developed a series of homes he called Usonian. They were designed to control costs. He continued to develop the concept, and in the early 1950s he first used the term Usonian Automatic to describe a Usonian style house made of inexpensive concrete blocks. The modular blocks could be assembled in a variety of ways. Wright hoped that home buyers could save money by building their own Usonian Automatic houses. A precursor to the Usonian Automatic system were the four Textile Block homes in California, Millard (La Miniatura) S.214, Storer S.215, Freeman S.216, and the Ennis S.217.
       The basic concrete block of the Usonian Automatic system is 12 x 24 inches, and comes in a variety of styles: plain for the walls; coffered, creating a waffle pattern; perforated, with and without glass.
       This home is actually two separate buildings connected by a covered walkway, with a perforated wall on the south side. The seven hundred square foot primary quarters included the Living
  and Dining Rooms, Workspace (kitchen) and Master Bedroom and Bath. The Living Room featured a geometric wall mural above the fireplace, designed by Eugene Masselink. The secondary five hundred square foot guest house to the West included the Maid's Bedroom and Bath, Guest Room, Bath and a Sitting Room with a fireplace.
       Adelman wintered at the Arizona Biltmore, which is adjacent to the western boundary. Just to the north is the Boomer Residence.
       Frank Lloyd Wright wrote "Here then, within moderate means for the free man of our democracy, worth some intelligence and by his own energy, comes a natural house designed in accordance with the principles of organic architecture." A Natural House, Wright, 1954, p.205. Adelman past away in April 1959, and the home was sold soon after. (FLLW #5101).
       According to Wright, (NH), the 1,413 square foot home cost $25,000 to build in 1953.
       These five photographs were taken in circa 1953, after the completion of the home, and before the publication of "The Natural House."
 
1) Viewed from the east, circa 1953. The Carport can be seen in the background on the far left. The Living Room is in the foreground left of center, the guest house is in the background to the right. This home is considered to be the first Usonian Automatic House designed by Frank Lloyd Wright. This home is actually two separate buildings connected by a covered walkway, with a perforated wall on the south side. The seven hundred square foot primary quarters included the Living and Dining Rooms, Workspace (kitchen) and Master Bedroom and Bath. The secondary five hundred square foot guest house to the West included the Maid's Bedroom and Bath, Guest Room, Bath and a Sitting Room with a fireplace. (Courtesy of Horizon Press, New York and The Frank Lloyd Wright Foundation.)
 
2) Viewed from the North, the Living Room is on the left. The tall Workspace, with glass filled perforated blocks is in the center background. The covered walkway that joins the two buildings is in the center. The sitting Room is on the right. "View toward the south over garden wall, living room at left, guest sitting room at right." p.207. (Courtesy of Horizon Press, New York and The Frank Lloyd Wright Foundation.)
 
3) Viewed from the Northeast, the Living Room is on the left. The tall Workspace, with glass filled perforated blocks is to the right of the Living Room. The covered walkway that joins the two buildings is in the center. The Guest House is on the right. The perforated wall of the walkway in the center is left open, the perforated Gallery wall on the right is enclosed with glass. "View toward south from garden court of Adelman House. Glazed doors to living room at left, glazed concrete screen along gallery to guest wing at right." p.206. (Courtesy of Horizon Press, New York and The Frank Lloyd Wright Foundation.)
 
4) View of the Dining area and Workspace from the East. The shelves are built-in. A folding divider separated the dining area from the Workspace. "Dining area and workspace beyond, seen from living room. Glazed doors to garden on right." p.206. (Courtesy of Horizon Press, New York and The Frank Lloyd Wright Foundation.)
 
5) The Guest House Gallery is seen from the South. The Guest Bedroom is to the left, the Sitting Room is at the end of the hall, the Terrace and Garden Court is to the right. The perforated blocks are glazed with glass, forming a glass-block wall. While the ceiling and perforated blocks are concave, the built-in ceiling light fixtures are convex. "Gallery in guest wing. Entry to guest sitting room at far end." p.207. (Courtesy of Horizon Press, New York and The Frank Lloyd Wright Foundation.)
 
 
 
Benjamin Adelman Residence (Circa 1954-55): "Arizona Highways" (February 1956)
 
Five photographs and a floor plan of the Benjamin Adelman House was published in the February 1956 issue of the Arizona Highways.
       This home is considered to be the first Usonian Automatic House designed by Frank Lloyd Wright. This home is actually two separate buildings connected by a covered walkway, with a perforated wall on the south side. The seven hundred square foot primary quarters included the Living and Dining Rooms, Workspace (kitchen) and Master Bedroom and Bath. The secondary five hundred square foot guest house to the West included the Maid's Bedroom and Bath, Guest Room, Bath and a Sitting Room with a fireplace.
       Window and door casings were painted cherokee red. Perforated blocks were used throughout the house. A low
  band of perforated blocks began in the Living Room and continued along the eastern Garden Court wall, then halfway along the Northern wall. Only the Living Room blocks were glazed with Glass. The upper walls of the Workspace were also perforated and glazed. The Southern wall of the walkway was perforated, but not glazed. The Eastern wall of the Guest House Gallery was perforated and glazed.
       Designed in 1951, the home was not built until 1953. Benjamin Adelman purchased a lot and a half from Jorgine Boomer. "For the consideration of Ten Dollars, and other valuable considerations, I, Jorgine Boomer, a widow, do hereby convey to Benjamin E. Adelman and Regina B. Adelman, his wife..." Warranty Deed, March 30, 1953. These five photographs were most likely taken in 1954-55.
 
1) Viewed from the east, circa 1955. The Living Room is in the foreground on the left, the guest house is in the background to the right. The Arizona Biltmore can be seen in the background to the far right. This home is considered to be the first Usonian Automatic House designed by Frank Lloyd Wright. This home is actually two separate buildings connected by a covered walkway, with a perforated wall on the south side. The seven hundred square foot primary quarters included the Living and Dining Rooms, Workspace (kitchen) and Master Bedroom and Bath. The secondary five hundred square foot guest house to the West included the Maid's Bedroom and Bath, Guest Room, Bath and a Sitting Room with a fireplace. Frank Lloyd Wright wrote "Here then, within moderate means for the free man of our democracy, worth some intelligence and by his own energy, comes a natural house designed in accordance with the principles of organic architecture." A Natural House, Wright, 1954, p.205. Courtesy of the Arizona Highways, February 1956.
 
2) Viewed from the Northeast. The Living Room is on the far left. Cherokee red floor to ceiling doors on the left lead to the Living Room. The tall Workspace, with glass filled perforated blocks is to the right of the Living Room seen in the background. The covered walkway with the perforated block wall in the center, joins the two buildings. The Guest House is on the right. The perforated Gallery wall on the right is enclosed with glass. The low block wall in the foreground encloses the Garden Court. Courtesy of the Arizona Highways, February 1956.
 
3) View of the Guest House from the Southeast, photographed from the Terrace. The North corner of the Gallery is seen on the far left, the Sitting Room is just to the right. The low block wall in the background encloses the Garden Court. Piestewa (Squaw) Peak can be seen in the background. Courtesy of the Arizona Highways, February 1956.
 
4) View of the Northern Garden Court from outside the walkway's perforated block wall. Viewed from the South. The Guest House is on the left, the Main House is to the right. Piestewa (Squaw) Peak can be seen in the background. Courtesy of the Arizona Highways, February 1956.
 
5) View of the Dining area and Workspace from the East. The shelves are built-in. A folding divider separated the dining area from the Workspace. "Dining area and workspace beyond, seen from living room. Perforated blocks tops the wall between the Dining and Workspace. Glazed doors on the far right lead to the Terrace. Photographed around the same time period as "A Natural House." Courtesy of the Arizona Highways, February 1956.
 
 
 
Benjamin Adelman Residence - By Maynard Parker (Circa 1953-54)
     
Although the Benjamin Adelman was the first Usonian Automatic House designed by Frank Lloyd Wright, it was not the first to be built. In 1952, one year after designing the Adelman house, Wright design the second Usonian Automatic for Arthur Pieper, an apprentice, who also became his son-in-law on June 18, 1954. Pieper built his home in early 1952.
       Designed in 1951, the home was not built until 1953. Benjamin Adelman purchased a lot and a half from Jorgine Boomer. "For the consideration of Ten Dollars, and other valuable considerations, I, Jorgine Boomer, a widow, do hereby convey
  to Benjamin E. Adelman and Regina B. Adelman, his wife..." Warranty Deed, March 30, 1953.
       Construction on the Adelman House began in 1953, and was most likely completed in late 1953 or early 1954.
       This set of 15 photographs were taken after the home was completed and landscaped, and most likely in late 1953 or early 1954. They were either published in "A Natural House," Wright, 1954, or taken approximately at the same time.
       Five were published in the November 1955 issue of House Beautiful.
     
1) Entrance of the Adelman House viewed from the South, circa 1953-54. The corner of the roof cantilevers out over the entrance to the home. When you entered the home, and pass the coast closet, you find yourself in the Living Room. The Master Bedroom is on the left, the Living Room is on the right. Piestewa (Squaw) Peak can be seen in the background. Photographed by Maynard Parker.
 
1A) Detail of the entrance of the Adelman House. The corner of the roof cantilevers out over the entrance to the home.
 
2) View of the Adelman House from the East, circa 1953-54. The carport is on the far left, the Living Room is in the foreground left of center. The Guest House can be seen in the background to the right. The low block wall in the foreground encloses the Garden Court. Photographed by Maynard Parker.
 
2A) Detail of the Adelman House carport. Although not shown on the "Natural House" floor plan, this view appears to show a Utility Room was added to the west end of the Carport.
 
2B) Detail of the Adelman House Living Room. The Guest House can be seen in the background to the right. The low block wall in the foreground encloses the Garden Court.
 
3) View from the Southeast. The Living Room is on the left, circa 1953-54. Metal cames divide the windows into two-foot squares. The corner windows have mitered glass corners. The row of perforated blocks in the Living Room are glazed. As the wall continues North, blocks are left unglazed, and surrounds the Garden Court. Piestewa (Squaw) Peak can be seen in the background. Photographed by Maynard Parker.
 
3A) Detail of the Living Room windows. Metal cames divide the windows into two-foot squares. The corner windows have mitered glass corners.
 
4) View of the Guest House exterior Gallery wall, viewed from the East, circa 1953-54. Perforated blocks are glazed with glass. The Main house and Terrace are to the left, Guest House sitting Room to the right. Photographed by Maynard Parker.
 
4A) Detail of the Guest House exterior Gallery wall. Perforated blocks are glazed with glass.
 
5) View of the Adelman House from the North, circa 1953-54. The Living Room is on the left, the tall Workspace, with glass filled perforated blocks is in the center background. The covered Terrace and walkway that joins the two buildings is in the center. A female, possibly Mrs. Adelman, can be seen setting the table on the Terrace. The Guest House and sitting Room is on the right. The low block wall in the foreground encloses the Garden Court. Photographed by Maynard Parker.
 
5A) Detail of the Adelman House Living Room. The tall Workspace, with glass filled perforated blocks is in the background on the right. A female, possibly Mrs. Adelman, can be seen setting the table on the Terrace.
 
5B) Detail of the Adelman House Guest House. The perforated block wall on the left is the Gallery, the sitting Room is on the right. The low block wall in the foreground encloses the Garden Court.
.
6) View of the Terrace from the Northeast, circa 1953-54. The Living Room is on the left, the tall Workspace, with glass filled perforated blocks is in the background on the right. The roof over the Terrace is cantilevered. Lines were etched into the terrace, creating two foot squares. The doors lead to the Dining area and Living Room. The Dining table appears to be designed by Wright. Built-in seating and shelves can be seen in the Living Room. A four foot by four foot pool can be seen in the foreground. Photographed by Maynard Parker.
 
6A) Detail of the Living Room windows. Metal cames divide the windows into two-foot squares. The corner windows have mitered glass corners.
 
6B) Detail of the Terrace Doors. The doors lead to the Dining area and Living Room. The Dining table appears to be designed by Wright. Built-in seating and shelves can be seen in the Living Room.
 
6C) Detail of the Workspace, with glass filled perforated blocks.
 
7) View of the Northern Garden Court from outside the walkway's perforated block wall, circa 1953-54. Viewed from the South. The Guest House is on the left, the Main House is to the right. Piestewa (Squaw) Peak can be seen in the background. "Grille block, glazed with clear glass, creates weatherproof screen wall retaining the trellis-like quality of the open garden wall..." House Beautiful, November, 1955, p.318. Photographed by Maynard Parker.
 
7A) Detail of the decorative end of the covered walkway.
 
8) View of the Guest House from the Southeast, circa 1953-54, photographed from outside the walkway's perforated block wall. The perforated blocks of the Guest House Gallery are glazed. "Trellis wall made from blocks with open center sections carries rhythm of over-all design into garden walls and can support structural roof load." House Beautiful, November, 1955, p.318. Photographed by Maynard Parker.
 
9) View of block wall between the carport and the Guest House, circa 1953-54. The wall offered a measure of privacy from the Arizona Biltmore. "Transition between protected living spaces and garden is accomplished with complete unity. Any portion of solid fence could be open or glazed grille depending upon need and situation." House Beautiful, November, 1955, p.318. Photographed by Maynard Parker.
 
10) Detail of the block wall, most likely between the carport and the Guest House, circa 1953-54. Photographed by Maynard Parker.
 
11) View of the Living Room, from the Entrance, circa 1953-54. The Fireplace and Workspace are on the left, built-in desk, seating and shelves are on the right. The built-in desk doubles as an enclosure to the built-in seating. There is a Wright designed coffee table in front of the seating. The Dining Room is to the left. The coffered ceiling blocks created a consistent pattern throughout the house. The Boomer Residence can be seen through the windows. "Network of slender reinforced rods in joints of block-work is continued in patterning of frames for glass. As a result, although window heights and sizes vary, unity of over-all design is maintained." House Beautiful, November, 1955, p.317. Photographed by Maynard Parker.
 
11A) Detail of the Living Room desk which doubles as an enclosure to the built-in seating. The desk is on the opposite side, shelves on this side.
 
11B) Detail of the Living Room shelves.
 
11C) Detail of the Living Room seating, high back cushions.
 
11D) Detail of the Wright designed coffee table. A variation of the Usonian Coffee Table.
 
11E) Detail of the built-in light fixture. While the ceiling and perforated blocks are concave, the built-in ceiling light fixtures are convex.
 
11F) The Boomer Residence can be seen through the Living Room windows.
12
12) View of the Dining area, from the East, circa 1953-54. Shelves and cabinets are built-in. The table appears to be designed by Frank Lloyd Wright, but no verification of the dining room chairs. The workspace is behind the dining room wall. Doors lead to the Terrace. The Guest House can be seen in the background. Photographed by Maynard Parker.
 
12A) Detail of the floor to ceiling wall between the Dining area and workspace. The top three block are perforated. The block just above the cabinet is perforated, as are the corner blocks.
 
12B) Detail of the built-in shelves and cabinets.
 
12C) Detail of the perforated screen that leads to the workspace..
 
12D) Detail of the Dining table designed by Frank Lloyd Wright. It appears to be two square tables pushed together, with a sheet of glass on top of the table, visually eliminating the seam.
 
12E) The ceiling that covers the walkway between the main house and the Guest House, intersects the southern wall of the main house into the workspace and Dining area.
 
13) View of the Workspace, from the South, circa 1953-54. Shelves and cabinets are built-in. Glazed perforated blocks offer an abundance of light to the workspace. The dining Room and Terrace are through the doorway on the right. Photographed by Maynard Parker.
 
13A) Detail of the Adelman ceiling. There are no seams along the outside edges of the ceiling, which appears to indicate that the ceiling may have been poured over the pattered blocks. Much like the concept Wright used at Taliesin West. Forms were created, desert rock was placed into the forms, then concrete poured into the forms, creating a solid mass. This was also used in the Boomer Residence just next door. In this case it would appear that Wright built the walls, then created forms for the ceilings, placed the 1 foot by 2 foot blocks, then poured concrete, creating a single slab. Wright also added concrete "beams" for strength. The Adelman House was the first Usonian Automatic house, and there were issues with the ceilings. Wright devised a different concept for the other Usonian Automatic homes that were built.
 
13B) Detail of the concrete floor. Lines were etched into the floor, creating two foot squares.
 
14) View of the Guest House Gallery, circa 1953-54, viewed from the South. The Guest Bedroom is to the left, the Sitting Room is at the end of the hall, the Terrace and Garden Court is to the right. The perforated blocks are glazed with glass, forming a glass-block wall. While the ceiling  and perforated blocks are concave, the built-in ceiling light fixtures are convex. Although designed as a sitting room with a fireplace, a door was added at the end of the hall, and the sitting room became a bedroom. Photographed by Maynard Parker.
 
14A) Detail of the Guest House Gallery, circa 1953-54. While the ceiling  and perforated blocks are concave, the built-in ceiling light fixtures are convex.
 
14B) Detail of the Guest House Gallery, circa 1953-54. The perforated blocks are glazed with glass, forming a glass-block wall.
 
15) View of the Guest House Sitting Room, circa 1953-54, viewed from the South. Although designed as a sitting room with a fireplace, a door was added at the end of the hall, and the sitting room became a bedroom. While the ceiling  and perforated blocks are concave, the built-in ceiling light fixtures are convex. Piestewa (Squaw) Peak can be seen through the windows. "One basic block forms both walls and ceiling in unified, coffered pattern. Note how the ceiling lights and the window fenestration line up with blocks used as modules." House Beautiful, November, 1955, p.317. Photographed by Maynard Parker.
 
 
 
Benjamin Adelman Residence Remodel 1957
 
Original Floor plan for the Benjamin Adelman House, 1951. Courtesy of "A Natural House", Wright, 1954, Two separate buildings are connected by a covered walkway, with a perforated wall on the south side. The Garden Courts are enclosed by a block wall. The seven hundred square foot primary quarters included the Living and Dining Rooms, Workspace (kitchen), Master Bedroom and Bath. The secondary five hundred square foot guest house to the West included the Maid's Bedroom and Bath, Guest Room, Bath and a Sitting Room with a fireplace. Although not indicated on the drawing, a utility room was added and enclosed on the west side of the carport, and carport was moved approximately six feet to the East. Illustration text adapted by Douglas M. Steiner.
 
In 1957, Adelman contacted Wright to enlarge his cottage. The Living Room was expanded to the South and East, with a planting box on the Southeast Corner. The Master Bedroom was expanded to the South, and the Master Bath was enlarged and expanded to the West. The Entrance was also moved to the South but the door was moved from the South to the East. The original stairs were removed and also expanded to the South. They were also widened from 12 to 16" wide. The Maid's Room in the Guest Wing was converted to a Bedroom, and a closet was added to the Sitting Room and used as a Bedroom. The doors of the closet formed the corner when closed. The Carport was expanded to the West, adding a Bedroom and Bath for the Maid. The two separate buildings were connected by a covered, but still open walkway, with a perforated wall on the south side. The Garden Courts are enclosed by a block wall, but openings were added to the Western side. Illustrated  by Douglas M. Steiner from drawings courtesy of The Frank Lloyd Wright Foundation.
 
 
 
Benjamin Adelman Residence - By Maynard Parker (Circa 1957-58)
 
Photograph of the Fireplace, circa 1957-58. The Living Room features a geometric wall mural above the fireplace, designed by Eugene Masselink. One major change is the wood ceiling. The coffered blocks have been covered. Although the trim follows a two foot square pattern. The pottery on the shelves is the same as the 1953-54 image #12, but rearranged. Besides documenting the fireplace, this image reveals its original details and colors. The walls are painted a light pink, What Wright called "Desert Rose." The chair seats and backs are a red vinyl. A clue to the paneled ceiling could be a note written on the plans for the 1957 remodel. "Note: Cover all inside faces of all exterior walls and ceilings with 3/8" waterproof finish plywood, veneered on exposed face with ribbor-striped Philippine mahogany..." This photograph was taken at night by Maynard Parker.
 
 
 
Benjamin Adelman Residence (1963)
     
Benjamin Adelman Residence viewed from the east, 1963. Sadly, after enjoying his home for only eight years, Benjamin Adelman past away in 1959. Soon after his death, the home was sold to a private party. The landscaping is mature, the home is about 12 year old. Although much of the home is blocked in this view,   details are visible. The carport can be seen on the far left. The Living Room is engulfed in trees. The Workspace can be seen in the background center, the Guest House is on the right. From a set of 12 - 2.25 x 2.25 color transparencies of the Phoenix area photographed in 1963.
 
Benjamin Adelman Residence viewed from the east, 1963. Sadly, after enjoying his home for only eight years, Benjamin Adelman past away in 1959. Soon after his death, the home was sold to a private party. The landscaping is mature, around 12 year old. Although much of the home is blocked in this view, details are visible.
 
A) Detail of the Adelman carport. The roof is held up with four block piers and cantilevers out about six feet.
 
B) Detail of the Adelman Living Room and Workspace. The Living Room is on the left, the curtains are drawn. The fireplace chimney can be seen above the trees on the left. The Workspace can be seen above the trees on the right. The covered walkway has not been enclosed yet.
 
C) Detail of the Adelman Walkway and Guest Wing. The Workspace can be seen above the trees on the left. The covered walkway has not been enclosed yet. Two planter boxes on the left side of the covered walkway are still there, although it doesn't appear to hold any plant. The Guest wing is on the right. The Gallery's perforated blocks are glazed with glass, forming a glass-block wall. Curtains have been added and they are drawn.
 
D) Detail of the Adelman Guest Wing. The Gallery's perforated blocks are glazed with glass, forming a glass-block wall. Curtains have been added and they are drawn. The Sitting Room, converted to a Bedroom is on the right. The curtains are drawn.
 
 
 
Benjamin Adelman Residence - By William Storrer (1968)
     
Set of three photographs of the Benjamin Adelman Residence by William Storrer, circa 1968. The exterior view is from the North. The landscaping is very mature, 17 years old. The Walkway has not yet been enclosed. The Master Bath that was enlarged in the 1957 remodel can be seen threw the perforated blocks as can the carport to its right. The Terrace, which used to end at the middle of the small pool (Parker 1953 #6), has been enlarged to the North approximately 20 feet.
       The Living Room fireplace was designed by Eugene
  Masselink. The original coffered block ceiling, with 1 foot x 2 foot embedded blocks, has been covered with mahogany plywood. The trim follows a two foot square pattern. Storrer indicated that furniture and the Wright designed chandelier was sold in the late 1980s.
       The Workspace's lower mahogany cabinets appear to be recovered with a laminate. Upper cabinets have been added. Glazed perforated blocks offer an abundance of light to the workspace.
 
1) Benjamin Adelman Residence viewed from the North, circa 1968. The landscaping is very mature, 17 years old. The large trees on the left are overtaking the Living Room. The Living Room is on the far left. The Dining area is to the left and behind the bush next to the small pool. The tall Workspace is seen in the center background. The covered walkway runs from the Dining area glass doors on the left, to the Guest House on the right. The Walkway has not yet been enclosed. The perforated block wall on the right side of the walkway is left unglazed with glass. The Master Bath that was enlarged in the 1957 remodel can be seen threw the perforated blocks as can the carport to its right. The Terrace, which used to end at the middle of the small pool (Parker 1953 #6), has been enlarged to the North approximately 20 feet. A sculpture on a pedestal has been added. The Guest Wing is on the right. The perforated blocks of the Gallery are glazed. The sitting room, which was used as a bedroom is on the far right. Two planter boxes on the left side of the covered walkway are still there. Photographed by William Storrer, Courtesy of the Oak Park Public Library.
 
1A) Detail of the Adelman Residence. The landscaping is very mature, 17 years old. The large trees on the left are overtaking the Living Room. The Living Room is on the left. The Dining area is to the center behind the bush next to the small pool. The tall Workspace is seen in the background. The covered walkway runs from the Dining area glass doors to the Guest House on the right. The Walkway has not yet been enclosed. The Terrace, which used to end at the middle of the small pool (Parker 1953 #6), has been enlarged to the North approximately 20 feet. A sculpture on a pedestal has been added. Two planter boxes on the left side of the covered walkway are still there.
 
1B) Detail of the Adelman Residence. The Walkway has not yet been enclosed. The perforated block wall on the left is unglazed with glass. The Master Bath that was enlarged in the 1957 remodel can be seen threw the perforated blocks as can the carport to its right. The Terrace, which used to end at the middle of the small pool (Parker 1953 #6), has been enlarged to the North approximately 20 feet. The Guest Wing is on the right. The perforated blocks of the Gallery are glazed.
 
1C) Detail of the Adelman Residence sitting room, which was used as a bedroom.
 
2) Benjamin Adelman Residence Fireplace and Dining area, circa 1968. The Living Room fireplace was designed by Eugene Masselink. The original coffered block ceiling, with 1 foot x 2 foot embedded blocks, has been covered with mahogany plywood. The trim follows a two foot square pattern. The Dining table appears to be designed by Frank Lloyd Wright. The chair seats and backs are a red vinyl. A note written on the plans for the 1957 remodel read: "Note: Cover all inside faces of all exterior walls and ceilings with 3/8" waterproof finish plywood, veneered on exposed face with ribbor-striped Philippine mahogany..." Storrer indicated that furniture and the Wright designed chandelier was sold in the late 1980s. Photographed by William Storrer, Courtesy of the Oak Park Public Library.
 
2A) Detail of the Adelman Fireplace. The Living Room fireplace was designed by Eugene Masselink.
 
2B) Detail of the Adelman chandelier. Storrer indicated that furniture and the Wright designed chandelier was sold in the late 1980s.
 
2C) Detail of the Adelman Dining area built-in shelves and perforated screen. The screen leads to the workspace. Frank Lloyd Wright specified Philippine mahogany.
 
2D) Detail of the Adelman Dining table and chairs. The Dining table appears to be designed by Frank Lloyd Wright. The chair seats and backs are a red vinyl.
 
3) View of the Workspace, from the South, circa 1968. Lower mahogany cabinets appear to be recovered with a laminate. Upper cabinets have been added. Glazed perforated blocks offer an abundance of light to the workspace. The dining Room and Terrace are through the doorway in the background on the right. Photographed by William Storrer, Courtesy of the Oak Park Public Library.
 
 
 
Benjamin Adelman Residence - By Anthony Thompson (1973)
 
Benjamin Adelman Residence viewed from the North, 1973. The landscaping is very mature, 22 years old. The large trees on the left have overtaken the Living Room, blocking the view of Piestewa (Squaw) Peak. The Living Room is on the far left. The Dining area is in the center. The is one of the best exterior views of the dining area to date. The tall Workspace is seen in the center background. The covered walkway runs from the Dining area glass doors on the left, to the Guest House on the right. The Walkway has not yet been enclosed. The perforated block wall on the right side of the walkway is left unglazed with glass. The Terrace, which used to end at the middle of the small pool (Parker 1953 #6), has been enlarged to the North approximately 20 feet. The Guest Wing is on the far right. The perforated blocks of the Gallery are glazed. Two planter boxes on the left side of the covered walkway are still there. Photographed in November 1973 by Anthony Thompson.
 
A) Detail of the Adelman Residence. The landscaping is very mature, 22 years old. The large trees on the left have overtaken the Living Room, blocking the view of Piestewa (Squaw) Peak. The Living Room is on the far left. The Dining area is in the center. The is one of the best exterior views of the dining area to date. The tall Workspace is seen on the right. The covered walkway runs from the Dining area glass doors on the left, to the Guest House on the right. The Walkway has not yet been enclosed. The Terrace, which used to end at the middle of the small pool (Parker 1953 #6), has been enlarged to the North approximately 20 feet. Two planter boxes on the left side of the covered walkway are still there.
 
B) Detail of the Adelman Residence. The covered walkway runs from the Dining area glass doors on the left, to the Guest House on the right. The Walkway has not yet been enclosed. The perforated block wall on the right side of the walkway is left unglazed with glass. The Guest Wing is on the far right. The perforated blocks of the Gallery are glazed.
 
 
 
Benjamin Adelman Residence - By Thomas A. Heinz (Circa 1979)
     
Set of three photographs of the Benjamin Adelman Residence by Thomas A. Heinz, circa 1979. Photographed approximately 22 years after Frank Lloyd Wright's 1957 remodel. The Master Bedroom was extended four feet South. The Entrance, which originally faced South, now faces East, and is enclosed on the South with glass. The Living Room was extended 10 feet South in 1957. Windows were added to the Southeast corner, as well as the built-in planter. A short wall has been added to the left side of the stairs. The short wall on the right appears to be a large   planter box turned at 45 degrees.
       On Wright's 1957 plans, a "Servants Room" was added to the West end of the Carport. It appears that the Carport was enclosed instead, and windows added to each corner, as well as the addition of the built-in planter on the East end.
       Bob & Judy Kopulos, lived in the home from 1977-1986. They began restoring the home to its original design and colors, also stripping the gray paint from the mahogany kitchen cabinets.
 
1) Benjamin Adelman Residence viewed from the South, circa 1979. Photographed approximately 22 years after Frank Lloyd Wright's 1957 remodel. The Master Bath, added in 1957 can be seen on the far left. The Master Bedroom on the left was extended four feet South. The Entrance, which originally faced South, now faces East, and is enclosed on the South with glass. The Living Room on the right was extended 10 feet South in 1957. Windows were added to the Southeast corner, as well as the built-in planter on the far right. A short wall has been added to the left side of the stairs. The short wall on the right appears to be a large planter box turned at 45 degrees. Photographed by Thomas A. Heinz. Published in "Frank Lloyd Wright Field Guide," West, Heinz, 1999, p.77.
 
1A) Detail of the Adelman Residence. The Master Bath, added in 1957 can be seen on the far left. The Master Bedroom on the left was extended four feet South. The Entrance, which originally faced South, now faces East, and is enclosed on the South with glass. A short wall has been added to the left side of the stairs.
 
1B) Detail of the Adelman Residence. The Entrance, which originally faced South, now faces East, and is enclosed on the South with glass. The Living Room on the right was extended 10 feet South in 1957. Windows were added to the Southeast corner, as well as the built-in planter on the far right. The short wall on the right appears to be a large planter box turned at 45 degrees.
 
2) Benjamin Adelman Residence viewed from the Southwest, circa 1979. Photographed approximately 22 years after Frank Lloyd Wright's 1957 remodel. The Entrance, which originally faced South, now faces East, and is enclosed on the South with glass. The Living Room on the right was extended 10 feet South in 1957. Windows were added to the Southeast corner, as well as the built-in planter on the far right. The short wall on the right appears to be a large planter box turned at 45 degrees. Photographed by Thomas A. Heinz. Published in "Frank Lloyd Wright" Architectural Monographs No 18, Heinz, 1992, p.125.
 
3) Benjamin Adelman Residence viewed from the East, circa 1979. Photographed approximately 22 years after Frank Lloyd Wright's 1957 remodel. On Wright's 1957 plans, a "Servants Room" was added to the West end of the Carport on the far left. It appears that the Carport was enclosed instead, and windows added to each corner, as well as the addition of the built-in planter on the East end. The Entrance, which originally faced South, now faces East, and is enclosed on the South with glass. The Living Room on the right was extended 10 feet South and two feet East in 1957. Windows were added to the Southeast corner, as well as the built-in planter. The short wall on the right appears to be a large planter box turned at 45 degrees. Photographed by Thomas A. Heinz. Published in "The Vision of Frank Lloyd Wright," Heinz, 2000, p.239.
 
3A) Detail of the Adelman Residence. On Wright's 1957 plans, a "Servants Room" was added to the West end of the Carport. It appears that the Carport was enclosed instead, and windows added to each corner, as well as the addition of the built-in planter on the East end.
 
3B) Detail of the Adelman Residence. The Entrance, which originally faced South, now faces East, and is enclosed on the South with glass. The Living Room on the right was extended 10 feet South and two feet East in 1957. Windows were added to the Southeast corner, as well as the built-in planter. The short wall on the right appears to be a large planter box turned at 45 degrees.
 
3C) Detail of the Adelman Residence. The Entrance, which originally faced South, now faces East, and is enclosed on the South with glass. The Living Room on the right was extended 10 feet South and two feet East in 1957. Windows were added to the Southeast corner, as well as the built-in planter. The short wall on the right appears to be a large planter box turned at 45 degrees.
 
3D) Detail of the Adelman Residence. The Living Room was extended 10 feet South and two feet East in 1957. Windows were added to the Southeast corner, as well as the built-in planter. The short wall on the right appears to be a large planter box turned at 45 degrees.
 
 
 
Benjamin Adelman Residence - By Anthony Thompson (1996)
     
In 1988, a major renovation and addition was completed by Fred Bloch, an architect who had worked under Edgar Tafel. The 1957 Entrance, originally on the South, which lead into the Living Room, was blocked off and replaced with perforated/glazed blocks. The entry stairs were removed. The Entrance was moved to the North side of the Living Room, and opened into a hallway.
       Originally white or silver, window cames were painted Cherokee red. The roof of the covered walkway, intersected the Workspace wall, and ended just past the doors that lead to the Terrace. It was extended over the new Entrance, and continued to the East joining the new garage.
       Originally the main house ended at the work space, and the cantilevered covered walkway was open. The Walkway was enclosed with a glass wall.
       The coffered ceiling blocks in the Living Room, originally 1' by 2', were replaced with 2' by 2' blocks. The roof of the covered
  walkway, which intersected the Workspace wall, and ended just past the doors that lead to the Terrace, was extended over the new Entrance, and continued to the East joining the new garage. The decorative edge of the roof with the 1' square pattern was retained.
       Dining table and chairs were installed. The dining chairs were originally designed by Frank Lloyd Wright for the Usonian Exhibition House, exhibited in "Sixty Years of Living Architecture: The Work of Frank Lloyd Wright", at The Solomon R. Guggenheim Museum exhibition grounds, in New York, 22 October - 29 November 1953.
       The Living Room fireplace retained the original geometric wall mural, designed by Eugene Masselink, as were the original built-in shelves. The hearth of the fireplace was raised one block height.
       This set of seven images was photographed by Anthony Thompson 1996, just a few years after the renovation.
     
1) View of the Southeast corner of the Adelman Residence Living Room 1996. The 1957 Entrance, originally on the left, has been blocked off and replaced with perforated/glazed blocks. The entry stairs that were on the left, have also been removed. The Entrance has been moved to the right side of the Living Room. Perforated blocks have been added to the fireplace chimney. The 1957 Living Rooms windows and built-in planter box remain intact. Glass corners are mitered. The low ground-wall that runs South from the planter box is new. Photographed in 1996 by Anthony Thompson.
 
1A) Detail of the Adelman Residence Living Room. The 1957 Entrance, originally in the center, has been blocked off and replaced with perforated/glazed blocks. The Entrance has been moved to the right side of the Living Room.
 
1B) Detail of the Adelman Residence Living Room. Perforated blocks have been added to the fireplace chimney. The 1957 Living Rooms windows and built-in planter box remain intact. Glass corners are mitered.
 
1C) Detail of the Adelman Residence Living Room. The 1957 Living Rooms windows and built-in planter box remain intact. The low ground-wall that runs South from the planter box is new.
 
2) View of the Northeast corner of the Adelman Residence Dining area 1996. Originally white or silver, window cames are painted Cherokee red. Glass corners are mitered. Lower perforated blocks are glazed. The 1957 Entrance, originally on the South end of the Living Room, has been blocked off and replaced with perforated/glazed blocks. The Entrance has been moved to the right side of the Dining area. The roof of the covered walkway, intersected the Workspace wall, and ended just past the doors that lead to the Terrace. It has been extended over the new Entrance, and continues to the East joining the new garage. Photographed in 1996 by Anthony Thompson.
 
2A) Detail of the Northeast corner of the Adelman Dining area. Originally white or silver, window cames are painted Cherokee red. Glass corners are mitered. The roof of the covered walkway, intersected the Workspace wall, and ended just past the doors that lead to the Terrace. It has been extended over the new Entrance, and continues to the East joining the new garage.
 
2B) Detail of the Northeast corner of the Adelman Dining area. Glass corners are mitered. Lower perforated blocks are glazed.
 
3) View of the Adelman Residence addition from the North, 1996. Originally the main house ended at the work space, and the cantilevered covered walkway was open. The Pool is original, and the Terrace is consistent with Wright's 1957 remodel. Although not part of Wright's original design, Bloch retained the 1' by 2' patter in the blocks, the 2' by 2' pattern with the windows, and the 1' decorative edge of the roof. The original Guest wing is on the right. Photographed in 1996 by Anthony Thompson.
 
3A) Detail of the Adelman Residence addition. Although not part of Wright's original design, Bloch retained the 1' by 2' patter in the blocks, the 2' by 2' pattern with the windows, and the 1' decorative edge of the roof. The Terrace is consistent with Wright's 1957 remodel.
 
3B) Detail of the Adelman Residence addition. Originally the main house ended at the work space, and the cantilevered covered walkway was open. The Pool is original, and the Terrace is consistent with the 1957 remodel. The walkway was enclosed creating a hallway. The original Guest wing is on the right. Photographed in 1996 by Anthony Thompson.
 
4) View of the Adelman Residence Dining area, 1996. With the expansion of the Living Room in 1957, doubling its size, it enabled more room for the dining area. The coffered ceiling blocks, originally 1' by 2', are now 2' by 2'. The roof of the covered walkway, intersected the Workspace wall, and ended just past the doors that lead to the Terrace. It has been extended over the new Entrance, and continues to the East joining the new garage. The 1' decorative edge of the roof was continued. The Dining chairs were originally designed by Frank Lloyd Wright for the Usonian Exhibition House, exhibited in "Sixty Years of Living Architecture: The Work of Frank Lloyd Wright", at The Solomon R. Guggenheim Museum exhibition grounds, in New York, 22 October - 29 November 1953. Photographed in 1996 by Anthony Thompson.
 
4A) Detail of the Adelman Residence Dining area. With the expansion of the Living Room in 1957, doubling its size, it enabled more room for the dining area. The coffered ceiling blocks, originally 1' by 2', are now 2' by 2'. The roof of the covered walkway, intersected the Workspace wall, and ended just past the doors that lead to the Terrace. It has been extended over the new Entrance, and continues to the East joining the new garage. The 1' decorative edge of the roof was continued.
 
4B) Detail of the Adelman Residence Dining area. The Dining chairs were originally designed by Frank Lloyd Wright for the Usonian Exhibition House, exhibited in "Sixty Years of Living Architecture: The Work of Frank Lloyd Wright", at The Solomon R. Guggenheim Museum exhibition grounds, in New York, 22 October - 29 November 1953.
 
5) View of the Adelman Residence Fireplace from the Southeast, 1996. The Living Room features an original geometric wall mural above the fireplace, designed by Eugene Masselink. The shelves are built-in. A folding divider separated the dining area from the Workspace. The hearth of the fireplace has been raised one block height. Photographed in 1996 by Anthony Thompson.
 
5A) Detail of the Adelman Residence Fireplace, 1996. The Living Room features an original geometric wall mural above the fireplace, designed by Eugene Masselink.
 
5B) Detail of the Adelman Residence Fireplace, 1996. The hearth of the fireplace has been raised one block height.
 
6) View of the Adelman Residence Fireplace from the Northeast, 1996. The Living Room features an original geometric wall mural above the fireplace, designed by Eugene Masselink. The hearth of the fireplace has been raised one block height. Photographed in 1996 by Anthony Thompson.
 
7) View of the Adelman Residence built-in Living Room seating, 1996. Seating has been reupholstered.. Photographed in 1996 by Anthony Thompson.
 
 
 
Back to Adelman Study
 
 
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Photographic Chronology of Frank Lloyd Wright Portraits
 
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