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PHOTOS 1950 - 1959
 

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YEAR DESCRIPTION ST#
1950
1950 Mrs. Avery Coonley (1907 - S.135 ), Circa 1950. Queene Ferry Coonley, born Addie Elizabeth Ferry, (1874-1958), was born in Detroit to garden seed magnate Dexter Ferry and his wife Addie. Queene graduated from Vassar College in 1896, married Avery Coonley in 1901. They had one child, Elizabeth Ferry Coonley, born in 1902. Mrs. Avery (Queene Ferry) Coonley, a believer in the early childhood education, attempted to enroll her daughter in Kindergarten. She was denied entrance because her daughter was not yet five. In 1906, Mrs. Coonley formed the Cottage School in Riverside, Illinois, a private independent school. In 1912, Wright designed the Coonley Playhouse to accommodate the growth of the Cottage School. The school continued to grow, and In 1916, moved to a new facility. In addition to her duties at school she was treasurer of the National Women’s Party; a trustee of Vassar College and vice president of the Progressive Education Association. In 1954, Queene Ferry Coonley published "Great thoughts: an anthology of sayings, garnered over the years". She past away in the same year a Wright, 1959. Original 5 x 5.5 B&W photograph. Courtesy of the Avery School. 0831.25.0112
1950

Florida Southern College, Lakeland, Florida. Wright at graduation ceremony.  Wright third from left.

1950.16.1104
1950 Florida Southern College, Lakeland, Florida Wright receives honorary doctor of laws degree in March 1950 (#2).  5x4. 0831.11.0806
1950

Florida Southern College, Lakeland, Florida. Wright on campus.

1950.17.1104
1950's Florida Southern College, Lakeland, Florida.  Wright on campus visit with Cane. Original silver gelatin 5x7. 1950.11.0506
1950's Photo Florida Southern College, Lakeland, Florida.  Wright walking campus.  Original silver gelatin 5x7.  See Frank Lloyd Wright Quarterly, Summer 2001, page 22. 1950.12.0506
1950 Florida Southern College, Lakeland, Florida Wright walking campus (#2).  7x5.  See Frank Lloyd Wright Quarterly, Summer 2001, page 22. 0831.09.0806
1950 Florida Southern College, Lakeland, Florida Wright walking campus (#3).  7x5.  See Frank Lloyd Wright Quarterly, Summer 2001, page 22. 0831.10.0806
1950 Frank Lloyd Wright at Florida Southern College - 1950.  Published in 1955 Yearbook 1950.08.1004
1950's Florida Southern College, Annie Pfeiffer Chapel, Lakeland, Florida, 3x4, Five photos (circa 1950's)  First of Wright buildings at the College.  Built in 1938. 1950.02.0604
1950's Florida Southern College, Library, Lakeland, Florida, 3x4, (circa 1950's) Built in 1941. 1950.03.0604
1950's Florida Southern College, Administration Building, Lakeland, Florida, 3x4, (circa 1950's)  Built in 1946. 1950.04.0604
1950's Florida Southern College, Administration Building, Lakeland, Florida, 3x4, (circa 1950's)  Built in 1946. 1950.05.0604
1950's Florida Southern College, Library, Lakeland, Florida, 5x7 (circa 1950's)  Built in 1941.  Published in 1955 Yearbook. 1950.06.0804
1950's Florida Southern College, Annie Pfeiffer Chapel, Lakeland, Florida, Two 8x10s (circa late 40's early 1950's)  First of Wright buildings at the College.  Built in 1938. 1946.02.1104 1950.07.0804
1950's Florida Southern College, Lakeland, Florida.  Annie Pfeiffer Chapel interior 8x10.  (circa 1950's)  First of Wright buildings at the College.  Built in 1938. 1950.09.1204
1950 New Theatre, West Hartford, Connecticut. "Frank Lloyd Wright, Left, world’s most celebrated architect, is pictured discussing his controversial New Theater model with lovely Faye Emerson on whose TV-show, the architect was interviews. At the (center) is noted Playwright Tennessee Williams, who participated in the discussion. The site for the theatre is West Hartford, Connecticut, where the project is now being held up by the City Council. Mel Strauss, PL-9-6094. (Hand written: 9/22/1950.)" Assumed to be photographed by Mel Strauss, September 22, 1950. The interview aired on October 19, 1950. 7 x 6 B&W Print, High res digital image. (See additional information on the New Theater.) 0831.20.0110
1950 S.C. Johnson Research Tower, 1950. Round Mezzanines are visible through the glass tubing. The Research Tower was designed in 1944, construction began in 1947 and the opening ceremony was held on November 17, 1950. Published in "A Testament" Wright,1957, page 172-173. "Frank Lloyd Wright, His Life, His Work, His Words" Wright, 1966, page 133. Frank Lloyd Wright and the Johnson Wax Building Lipman, 1986, page 158 (dates image at 1950). Original silver gelatin photo. 8 x 10. 0831.19.1109
1950 Wright at 83, 1950. (Brandoch approximate age 8). Wright and grandson, Brandoch Peters. His parents were architect William Wesley Peters and Svetlana Hinzenburg, Wright’s adopted daughter from Olgivanna’s previous marriage. In 1946 when Brandoch was four years old, his mother Svetlana and brother Daniel, were killed in an automobile accident at Taliesin in 1946. The Wrights helped raise Brandoch and raised him as their own. He grew up at Taliesin at his grandfather's side. The verso is stamped "Edgar L. Obma, A.P.S.A. Master of Photography. Dodgeville, Wisconsin." (Note: Obma Studio opened in Dodgeville on March 1, 1941 after Edgar and his wife Elizabeth purchased the former Letcher Studio. They were married for 38 years. He passed away on January 31, 1976, she on October 5, 2002.) Gift from Randolph C. Henning. 8 x 10 print, High res digital image. 0831.18.0709
1950 Wright at 83. 1950. Studio portrait of Frank Lloyd Wright in suit and tie, facing forward, looking slightly to the left. Photographed by Edgar L. Obma, Dodgeville, Wisconsin. Possibly photographed at the same time as portrait of Wright and Brandoch Peters. (We have verified a copy of this photograph that is dated August 24, 1950.) Press photograph for exhibition at the Smithsonian Institute, Washington, D.C., opening July 1, 1988. Label taped to verso: "Exhibition: ‘Frank Lloyd Wright: In the Realm of Idea’, an exhibition that explores the ideas and achievements of architectural theorist, designer and educator Frank Lloyd Wright..." (Note: Obma Studio opened in Dodgeville on March 1, 1941 after Edgar and his wife Elizabeth purchased the former Letcher Studio. They were married for 38 years. He passed away on January 31, 1976, she on October 5, 2002.) Original 8 x 10 B&W photograph. 0831.24.0811
1950 Wright at 63 and 83, 1930 and 1950. UPI Caption: "4/9/59 - Phoenix, Arizona: Frank Lloyd Wright, 89, dean of American architects, died 4/9 in St. Joseph’s Hospital here. Wright underwent an operation 4/6. He is shown her in 1926 (1930) photo (top) and 1950 photo (bottom). UPI Telephoto/Files." 1930 photograph published in "My Father Who is on Earth", Wright 1946, page 195, and "Truth Against The World", Meehan, 1987, page 122. Also used in the 1932 Poster. Acquired from the archives of the Chicago Tribune. Original 7 x 9.2 B&W Print. (1930 - S#249.21) (1950 - S#831.22) 0831.22.0910
1951
Circa 1951 Charles L. Manson House, Wausau, Wisconsin (1938) (S.249). Photographed from the street, circa 1951.  Original 4 x 5 silver gelatin photograph. Possibly photographed by Pedro Guerrero or Charles L. Manson.  4 x 5. 0857.02.0207
Circa 1951 Charles L. Manson House, Wausau, Wisconsin (1938) (S.249). Photographed from the right side of the yard, circa 1951.  Original 4 x 5 silver gelatin photograph. Possibly photographed by Pedro Guerrero or Charles L. Manson.  4 x 5. 0857.03.0207
1951 (B) Wright at 84, 1951. A) 1957 (90);  B) 1951 (84);  C) 1953 (86);  D) 1954 (87).
A) Top Left: Wright at 90. 1957. Frank Lloyd Wright inspects construction of the Guggenheim in 1957. Ground was broken on August 14, 1956. Wright visited the site many times. Wright pasted away April 9, 1959, six months before the grand opening. Grand opening October 21, 1959. Published in "The Guggenheim", 2009, p 1, and a similar image taken at the same time, "Frank Lloyd Wright in New York", Hession, Pickrel, 2007, p 104. Photographed by John Engstead. Original 3.75 x 4.75 B&W photograph.
B) Top Right: Wright at 84, 1951. Wright in drafting room, Taliesin West in 1951. Photographed by Ezra Stoller. Similar image in "Frank Lloyd Wright’s Taliesin West", Stoller, 1999, p 8. Original 3.75 x 4.75 B&W photograph.
C) Bottom Left: Wright at 86, 1953. Frank Lloyd Wright at drafting table with a large image of the V.C. Morris Gift Shop (S.310 - 1948) in the background. Photographed by John Engstead. Published on the cover of "Frank Lloyd Wright Decorative Designs Collection", 1990. Original 3.75 x 4.75 B&W photograph.
D) Bottom Right: Wright at 87, 1954. Portrait of Frank Lloyd Wright, facing right, looking to the left. Photographed by Al Ravenna. Original 3.75 x 4.75 B&W photograph.
Montage of four portraits of Frank Lloyd Wright. Stamped on verso: "Nov 9 1998". Original 8 x 10 B&W photograph. Two copies.
0857.06.0911 0857.07.0911
1952
  Set of ten photographs of Taliesin West, 1952.  There are a number of indicators that date these photographs circa 1952.  A) The Fountain Basin at the base of the Light Tower is visible in one photograph in this set.  According to "Frank Lloyd Wright Selected Houses 3, Taliesin West" Pfeiffer 1989, page 66 the Fountain Basin was added in 1955.  But in "Frank Lloyd Wright’s Taliesin West" Stoller 1999, Pages: Frontispiece, 18, 19, these 1951 photos show the Fountain Basin.  B) According to "Frank Lloyd Wright Selected Houses 3, Taliesin West" Pfeiffer 1989, page 67 the 12 Chinese Theatre (Ching) pieces were purchased in 1950.  In "Frank Lloyd Wright’s Taliesin West" Stoller 1999, Pages: 58-9, Dining room (1951), Chinese Theatre not installed. Page 82-3 Water Tower and Bridge (1951), Chinese pieces are installed.  Chinese piece in front of the Dining Room is installed in this set.   
1952 1) Taliesin West 1952, Light Tower with Fountain Basin photographed from entrance.  Work shop behind light tower is visible.  Part of the Wes Peters collection, possible photographed by him.  Original 5 x 3.5 silver gelatin photograph. 0910.08.0107
1952 2) Taliesin West 1952, Light Tower photographed from entrance court.  Work shop behind light tower is visible.  Part of the Wes Peters collection, possible photographed by him.  Original 5 x 3.5 silver gelatin photograph. 0910.09.0107
1952 3) Taliesin West 1952, Dining Room photographed from across the pool.  According to "Frank Lloyd Wright Selected Houses 3, Taliesin West" Pfeiffer 1989, page 86, the dining room was moved and this dining room was converted to a private dining room.  This set documents conversion exterior.  The Chinese Theatre (Ching) piece is installed.  "Frank Lloyd Wright’s Taliesin West", Stoller 1999, Pages: 58-9 photographed in 1951 documents the dining room before the conversion. Part of the Wes Peters collection, possible photographed by him.  Original 5 x 3.5 silver gelatin photograph. 0910.10.0107
1952 4) Taliesin West 1952, Drawing Room (left) and Dining Room (center) photographed from the right of the pool.  Part of the Wes Peters collection, possible photographed by him.  Original 5 x 3.5 silver gelatin photograph. 0910.11.0107
1952 5) Taliesin West 1952, Dining Room photographed from the right side of the Terrace Prow.  Part of the Wes Peters collection, possible photographed by him.  Original 5 x 3.5 silver gelatin photograph. 0910.12.0107
1952 6) Taliesin West 1952, Dining Room photographed from the Terrace.  Shows the revised entry and stairs to the Dining Room Part of the Wes Peters collection, possible photographed by him.  Original 5 x 3.5 silver gelatin photograph. 0910.13.0107
1952 7) Taliesin West 1952, Pool and Drawing Room photographed between the Terrace Prow and the Terrace.  Part of the Wes Peters collection, possible photographed by him.  Original 5 x 3.5 silver gelatin photograph. 0910.14.0107
1952 8) Taliesin West 1952, Dining Room and Loggis (to right of dining room) photographed from the pool.  Part of the Wes Peters collection, possible photographed by him.  Original 5 x 3.5 silver gelatin photograph. 0910.15.0107
1952 9) Taliesin West 1952, Cabaret theatre hall with bust.  Part of the Wes Peters collection, possible photographed by him.  Original 5 x 3.5 silver gelatin photograph. 0910.16.0107
1952 10) Taliesin West 1952, Apprentices at work in the Kitchen.  Part of the Wes Peters collection, possible photographed by him.  Original 5 x 3.5 silver gelatin photograph. 0910.17.0107
1952 “‘The Outcasts of Poker Flat’ starring Anne Baxter, Dale Robertson”  1952.  52/141.  Published by 20th Century Fox Film Corp.  Anne Baxter was born in Michigan City, Indiana, on May 7, 1923.  She was the daughter of a salesman and his wife, Catherine, who herself was the daughter of Frank Lloyd Wright.  Anne was a young girl of 11 when her parents moved to New York City.  Original 8 x 10 vintage silver gelatin photograph. 0910.18.0307
1952 Wright at 85. 1952. Frank Lloyd Wright seated outside, in a chair, a cane propped against his leg, gesturing with his hand. World Wide Photo. Original 6.25 x 9 B&W photograph. 0910.19.1210
1952 Wright at 85, 1952. Wright seated in a chair, his legs are folded, holding a book on his lap. Stamped on verso: Nov 23 1952. Caption pasted to verso: "Father of Modern Architecture, Frank Lloyd Wright. The city is dated and the trend is toward decentralization." Original 6 x 9 B&W photograph. 0910.22.0811
1953
1953 Wright at 86 (1953). Frank Lloyd Wright overseeing the construction of the Pavilion at the New York exhibition entitled "Sixty Years of Living Architecture" which was held at the site for the Guggenheim Museum from October - November 1953. According to Pedro Guerrero in "Picturing Wright", pages 136-155, "fourteen apprentices came from Wisconsin and spent the better part of the summer and fall of 1953 construction a two-bedroom Usonian house... Next to it was constructed a huge pavilion to house Mr. Wright’s models and drawings as well as photographs..." Most likely photographed in October 1953. Published in "Picturing Wright", page 145 (flipped horizontally). Guerrero explains, "Either with a wave of his cane or a few well-directed words, Mr. Wright would explain what had to be done next, When, many years later, Michael Zingg of Madison, Wisconsin saw the photograph shown here, he said, ‘For myself, it goes beyond a simple workman trying to grasp and understand Mr. Wright. That worker is all of us struggling with his ideas, with a new order, struggling in the end with the genius of the man himself.’ " Clipping pasted to verso: "Detail in pavillion construction gets helpful comment from Mr. Wright. Building used glass in large amount, yet avoid the ‘indecent exposure’ which the architect considers a perversion n some modern designs." Stamped on verso: "International News Photos... 1953 Dec 8." Original 9 x 7 B&W photograph. Image restored by Douglas M. Steiner. 0987.41.0811
1953 1) New York Usonian Exhibition House opening reception, October 22,1953.  Photographed by Pedro Guerrero. Similar view “Man About Town” Muschamp 1983, Page 129.  Built on the site for the Guggenheim Museum. Contact sheet 8 x 10, twelve images each 2.25 x 2.25. See our Wright Study on Sixty Years of Living Architecture. 0987.18.0207
1953 2) New York Usonian Exhibition House opening reception, October 22,1953.  Photographed by Pedro Guerrero.  Similar view “Man About Town” Muschamp 1983, Page 129.  Built on the site for the Guggenheim Museum. Contact sheet 8 x 10, twelve images each 2.25 x 2.25. See our Wright Study on Sixty Years of Living Architecture. 0987.19.0207
1953 3) New York Usonian Exhibition House opening reception, October 22,1953.  Photographed by Pedro Guerrero.  Similar view “Man About Town” Muschamp 1983, Page 129.  Built on the site for the Guggenheim Museum. Contact sheet 8 x 10, twelve images each 2.25 x 2.25. See our Wright Study on Sixty Years of Living Architecture. 0987.20.0207
1953 4) New York Usonian Exhibition House opening reception, October 22,1953.  Photographed by Pedro Guerrero.  Similar view “Man About Town” Muschamp 1983, Page 129.  Built on the site for the Guggenheim Museum. Contact sheet 8 x 10, twelve images each 2.25 x 2.25. See our Wright Study on Sixty Years of Living Architecture. 0987.21.0207
1953 5) New York Usonian Exhibition House opening reception, October 22,1953.  Photographed by Pedro Guerrero.  Similar view “Man About Town” Muschamp 1983, Page 129.  Built on the site for the Guggenheim Museum. Contact sheet 8 x 10, twelve images each 2.25 x 2.25. See our Wright Study on Sixty Years of Living Architecture. 0987.22.0207
1953 6) New York Usonian Exhibition House opening reception, October 22,1953.  Photographed by Pedro Guerrero.  Similar view “Man About Town” Muschamp 1983, Page 129.  Built on the site for the Guggenheim Museum. Contact sheet 8 x 10, twelve images each 2.25 x 2.25. See our Wright Study on Sixty Years of Living Architecture. 0987.23.0207
1953 7) New York Usonian Exhibition House opening reception, October 22,1953.  Photographed by Pedro Guerrero.  Built on the site for the Guggenheim Museum. Contact sheet 8 x 10, twelve images each 2.25 x 2.25. See our Wright Study on Sixty Years of Living Architecture. 0987.24.0207
1953 8) New York Usonian Exhibition House opening reception, October 22,1953.  Photographed by Pedro Guerrero.  Similar view “Man About Town” Muschamp 1983, Page 129.  Built on the site for the Guggenheim Museum. Contact sheet 8 x 10, twelve images each 2.25 x 2.25. See our Wright Study on Sixty Years of Living Architecture. 0987.25.0207
1953 9) New York Usonian Exhibition House opening reception, October 22,1953.  Photographed by Pedro Guerrero.  Similar view “Man About Town” Muschamp 1983, Page 129.  Built on the site for the Guggenheim Museum. Contact sheet 8 x 10, twelve images each 2.25 x 2.25. See our Wright Study on Sixty Years of Living Architecture. 0987.26.0207
1953 10) New York Usonian Exhibition House opening reception, October 22,1953.  Photographed by Pedro Guerrero.  Similar view “Man About Town” Muschamp 1983, Page 129.  Built on the site for the Guggenheim Museum. Contact sheet 8 x 10, twelve images each 2.25 x 2.25. See our Wright Study on Sixty Years of Living Architecture. 0987.27.0207
1953 11) New York Usonian Pavilion opening reception, October 22,1953.  Photographed by Pedro Guerrero.  Built on the site for the Guggenheim Museum.  Contact sheet 8 x 10, twelve images each 2.25 x 2.25. See our Wright Study on Sixty Years of Living Architecture. 0987.28.0207
1953 12) New York Usonian Pavilion opening reception, October 22,1953.  Photographed by Pedro Guerrero.  Built on the site for the Guggenheim Museum.  Contact sheet 8 x 10, twelve images each 2.25 x 2.25. See our Wright Study on Sixty Years of Living Architecture. 0987.29.0207
1953 Wright with Guggenheim Model 1953. Wright standing to the left of the Guggenheim Model on October 25, 1953, holding Western Union cable. Label on verso: "Model Showing. Architect Frank Lloyd Wright stands beside a model of the new home he designed for the Solomon R. Guggenheim Museum in New York on October 25, 1953. The model was displayed at an exhibition, ‘Sixty Years of living Architecture’ tracing Wright’s many innovations in architecture. AP Newsfeature photo. Please credit. (For use Sun., Aug 12, 1990 with Hugh Mulligan’s Oak Park APN story slugged Wright’s Stuff.) sav-7/25/90." Acquired from the archives of AP News. Original 11.5 x 8 B&W photograph. See our Wright Study on Sixty Years of Living Architecture. 0987.36.1010
1953 Guggenheim Museum Drawing 1953. Photograph of Wright’s architectural rendering of the Guggenheim. Text written along the bottom of the drawing: "The Modern Gallery. Museum for the Solomon R. Guggenheim Foundation. Frank Lloyd Wright Architect. Holden and McLaughlin Associates." (Inside Square) "FLLW Aug 15 /47 or 51?" Caption pasted on verso: "The striking design of the Solomon R. Guggenheim museum reflects ‘one great space on a continuous floor’ and gets away from the ‘box’ building design disliked by Wright. The museum’s floor is a continuous spiral to the top." Stamped Dec 27, 1953. Original 9 x 7 B&W print. Acquired from the archives of the Chicago Sun-Times. 0987.35.1110
1953 David Wright House (1950) 1953.  The David Wright house was constructed in 1950.  Wright called the design “How to live in the Southwest”.  These were photographed for the June issue of House & Home 1953. Set of eight 4 x 5 proofs.  Similar views in “Picturing Wright” Guerrero 1994, Page 128-131. Photographed by Pedro E. Guerrero.  1) Exterior, beginning of the ramp.  Original 4 x 5 silver gelatin photograph proof. 0987.10.0207
1953 2) David Wright House 1953.  Photographed by Pedro E. Guerrero.  Exterior, mid view of the ramp.  Original 4 x 5 silver gelatin photograph proof. 0987.11.0207
1953 3) David Wright House 1953.  Photographed by Pedro E. Guerrero.  Exterior, view from the top of the ramp.  Original 4 x 5 silver gelatin photograph proof. 0987.12.0207
1953 4) David Wright House 1953.  Photographed by Pedro E. Guerrero.  Interior, view to the left of the fireplace. Original 4 x 5 silver gelatin photograph proof. 0987.13.0207
1953 5) David Wright House 1953.  Photographed by Pedro E. Guerrero.  Interior, view of the fireplace.  Original 4 x 5 silver gelatin photograph proof.  Published in “Frank Lloyd Wright” Treiber 1995, Page 109:  Similar views in “Picturing Wright” Guerrero 1994, Page 130. 0987.14.0207
1953 6) David Wright House 1953.  Photographed by Pedro E. Guerrero.  Interior, view of the right side of the fireplace.  Original 4 x 5 silver gelatin photograph proof. 0987.15.0207
1953 7) David Wright House 1953.  Photographed by Pedro E. Guerrero.  Interior, view from the fireplace to the left.   Original 4 x 5 silver gelatin photograph proof. 0987.16.0207
1953 8) David Wright House 1953.  Photographed by Pedro E. Guerrero.  Interior, view from the fireplace to the right.   Original 4 x 5 silver gelatin photograph proof. 0987.17.0207
1953 S.C. Johnson Headquarters "Great Workroom" 1953. Caption on verso: "Pillars arranged in a unique pattern developed by Wright provide open areas in the Johnson Wax Co.’s administration offices at Racine, Wis. Wright cites this building as proof that an architect can obtain spaciousness in a building without making it appear awkward." Stamped on verso: "Dec 27, 1953. International Newsreel Photo, 235 East 65th Street, New York 17, N.Y." Original silver gelatin 9 x 7 photo. 0987.32.0510
1953 Taliesin, Spring Green, Blue Loggia Room. This room is the space between the living room on one end of the house and Wright’s private quarters on the other.  Wright was known for continually changing Taliesin.  In 1953 he acquired steel tresses and extended the loggia balcony forward several feet.  On the right is a pair of art glass doors and an iridescent wall scone (on shelf above), and in the hallway to the left is a mounted wall scone from the William R. Heath House, Buffalo (1905).  For a 1952 view of the room see “Picturing Wright” Guerrero 1994, Page 80.  Original 8 x 10 silver gelatin photograph. 0987.09.0207
1953 Wright at 86. 1953. Portrait of Wright seated behind his drafting table at Taliesin. Photographed on June 8, 1953 by James Roy Miller shortly before his birthday party. Published in "Truth Against the World", Meehan, 1987, page 230. Courtesy of the Ryerson & Burnham Archives, The Art Institute of Chicago. 8 x 6.75 Print. High res digital image. 0987.30.0509
1953 Wright at 86 (Circa 1953). Mr. Wright facing right. Clipping pasted on verso, (Stamped Oct 17 1957): "Architect Frank Lloyd Wright... will join five businessmen in the forum at 2 p.m. Oct. 30, in the Museum of Science and Industry. ‘Today, Chicago is launching a billion-dollar rebuilding program,’ said Edward L. Logelin, chairman of the Chicago Dynamic Committee. ‘Each of us is affected by the way our cities build, so it is vital that forums such as ours bring together the men who know, to give us direction,’ he said." Includes photograph. Second clipping of photo only stamped Nov 8, 1957. Third clipping pasted on verso, (Stamped Apr 11 1959): "The word nonconformist might have been invented to describe Frank Lloyd Wright. Both in his profession and in his personal life he defied convention at every turn. He had no doubt that he was the world’s greatest architect, and once said so in court. Twitted about his conceit, he retorted, ‘Well, I was under oath, wasn’t I?’ Not everyone agreed with Wright’s estimate of himself. From first to last he carried on a running battle with his fellow architects. In the cases where his competitors finally came reluctantly..." Published in 1953 on the back cover of "The Future of Architecture". Acquired from the archives of the Chicago Daily News. Original 8 x 10 B&W print. 0987.34.1010
1953 Wright at 86 (Circa 1953). Mr. Wright facing right. Produced in 1960 as a promotion. "Frank Lloyd Wright: Writings and Buildings, the first compilation containing the full range of Wright’s thinking, will be published simultaneously on June 15 by Meridian Books as a paperback and Horizon Press in hard covers. Along with 150 photographs and drawings, editors Edgar Kaufmann and Ben Raeburn have included the first complete list of 500 Wright-executed structures keyed to a map of America." Published on the back cover of "The Future of Architecture", Wright, 1953. Also published in "Sixty Years of Living Architecture. The Work of Frank Lloyd Wright", Wright, 1954, inside front cover; "An American Architecture", Wright, 1955, Back cover and page 2; "Frank Lloyd Wright Selects the Taliesin Palette in Martin-Senour Paints", Martin-Senour Company, 1955, Cover (image flopped horizontally). Original B&W photograph. 5 x 7.2. 0987.31.1209
1953 Wright at 86. 1953. Portrait of Wright seated behind his drafting table at Taliesin. Photographed by Guerrero. Caption: "Portrait of Frank Lloyd Wright in his private study at Taliesin". Published in "Picturing Wright", Guerrero, 1994, pages 62-63. Acquired from the archives of the Chicago Tribune. Original 10 x 8.8 B&W Print. 0987.33.0910
1953 (C) Wright at 86, 1953. A) 1957 (90);  B) 1951 (84);  C) 1953 (86);  D) 1954 (87).
A) Top Left: Wright at 90. 1957. Frank Lloyd Wright inspects construction of the Guggenheim in 1957. Ground was broken on August 14, 1956. Wright visited the site many times. Wright pasted away April 9, 1959, six months before the grand opening. Grand opening October 21, 1959. Published in "The Guggenheim", 2009, p 1, and a similar image taken at the same time, "Frank Lloyd Wright in New York", Hession, Pickrel, 2007, p 104. Photographed by John Engstead. Original 3.75 x 4.75 B&W photograph.
B) Top Right: Wright at 84, 1951. Wright in drafting room, Taliesin West in 1951. Photographed by Ezra Stoller. Similar image in "Frank Lloyd Wright’s Taliesin West", Stoller, 1999, p 8. Original 3.75 x 4.75 B&W photograph.
C) Bottom Left: Wright at 86, 1953. Frank Lloyd Wright at drafting table with a large image of the V.C. Morris Gift Shop (S.310 - 1948) in the background. Photographed by John Engstead. Published on the cover of "Frank Lloyd Wright Decorative Designs Collection", 1990. Original 3.75 x 4.75 B&W photograph.
D) Bottom Right: Wright at 87, 1954. Portrait of Frank Lloyd Wright, facing right, looking to the left. Photographed by Al Ravenna. Original 3.75 x 4.75 B&W photograph.
Montage of four portraits of Frank Lloyd Wright. Stamped on verso: "Nov 9 1998". Original 8 x 10 B&W photograph. Two copies.
0857.06.0911 0857.07.0911
1954
1954 Frank Lloyd Wright at 87. Head and shoulders portrait, facing left. Photographed in 1954 by Al Ravenna photographer.  Courtesy of the Library of Congress. 4.5 x 6 Print. High-res digital image. 0998.02.0706
1954 (D) Wright at 87, 1954. A) 1957 (90);  B) 1951 (84);  C) 1953 (86);  D) 1954 (87).
A) Top Left: Wright at 90. 1957. Frank Lloyd Wright inspects construction of the Guggenheim in 1957. Ground was broken on August 14, 1956. Wright visited the site many times. Wright pasted away April 9, 1959, six months before the grand opening. Grand opening October 21, 1959. Published in "The Guggenheim", 2009, p 1, and a similar image taken at the same time, "Frank Lloyd Wright in New York", Hession, Pickrel, 2007, p 104. Photographed by John Engstead. Original 3.75 x 4.75 B&W photograph.
B) Top Right: Wright at 84, 1951. Wright in drafting room, Taliesin West in 1951. Photographed by Ezra Stoller. Similar image in "Frank Lloyd Wright’s Taliesin West", Stoller, 1999, p 8. Original 3.75 x 4.75 B&W photograph.
C) Bottom Left: Wright at 86, 1953. Frank Lloyd Wright at drafting table with a large image of the V.C. Morris Gift Shop (S.310 - 1948) in the background. Photographed by John Engstead. Published on the cover of "Frank Lloyd Wright Decorative Designs Collection", 1990. Original 3.75 x 4.75 B&W photograph.
D) Bottom Right: Wright at 87, 1954. Portrait of Frank Lloyd Wright, facing right, looking to the left. Photographed by Al Ravenna. Original 3.75 x 4.75 B&W photograph.
Montage of four portraits of Frank Lloyd Wright. Stamped on verso: "Nov 9 1998". Original 8 x 10 B&W photograph. Two copies.
0857.06.0911 0857.07.0911
1954 Wright at 87. 1954. Frank Lloyd Wright speaks at Northwestern University. Label on verso: "Chicago Sun-Times. Date: 5/17/54. Photographer: Mann. Title: Frank Lloyd Wright speaks at N.U. Desc: L.to R.: Mrs. George Haight, Pres. of the University Guild, Frank Lloyd Wright, Mr. Arthur Bohnen, Art chairman." Acquired from the archives of the Chicago Sun Times. Original 10x8 B&W print. 1045.12.0310
1954 Wright at 87. 1954. Wright attends wedding at the Holy Trinity Cathedral, 1121 Leavitt Street in Chicago on June 18, 1954. Label on verso: "Chicago Sun-Times. Date: 6/18/54. Photographer: Lyon. Title: Social Wedding. 1121 Leavitt. Mr and Mrs Frank Lloyd Wright." Holy Trinity Cathedral was designed by Louis Sullivan and constructed in 1903, ten years after Wright left Sullivan’s office. Acquired from the archives of the Chicago Sun Times. Original 8 x 10 B&W print. 1045.11.0310
1954 Wright at 87. Portrait of Wright in 1954, leaning against a doorway, holding hat, other hand in pocket. Photographed by Berenice Abbott, 50 Commerce Street, New York 14, N.Y. Stamped July 13, 1954 on verso. 4.5 x 5.75 Print. High res digital image. 1045.10.0509
1954 Wright at 87.  11/11/54 Associated Press.  Caption on back: "Feuding with Wisconsin. Architect Frank Lloyd Wright, shown in a New York Hotel, Nov 11, said he is leaving his native Wisconsin because state authorities place "Money before merit". Wright cited a state supreme court ruling that his studio home architectural school, Taliesin, is not an educational institution in the meaning of Wisconsin state law and so is subject to taxation."  Original 8 x 10 silver gelatin photo. 1045.14.1202
1954 Wright at 87. 1954. Portrait of Frank Lloyd Wright, face turned slightly to the right, looking straight into the camera. Typed on verso: "Wright, Frank Lloyd 11-13-54". Acquired from the archives of the Associated Press. Original 4.6 x 6.25 B&W print. 1045.15.1110
1954 Loren B. Pope Residence (1939) - 8 x 10 Photo.  Photographed by Hedrich-Blessing (Ken & Bill Hedrich, Henry Blessing).  This is the actual print that was used for producing the photograph in “The Natural House” 1954 Frank Lloyd Wright page 146.  Also published in May 1964 Architectural Forum page 7.  Original 1954 gelatin silver photo, by Hedrich-Blessing. 0998.01.0706
  The Price Tower was based on the 1925 Saint Marks Tower project. Designed in 1952 for Harold C. Price, Sr., Construction began on November 10, 1953 and was completed on February 9, 1956. Nineteen floors, 37,000 square feet. This is a set of nine photographs that were displayed in the Price Tower and were produced for the Landmark Preservation Council.  
1954 1) Price Tower Construction 1954. “First form work begins around a dense thicket of steel rods and mesh.” Published in “The Story of the Tower”, Wright 1956, page 44.  Photograph by Joe D. Price. Original silver gelatin photograph. 16 x 16. 1045.06.0707
1954 2) Price Tower Construction 1954. Construction detail of worker building scaffold.  Note the fold up ruler in his left hand.  Photograph by Joe D. Price. Original silver gelatin photograph. 16.75 x 16. 1045.07.0707
1954 3) Price Tower Construction 1954. “Interlace of floor levels can be seen in this view from the west. An office quadrant is at the left in this photo, and the small projecting sections will house laboratories and closets serving the offices. At the right is the building quadrant occupied by duplex apartments. The lower floor of each duplex apartment is the main living floor.  The upper apartment floor is the bedroom mezzanine, seen in this photo as the alternate parapets slanting backward. Each of the apartment floors corresponds to one office floor.  Glass will sheath the building, extending from one main floor level to the next. The bedroom mezzanine extends through the glazing as an outdoor balcony.” Similar photograph published in “The Story of the Tower”, Wright 1956, page 77. Photograph by Joe D. Price. Original silver gelatin photograph. 18 x 16. 1045.08.0707
1954 4) Price Tower Construction 1954. “The season has turned and snow lies on the ground as the seventeenth floor of the tower is poured.” Published in “The Story of the Tower”, Wright 1956, page 81. Photograph by Joe D. Price. Original silver gelatin photograph. 16.75 x 16. 1045.09.0707
1955 5) Price Tower Construction 1955. Concrete work is virtually finished. View from the northwest. “...Tower now stands in iridescent splendor gracing the flat horizon of the Oklahoma prairie.” Similar photograph published in “The Story of the Tower”, Wright 1956, page 90-92. Photograph by Joe D. Price. Original silver gelatin photograph. 16 x 20. 1092.17.0707
1956 6) Price Tower Living Room 1956. Most of the furniture and shelving is built in and designed by Wright, including the fabric.  “...Note the copper fireplace hood and gas-fired fireplace unit - an appropriate note in a region where so much of life is based on oil and the natural gas found with it. Similar photograph published in “The Story of the Tower”, Wright 1956, page 127. Photograph by Joe D. Price.  Original silver gelatin photograph. 16 x 20. 1095.01.0707
1956 7) Price Tower Dining Room 1956. Most of the furniture and shelving is built in and designed by Wright, including the fabric and dining room chairs. Similar photograph published in “The Story of the Tower”, Wright 1956, page 127. Photograph by Joe D. Price.  Original silver gelatin photograph. 16 x 20. 1095.02.0707
1956 8) Price Tower at Night 1956. Night time view from the southwest shows dramatic sweep of the sparkling tower against the encircling Oklahoma prairie. Illuminated television spire can be seen at top at night.  Similar day time photograph published in “The Story of the Tower”, Wright 1956, page 116-117. Photograph by Joe D. Price. Original silver gelatin photograph. 16 x 20. 1095.03.0707
1956 9) Price Tower Dedication Ceremony February 10, 1956, followed by three days of free tours for the public. Shown left to right, Harold C. Price, Jr., Harold C. Price, Sr. and Wright. Photograph by Joe D. Price. Original silver gelatin photograph. 16.5 x 16. 1095.04.0707
1955
1955 Jorgine Boomer Residence (1953 - S.361). Copy print of page 212 in "The Natural House", Wright, 1954. Caption pasted on verso, "The desert house designed by Frank Lloyd Wright." Stamped on verso, "Free Press, Feb 16 1955, Photo". Original 10 x 8 B&W Print. 1092.39.0211
1955 Raymond W. Evans Residence (1908 - S.140), 1955. Originally surfaced in stucco, it was resurfaced in stone. Based on Wright’s "Fireproof House for $5,000", published in Ladies Home Journal, April 1907, but extended out on both sides. Clipping pasted to verso: "Modern home, designed by Frank Lloyd Wright, built in 1908!" Stamped on verso: "1955 Jul 15". Original 10.75 x 8 B&W photograph. 1092.42.0811
1955 Florida Southern College, Lakeland, Florida.  (1955) Wright visits construction site. Standing in front of scaffold.  Original silver gelatin photograph.  Published in Frank Lloyd Wright Quarterly, Summer 2001, page 15.  Also see page 12.  5x7. 0831.12.0806
1955 Florida Southern College, Lakeland, Florida (Circa 1950's) Wright at construction site. He is signing a copy of "Florida Southern College, Lakeland: The Frank Lloyd Wright Campus", published by FSC in 1953, and includes a reprinted article about the campus from the September 1952 Architectural Forum. Wright’s first visit to the campus after the publication of the booklet was November 1955. Most likely the construction site for the Danforth Chapel which was completed in 1955. Original B&W 5x7 print. Acquired from the archives of the "News Bureau, Fla. So. College". 1092.40.0511
1955 Wright plays piano before Monona Terrace Testimonial Banquet. Caption on face: "Madison, Wis. Feb. 11 – Versatile Genius – Frank Lloyd Wright, renowned architect, relaxes at piano before Feb. 10 testimonial dinner when he was given $10,000 to help pay taxes on his studio-home at Spring Green, Wis. Wright said he plans to stay in Wisconsin, not move away and he threatened last fall when tax case came to fore. (AP Wirephoto) 1955." Stamped on verso: Associated Press Wirephoto". Stamped on verso: "Feb 14 1955". Original 7.5 x 10 B&W photograph. 1092.43.0911
  Monona Terrace Testimonial Banquet.  February 10, 1955.  In 1954 the Wisconsin Supreme Court ruled that Wright owed $10,000 in back taxes on Taliesin.  For years he had argued that Taliesin was primarily a school and therefore tax exempt. He was so mad he threatened to destroy Taliesin and move from the state. Cary Caraway, a former apprentice suggested that Wright’s friends express their appreciation and take up a collection. Mary Lescohier and Helen Groves made it happen. 380 supporters gathered in the Great Hall of the U.W. Memorial Union for a tribute. Wright took the opportunity to display the new Monona Terrace model. At the end of the program, he received a check for $10.000.  Set of eight 8x10 B&W photographs. Possibly shot by a Capital Times Staff Photographer.  Frank Lloyd Wright’s Monona Terrace, page 140.  
1955 Monona Terrace Testimonial Banquet.  February 10, 1955.  Head table.  Possibly shot by a Capital Times Staff Photographer.  Seated at the head table (L to R) Wisconsin Governor Walter Kohler, Oligivanna Wright, Wright, William Evjue (friend, editor and published of the Capital Times), Ralph Walker (former president of the AIA) and Wright’s Daughter.  Published in “Frank Lloyd Wright’s Monona Terrace”, page 140.  Original silver gelatin photo.  8x10. 1092.04.0606
1955 Monona Terrace Testimonial Banquet.  February 10, 1955.  Close-up of head table. Possibly shot by a Capital Times Staff Photographer.  Wisconsin Governor Walter Kohler, Oligivanna Wright and Wright (L to R).  Original silver gelatin photo.  8x10. 1092.05.0606
1955 Monona Terrace Testimonial Banquet.  February 10, 1955.  Wright looks over program before guests arrive.  Possibly shot by a Capital Times Staff Photographer.  Frank Lloyd Wright.  Model on right.  Published in “Monona Terrace: Frank Lloyd Wright’s Vision on the Lake”, page 6 & 16.  Published in The Master Architect: Conversations with Frank Lloyd Wright, Meehan, page 171.  Original silver gelatin photo.  8x10. 1092.06.0606
1955 Monona Terrace Testimonial Banquet.  February 10, 1955.  Wright talks with Ralph Walker about plans.  Possibly shot by a Capital Times Staff Photographer.  Ralph Walker (former president of the AIA) and Wright.  Original silver gelatin photo. 8x10. 1092.07.0606
1955 Monona Terrace Testimonial Banquet.  February 10, 1955.  A lighter moment with Kohler and Evjue.  Possibly shot by a Capital Times Staff Photographer.  Wisconsin Governor Walter Kohler, Wright and William Evjue (friend, editor and published of the Capital Times) (L to R).  Original silver gelatin photo. 8x10. 1092.08.0606
1955 Monona Terrace Testimonial Banquet.  February 10, 1955.  A moment with Evjue and (possible) his wife Zillah.  Possibly shot by a Capital Times Staff Photographer.  William Evjue and Wright first met in 1914.  Evjue was a long time friend and supporter, as well as editor and published of the Capital Times, Madison.  Original silver gelatin photo. 8x10. 1092.09.0606
1955 Monona Terrace Testimonial Banquet.  February 10, 1955.  Photo op.  Possibly shot by a Capital Times Staff Photographer.  Photo op (L to R) Ralph Walker (former president of the AIA), Unknown, Unknown, Wright, William Evjue, Unknown.  Original silver gelatin photo. 8x10. 1092.10.0606
1955 Monona Terrace Testimonial Banquet.  February 10, 1955.  Wright chats with Governor. Possibly shot by a Capital Times Staff Photographer.  Wright (L) chats with Wisconsin Governor Walter Kohler (R).  Other guest unknown.  Original silver gelatin photo. 8x10. 1092.11.0606
1955 Wright designed Heritage-Henredon furniture (June 29, 1955). In 1955, Frank Lloyd Wright developed the "Taliesin Ensemble", a line of furnishings for those that did not live in one of his homes. Partnerships were formed with five companies: 1) Heritage-Henredon, a line of furniture designed by Wright. 2) Karastan, Rugs. 3) The Martin-Senour Company, the Taliesin Palette, 36 personally selected paint colors. 4) Minic, Accessories. 5) F. Schumacher & Co., Fabrics & Wallpaper designed by Wright. Clipping pasted to verso: "Frank Lloyd Wright, internationally famous architect, has designed his first line of furniture for the general public, it was learned last week. Rumors to that effects were verified when Wright conferred with officials of Heritage-Henredon..." Stamped on verso: "1955 Jun 29". Stamped on face; "Fran Byne, Photography". Original 8 x 10 B&W photograph. Image restored by Douglas M. Steiner. 1092.41.0811
C 1955 Robie House, South Side by Richard Nickel (1906 - S.127) C1955-60. Possibly photographed in 1957 during talks of possible demolition. Stamped on Verso: Jun 1974, Field Enterprises, Inc. Clipping on verso stamped June 6 ‘86: "The Robie House, designed in 1909 by Frank Lloyd Wright, is one of the city’s most famous residential works. Illustrating the perfection of Wright’s Prairie Style, the house is located on a narrow city lot. The house, now a Registered National Landmark is featured on both Hyde Park Tours sponsored by the Chicago School of Architecture Foundation. The walking tour departs at 2 p.m. Sunday June 16, July 7 and 21, August 4 and 18, September 1 and 15 and October 6 and 20, from Rockefeller Chapel, 59th Street and Woodlawn Avenue. The bike tour leaves at 2 p.m. Sunday July 21, August 18 and October 20, from Harper Court, 52nd Street and Harper Avenue. Both tours cost $2. For more information, call the Glessner House at 326-1393. Published in "Frank Lloyd Wright’s Robie House", Hoffmann 1984, page 18. Original 10 x 8 silver gelatin photograph. Acquired from the archives of the Chicago Daily News. 1092.35.0310
1955 “Wright and apprentices at the Hillside Drafting Room in 1955.”  Unknown Photographer. Photographed in 1955, printed in 1998 as part of the press kit for the Ken Burns and Lynn Novick film “Frank Lloyd Wright”.  Seated, from left to right, John Howe of Illinois;  Frank Lloyd Wright; Wright's grandson Eric Lloyd Wright of California; Wes Peters of Indiana and John Amarantides of Michigan. First five standing from left to right, Mark Heyman of New York; Gene Masselink of Michigan; Raja Aederi of Kashmir; John Watson or James Pfefferkorn and Alan Wool. Standing just to the right of Wright: Ling Po of China; David Dodge of England; Tom Casey of California and Donald Brown of Vermont.  Standing to the right of Eric Wright: Stephen Oyakawa of Hawaii and Kenneth Lockhart of Iowa.  Original silver gelatin photo.  See “Letters to Apprentices” Wright 1982, Page 106 for a similar image. 8x10. 1092.12.1006
C 1955 Taliesin, Spring Green Loggia (Taliesin III 1925 - S.218) Circa 1955. Photographed by Maynard L. Parker. "Loggia Room overlooking low rolling hills of Wisconsin." Published in "House Beautiful" November 1955, page 234 in color. Hand written on verso: "Loggia, Taliesin, Spring Green, Wis., Credit: House Beautiful Magazine." This room is a space between the living room on one end of the house and Wright’s private quarters on the other. For a 1952 view of the room see "Picturing Wright" Guerrero 1994, Page 80. Original 8 x 10 B&W Print. Acquired from the archives of the Chicago Sun Times. 1092.36.0310
1955 Wright at 88.  Wright visits the Capital Building in 1955.  Limited edition 8.5 x 11 print from digital negatives on satin semi gloss Semisatinado paper.  4/100.  2007.  8.5 x 11. 1092.13.0307
C 1955 Wright at 88 (Circa 1955). Published in the Chicago Tribune, Sep 28, 1973. "Frank Lloyd Wright prized the individual and the environment long before either was in vogue. A legend even in his own time, Wright is reemerging as a practical example for the 70s. Some 1,000 designs have made an indelible mark on the look - and the outlook of the 20th century. Instinctively, he has measured the social, behavioral, and moral dimensions of architecture." Acquired from the archives of the Chicago Tribune. Original 5 x 7 B&W print. 1092.37.0910
1956
1956 Wright designed Heritage-Henredon furniture. Press Release photograph for promotion of the Heritage-Henredon line of Wright designed furniture. In 1955, Wright developed the "Taliesin Ensemble", a line of furnishings for those that did not live in one of his homes. Partnerships were formed with F. Schumacher & Co. to produce the Taliesin Line of fabrics and wall coverings designed by Wright. Martin-Senour developed the Taliesin Palette, 36 personally selected Martin-Senour Colors. Karastan manufactured rugs. Minic manufactured Accessories, and Heritage-Henredon developed a line of furniture designed by Wright. For more information and ads for each of the companies, see the November 1955 issue of House Beautiful. Photographed by Wesley Bowman Studio, Chicago. Stamped on verso: "Jan 6 - 1956", "Wesley Bowman Studio, Chicago". Original 10 x 8 B&W photograph. Acquired from the archives of the Baltimore-Sun. 1147.46.0411
  Photographed at Taliesin possibly in May.  Alfred Eisenstaedt writes in Time Magazine (June 11, 1956, page 17) and Modern Photography that "I shall always remember my assignment to photograph Frank Lloyd Wright. It was done under such rushed, almost impossible conditions." He had just photographed Dr. J. Robert Oppenheimer and Dr. Jacques Maritain in Princeton, N.J. early in the day. He rushed back to his office. Caught a plane to Madison arriving a midnight. Had a few hours of sleep, and rushed to Taliesin to photograph Wright the next day. He was only at Taliesin for two hours. All were shot within 45 minutes and with three rolls of film. This is just one of the many images photographed that day. An in depth article describing his photo shoot at Taliesin is published in Modern Photography, September 1957, pages 52-57, 110-112.  
1956 Wright at 89. 1956. Wright is looking directly into the camera. His right hand is holding his cane, his left hand is resting on top. Photographed at Taliesin possibly in May. Alfred Eisenstaedt writes in Time Magazine (June 11, 1956, page 17) and Modern Photography that "I shall always remember my assignment to photograph Frank Lloyd Wright. It was done under such rushed, almost impossible conditions." He had just photographed Dr. J. Robert Oppenheimer and Dr. Jacques Maritain in Princeton, N.J. early in the day. He rushed back to his office. Caught a plane to Madison arriving a midnight. Had a few hours of sleep, and rushed to Taliesin to photograph Wright the next day. He was only at Taliesin for two hours. All were shot within 45 minutes and with three rolls of film. This is just one of the many images photographed that day. An in depth article describing his photo shoot at Taliesin is published in Modern Photography, September 1957, pages 52-57, 110-112. Photographed by Alfred Eisenstaedt. Courtesy Time/Life Magazines. 7.5 x 10 print. High res digital image. 1147.16.0609
1956 Wright at 89. 1956. Wright is looking directly into the camera, a pleasant smile on his face. His left hand is resting on top of his cane. Photographed at Taliesin possibly in May. Alfred Eisenstaedt writes in Time Magazine (June 11, 1956, page 17) and Modern Photography that "I shall always remember my assignment to photograph Frank Lloyd Wright. It was done under such rushed, almost impossible conditions." He had just photographed Dr. J. Robert Oppenheimer and Dr. Jacques Maritain in Princeton, N.J. early in the day. He rushed back to his office. Caught a plane to Madison arriving a midnight. Had a few hours of sleep, and rushed to Taliesin to photograph Wright the next day. He was only at Taliesin for two hours. All were shot within 45 minutes and with three rolls of film. This is just one of the many images photographed that day. An in depth article describing his photo shoot at Taliesin is published in Modern Photography, September 1957, pages 52-57, 110-112. Photographed by Alfred Eisenstaedt. Courtesy Time/Life Magazines. 8 x 10 print. High res digital image. 1147.17.0609
1956 Wright at 89. 1956.

Wright is leaning against a doorway. He is wearing a hat, looking off to the left, holding his cane in his left hand. Alfred had suggested he pick his favorite cane. Photographed at Taliesin possibly in May. Alfred Eisenstaedt writes in Time Magazine (June 11, 1956, page 17) and Modern Photography that "I shall always remember my assignment to photograph Frank Lloyd Wright. It was done under such rushed, almost impossible conditions." He had just photographed Dr. J. Robert Oppenheimer and Dr. Jacques Maritain in Princeton, N.J. early in the day. He rushed back to his office. Caught a plane to Madison arriving a midnight. Had a few hours of sleep, and rushed to Taliesin to photograph Wright the next day. He was only at Taliesin for two hours. All were shot within 45 minutes and with three rolls of film. This is just one of the many images photographed that day. An in depth article describing his photo shoot at Taliesin is published in Modern Photography, September 1957, pages 52-57, 110-112. Photographed by Alfred Eisenstaedt. Published in Modern Photography, September 1957, pages 54. Courtesy Time/Life Magazines. 7.75 x 10 print. High res digital image.

1147.18.0609
1956 Wright at 89. 1956. At Eisenstaedt’s suggestion, Wright sits down at his desk to read his mail. "As he reads his mail, Wright loosed consciousness of the camera". Photographed at Taliesin possibly in May. Alfred Eisenstaedt writes in Time Magazine (June 11, 1956, page 17) and Modern Photography that "I shall always remember my assignment to photograph Frank Lloyd Wright. It was done under such rushed, almost impossible conditions." He had just photographed Dr. J. Robert Oppenheimer and Dr. Jacques Maritain in Princeton, N.J. early in the day. He rushed back to his office. Caught a plane to Madison arriving a midnight. Had a few hours of sleep, and rushed to Taliesin to photograph Wright the next day. He was only at Taliesin for two hours. All were shot within 45 minutes and with three rolls of film. This is just one of the many images photographed that day. An in depth article describing his photo shoot at Taliesin is published in Modern Photography, September 1957, pages 52-57, 110-112. Photographed by Alfred Eisenstaedt. Published in Modern Photography, September 1957, pages 54. Courtesy Time/Life Magazines.  7.75 x 10 print. High res digital image. 1147.19.0609
1956 Wright at 89. 1956. Wright is seated at his desk. He is reading a copy of "Florida Southern College, Lakeland. The Frank Lloyd Wright Campus." Photographed at Taliesin possibly in May. Alfred Eisenstaedt writes in Time Magazine (June 11, 1956, page 17) and Modern Photography that "I shall always remember my assignment to photograph Frank Lloyd Wright. It was done under such rushed, almost impossible conditions." He had just photographed Dr. J. Robert Oppenheimer and Dr. Jacques Maritain in Princeton, N.J. early in the day. He rushed back to his office. Caught a plane to Madison arriving a midnight. Had a few hours of sleep, and rushed to Taliesin to photograph Wright the next day. He was only at Taliesin for two hours. All were shot within 45 minutes and with three rolls of film. This is just one of the many images photographed that day. An in depth article describing his photo shoot at Taliesin is published in Modern Photography, September 1957, pages 52-57, 110-112. Photographed by Alfred Eisenstaedt. Published in Modern Photography, September 1957, pages 54. Courtesy Time/Life Magazines.  7.6 x 10 print. High res digital image. 1147.20.0609
1956 Wright at 89 (1956). Photograph by Alfred Eisenstaedt. Alfred Eisenstaedt writes in Time Magazine (June 11, 1956, page 17) and Modern Photography that "I shall always remember my assignment to photograph Frank Lloyd Wright. It was done under such rushed, almost impossible conditions." He had just photographed Dr. J. Robert Oppenheimer and Dr. Jacques Maritain in Princeton, N.J. early in the day. He rushed back to his office. Caught a plane to Madison arriving a midnight. Had a few hours of sleep, and rushed to Taliesin to photograph Wright the next day. He was only at Taliesin for two hours. All were shot within 45 minutes and with three rolls of film. This is just one of the many images photographed that day. An in depth article describing his photo shoot at Taliesin is published in Modern Photography, September 1957, pages 52-57, 110-112. Date stamped on verso: "Jul 16 1992". Caption pasted on verso: "The life of architect Frank Lloyd Wright gets an operatic treatment in ‘Shining Brow’ next April." 5 x 7 B&W photograph of 1990 postcard (Halftone dot pattern.) 1147.45.1110
1956 Wright at 89. 1956. Wright is looking directly at the camera. His head is turned slightly to the left. Photographed at Taliesin possibly in May. Alfred Eisenstaedt writes in Time Magazine (June 11, 1956, page 17) and Modern Photography that "I shall always remember my assignment to photograph Frank Lloyd Wright. It was done under such rushed, almost impossible conditions." He had just photographed Dr. J. Robert Oppenheimer and Dr. Jacques Maritain in Princeton, N.J. early in the day. He rushed back to his office. Caught a plane to Madison arriving a midnight. Had a few hours of sleep, and rushed to Taliesin to photograph Wright the next day. He was only at Taliesin for two hours. All were shot within 45 minutes and with three rolls of film. This is just one of the many images photographed that day. An in depth article describing his photo shoot at Taliesin is published in Modern Photography, September 1957, pages 52-57, 110-112. Photographed by Alfred Eisenstaedt. Published in Time Magazine, June 11, 1956, page 61; Modern Photography, September 1957, pages 53 and 55. Courtesy Time/Life Magazines.  7 x 10 print. High res digital image. 1147.21.0609
1956 Wright at 89. 1956. Wright is seated at a drawing table, framed by the gabled beams. Wright is engrossed in his work. Photographed at Taliesin possibly in May. Alfred Eisenstaedt writes in Time Magazine (June 11, 1956, page 17) and Modern Photography that "I shall always remember my assignment to photograph Frank Lloyd Wright. It was done under such rushed, almost impossible conditions." He had just photographed Dr. J. Robert Oppenheimer and Dr. Jacques Maritain in Princeton, N.J. early in the day. He rushed back to his office. Caught a plane to Madison arriving a midnight. Had a few hours of sleep, and rushed to Taliesin to photograph Wright the next day. He was only at Taliesin for two hours. All were shot within 45 minutes and with three rolls of film. This is just one of the many images photographed that day. An in depth article describing his photo shoot at Taliesin is published in Modern Photography, September 1957, pages 52-57, 110-112. Photographed by Alfred Eisenstaedt. Published in Modern Photography, September 1957, pages 56. Courtesy Time/Life Magazines.  7.5 x 10 print. High res digital image. 1147.22.0609
1956 Wright at 89. 1956. Wright is seated at a drawing table, engrossed in his work. He is wearing a pair of glassed. A pencil is in his right hand. The fireplace is in the background to the far right. Photographed at Taliesin possibly in May. Alfred Eisenstaedt writes in Time Magazine (June 11, 1956, page 17) and Modern Photography that "I shall always remember my assignment to photograph Frank Lloyd Wright. It was done under such rushed, almost impossible conditions." He had just photographed Dr. J. Robert Oppenheimer and Dr. Jacques Maritain in Princeton, N.J. early in the day. He rushed back to his office. Caught a plane to Madison arriving a midnight. Had a few hours of sleep, and rushed to Taliesin to photograph Wright the next day. He was only at Taliesin for two hours. All were shot within 45 minutes and with three rolls of film. This is just one of the many images photographed that day. An in depth article describing his photo shoot at Taliesin is published in Modern Photography, September 1957, pages 52-57, 110-112. Photographed by Alfred Eisenstaedt. A similar pose is published in Modern Photography, September 1957, pages 56-57. Courtesy Time/Life Magazines.  7.6 x 10 print. High res digital image. 1147.23.0609
1956 Wright at 89. 1956. Wright is seated behind a drawing table, looking directly at the camera with a slight smile on his face. His arms are crossed and to the right one of his assistants is working on the drawing. Shelves are in the background. Photographed at Taliesin possibly in May. Alfred Eisenstaedt writes in Time Magazine (June 11, 1956, page 17) and Modern Photography that "I shall always remember my assignment to photograph Frank Lloyd Wright. It was done under such rushed, almost impossible conditions." He had just photographed Dr. J. Robert Oppenheimer and Dr. Jacques Maritain in Princeton, N.J. early in the day. He rushed back to his office. Caught a plane to Madison arriving a midnight. Had a few hours of sleep, and rushed to Taliesin to photograph Wright the next day. He was only at Taliesin for two hours. All were shot within 45 minutes and with three rolls of film. This is just one of the many images photographed that day. An in depth article describing his photo shoot at Taliesin is published in Modern Photography, September 1957, pages 52-57, 110-112. Photographed by Alfred Eisenstaedt. Courtesy Time/Life Magazines.  7.5 x 10 print. High res digital image. 1147.24.0609
1956 Wright at 89. 1956. Wright is seated behind a drawing table, looking directly at the camera with a slight smile on his face. His arms are crossed. One of his assistants hands can be seen on the right. Shelves are in the background. Photographed at Taliesin possibly in May. Alfred Eisenstaedt writes in Time Magazine (June 11, 1956, page 17) and Modern Photography that "I shall always remember my assignment to photograph Frank Lloyd Wright. It was done under such rushed, almost impossible conditions." He had just photographed Dr. J. Robert Oppenheimer and Dr. Jacques Maritain in Princeton, N.J. early in the day. He rushed back to his office. Caught a plane to Madison arriving a midnight. Had a few hours of sleep, and rushed to Taliesin to photograph Wright the next day. He was only at Taliesin for two hours. All were shot within 45 minutes and with three rolls of film. This is just one of the many images photographed that day. An in depth article describing his photo shoot at Taliesin is published in Modern Photography, September 1957, pages 52-57, 110-112. Photographed by Alfred Eisenstaedt. Courtesy Time/Life Magazines.  8 x 10 print. High res digital image. 1147.25.0609
1956 Wright at 89. 1956. Contact sheet with 25 images. Alfred Eisenstaedt writes in Time Magazine (June 11, 1956, page 17) and Modern Photography that "I shall always remember my assignment to photograph Frank Lloyd Wright. It was done under such rushed, almost impossible conditions." He had just photographed Dr. J. Robert Oppenheimer and Dr. Jacques Maritain in Princeton, N.J. early in the day. He rushed back to his office. Caught a plane to Madison arriving a midnight. Had a few hours of sleep, and rushed to Taliesin to photograph Wright the next day. He was only at Taliesin for two hours. All were shot within 45 minutes and with three rolls of film. These are just 25 of the many images photographed that day. An in depth article describing his photo shoot at Taliesin is published in Modern Photography, September 1957, pages 52-57, 110-112. Photographed by Alfred Eisenstaedt. Published in Time Magazine, June 11, 1956, page 61; Modern Photography, September 1957, pages 53-57. Courtesy Time/Life Magazines.  8 x 10 print. High res digital image. 1147.26.0609
1956 May 25, 1956. Wright at 89. Wright at Taliesin seated next to Chinese Stone Lion. Verso: "Artful Relaxation. Relaxing at Taliesen (caption spelling) near Spring Green, Wis., Frank Lloyd Wright sits beside an ancient stone lion from China. The piece is said to be one of the first examples of Chinese art, perhaps going back 4000 or 5000 years. Wright has a strong feeling for the art and architecture of the Orient. His greatest affinity appears to be for the Japanese and their work in these fields. The two Taliesens, in Wisconsin and Arizona, are considered "typical Wright." The word is Welsh for "shining hours." Both groups of buildings are designed according to Wright’s theories of "organic architecture," fitting the terrain, materials, function and people who will use the place. The Wisconsin Taliesen seems to grow out of the hills with soothing effects on the eyes. The Arizona Taliesen is as severe and jagged as the desert which surrounds it. 5/25/56." (For use Sunday, June 3, with Relman Morin’s Taliesen AP-N story on Frank Lloyd Wright) AP Newsfeatures Photo, Please Credit. Stamped Jun 7, 1956. 10 x 7.6 print, High res digital image.
       Second Version: Note: this "Stone Lion" appeared at the 1953 Usonian Exhibition in New York at the site for the Guggenheim Museum. Stamped on verso: "Jun 3, 1956" Acquired from the archives of the Chicago Sun Times. Original 9 x 7 B&W print.
1147.15.0609 1147.29.1110
1956 July 10, 1956. Wright at 89. Portrait of Wright in 1956. Passport photograph of Wright seated, cane hooked on his arm. Photographed by Reierson Studio on July 10, 1956. Courtesy of the Wisconsin Historical Society. 4 x 6 Print, High res digital image. 1147.13.0509
1956 July 10, 1956. Wright at 89. Portrait of Wright in 1956. Passport photograph of Wright, light background. Photographed by Reierson Studio on July 10, 1956. Courtesy of the Wisconsin Historical Society. 4.25 x 6 Print, High res digital image. 1147.14.0509
1956 August 8, 1956. S.C. Johnson Headquarters "Great Workroom" 1956. Stamped on verso: "From Photographic Department, S.C. Johnson & Sons, Inc., Racine, Wis. Makers of Johnson’s Wax. Aug 8, 1956." Original silver gelatin 10 x 8 photo. Acquired from the archives of the Chicago Sun-Times. 1147.27.0310
1956 Frank Lloyd Wright and Wife at Taliesin, 1956.  From the Archives of the Los Angeles Examiner.  In pencil on back: "Frank Lloyd Wright and wife Olga Lazovich Wright".  Original 8 x 10 silver gelatin photo.  (Note: Many Masks, Brendan Gill, page 495).  Published in the "New World Odyssey" 1986 John Gurda, Pg 57. 1950.00.1203
 
Frank Lloyd Wright Day, October 17, 1956. Mayor Richard Daley, Chicago, proclaimed October 17, Frank Lloyd Wright Day.
"Sixty Years of Living Architecture" was exhibited in Chicago from October 16, 17 and 18, 1956 at the Hotel Sherman, Chicago. Frank Lloyd Wright’s Mile-High Building was shown for the first time Tuesday, October 16, with a 22-foot visualization of mile-high building which Wright proposed for Chicago. Mayor Daley proclaimed October 17, Frank Lloyd Wright Day.
October 6 (Saturday): Wright meets with Mayor Richard Daley at the Mayor’s office in Chicago. Most likely the official presentation of the certificate proclaiming October 17, Frank Lloyd Wright Day.
October 16 (Tuesday): Wright holds a Press conference at the Hotel Sherman to open the exhibition and unveil the Mile High Building "The Illinois" with a 22-foot visualization, proposed by architect Frank Lloyd Wright for Chicago. The giant visualization was prepared by Wright and his apprentice architects at Taliesin.
October 17 (Wednesday): Mayor Daley proclaimed October 17, Frank Lloyd Wright Day. Details of the mammoth structure were explained by Wright at a dinner in his honor Wednesday evening at the Hotel Sherman. The dinner was sponsored by the Frank Lloyd Wright Endowment Fund for the perpetuation of Taliesin. Wright was the guest of honor. Other guests of honor included  Mrs. Frank Lloyd Wright and Mayor Richard Daley who presented a plaque declaring "this day to be Frank Lloyd Wright Day". Other honored guests included Ludd M. Spivey, President of Florida Southern College who sat to Wright's left at the speaker's table, and Ivan Nestigan, Mayor of Madison Wisconsin. Wright’s sister Mrs. Maginel Wright Barney was also in attendance. The proposed Mile-High would be 528 stories tall, could hold 100,000 people and would cost about $100 million. The "eighth wonder of the world" was to be erected of steel and glass, with floors extending outward from a central core like branches from a tree trunk. Wright’s design drew jeers and cheers. The architect insisted the structure was "practical and expedient."
October 19 (Friday): Frank Lloyd Wright Spoke at Orchestra Hall, Friday Evening, October 19, at 8:15pm.
 
1956 Wright meets with Mayor Richard Daley at the Mayor’s office in Chicago on October 6 1956. Most likely the official presentation of the certificate proclaiming October 17, Frank Lloyd Wright Day. "Sixty Years of Living Architecture" was exhibited in Chicago from October 16, 17 and 18, 1956 at the Hotel Sherman, Chicago. Mayor Daley proclaimed October 17, Frank Lloyd Wright Day. Details of the mammoth structure were explained by Wright at a dinner in his honor Wednesday evening at the Hotel Sherman. Major Daley presented Wright with a plaque proclaiming the official proclamation. The dinner was sponsored by the Frank Lloyd Wright Endowment Fund for the perpetuation of Taliesin. Wright was the guest of honor. Label pasted on verso: "Chicago Sun-Times. Date: 10/6/56. Photographer: Joe Kordick. Subject: Frank Lloyd Wright. Location: Mayors Office. Caption: Frank Lloyd Wright visits Mayor Richard J. Dailey." 5.5 x 6.8 B&W print, High Res image. 1147.44.1210
1956 Frank Lloyd Wright Press Conference, October 16, 1956. "Sixty Years of Living Architecture" was exhibited in Chicago from October 16, 17 and 18, 1956 at the Hotel Sherman, Chicago. On October 16, Wright held a Press conference at the Hotel Sherman to open the exhibition and unveil the Mile High Building "The Illinois" for the first time with a 22-foot visualization, proposed by architect Frank Lloyd Wright for Chicago. The giant visualization was prepared by Wright and his apprentice architects at Taliesin. Mayor Daley proclaimed October 17, Frank Lloyd Wright Day. Caption reads: "The Mile High Illinois, Illinois Sky-City, or simply the Illinois was a proposed mile-high (1,609 meters/5,280 feet) skyscraper, envisioned by Frank Lloyd Wright in 1956. the design, intended to be built in Chicago, would have included 528 stories, with a gross area of 18.46 million square feet (1.71 million square meters/171 hectares). If built, it would be the tallest building in the world." Acquired from the archives of the Chicago Sun Times. 8 x 10 B&W print, original 4 x 5 B&W negative. 1147.30.1210
1956 Frank Lloyd Wright Press Conference, October 16, 1956. Twenty-two foot illustration behind him, Price Tower to the left, smaller tri-fold to the right. "Sixty Years of Living Architecture" was exhibited in Chicago from October 16, 17 and 18, 1956 at the Hotel Sherman, Chicago. On October 16, Wright held a Press conference at the Hotel Sherman to open the exhibition and unveil the Mile High Building "The Illinois" for the first time with a 22-foot visualization, proposed by architect Frank Lloyd Wright for Chicago. The giant visualization was prepared by Wright and his apprentice architects at Taliesin. Mayor Daley proclaimed October 17, Frank Lloyd Wright Day. Caption reads: "Frank Lloyd Wright & Mile High Bldg 1956. Frank Lloyd Wright stands in front of a model sketch of his Mile High Building at the Sherman Hotel October 16, 1956." 8 x 10 B&W print, High Res image. 1147.31.1210
1956 Frank Lloyd Wright Day.  Proclaimed by Mayor Richard J. Daley.  Sponsored by The Day Committee, October 16, 17, 18, 1956.  Hotel Sherman, Chicago.  Photographed on October 16, 1956.  Limited edition 8.5 x 11 print from digital negatives on satin semi gloss Semisatinado paper.  2/100.  2007.  8.5 x 11. 1148.02.0307
1956 Mile High Building "The Illinois", 1956. Pasted on verso: "From: J. Dennis O’Brien (Chicago Office). Harshe-Rotman, Inc. For: Frank Lloyd Wright Endowment Fund. 29 S. LaSalle St., Chicago. Oct. 16, 1956. For Immediate Release. First view of Frank Lloyd Wright’s Mile-High Building. Shown for the first time Tuesday (Oct. 16) was this 22-foot visualization of mile-high building proposed by architect Frank Lloyd Wright for Chicago. Details of the mammoth structure will be explained by Wright at a dinner in his honor to be held Wednesday (Oct. 17) at the Hotel Sherman. The giant visualization was prepared by Wright and apprentice architects at Taliesin, unique architectural school conducted by Mr. And Mrs. Wright at their Spring Green, Wis. Home. The dinner is being sponsored by the Frank Lloyd Wright Endowment Fund for the perpetuation of Taliesin." Clipping on verso: Stamped "Feb 4, 1959". "That Mile-High Skyscraper? - Famed architect Frank Lloyd Wright proposed in 1956 to build it in Chicago. He said it would be 528 stories tall, could hold 100,000 people, would cost about $100 million. The "eighth wonder of the world" was to be erected of steel and glass, with floors extending outward from a central core like branches from a tree trunk. Wright’s design drew jeers and cheers. The architect insisted the structure was "practical and expedient." Today, more than two years after Wright bared his daring idea, the mile-high building is no further along than a drawing. A spokesman for Wright says no group is currently interested in building or backing it." Clipping on verso: Stamped "Apr 9, 1959". "Here’s sketch of mile-high skyscraper as envisioned for Chicago by Frank Lloyd Wright." Acquired from the archives of the Chicago Sun Times. Original 8 x 10 B&W print. 1147.28.0310
1956 Mr. and Mrs. Frank Lloyd Wright arrive at the Hotel Sherman for a dinner in Wright’s honor the evening of October 17, 1956. "Sixty Years of Living Architecture" was exhibited in Chicago from October 16, 17 and 18, 1956 at the Hotel Sherman, Chicago. Mayor Daley proclaimed October 17, Frank Lloyd Wright Day. Details of the mammoth structure were explained by Wright at a dinner in his honor Wednesday evening at the Hotel Sherman. The dinner was sponsored by the Frank Lloyd Wright Endowment Fund for the perpetuation of Taliesin. Wright was the guest of honor. Caption reads: "Frank Lloyd Wright with wife at Sherman Hotel Oct 17 1956." 8 x 10 B&W print, High Res image. 1147.32.1210
1956 Wright and Mayor Richard Daley at Sherman Hotel. Oct 17 1956. "Sixty Years of Living Architecture" was exhibited in Chicago from October 16, 17 and 18, 1956 at the Hotel Sherman, Chicago. Mayor Daley proclaimed October 17, Frank Lloyd Wright Day. Details of the mammoth structure were explained by Wright at a dinner in his honor Wednesday evening at the Hotel Sherman. The dinner was sponsored by the Frank Lloyd Wright Endowment Fund for the perpetuation of Taliesin. Wright was the guest of honor. Caption reads: "Frank Lloyd Wright explaining architecture to honorable guest Mayor Richard Daley at Sherman Hotel. Oct 17 1956." 8 x 10 B&W print, High Res image. 1147.33.1210
1956 Wright and Mayor Richard Daley at Sherman Hotel. Photograph taken from a lower angle looking up. Wright is gesturing with his hand, Daley is listening to Wright. Oct 17 1956. "Sixty Years of Living Architecture" was exhibited in Chicago from October 16, 17 and 18, 1956 at the Hotel Sherman, Chicago. Mayor Daley proclaimed October 17, Frank Lloyd Wright Day. Details of the mammoth structure were explained by Wright at a dinner in his honor Wednesday evening at the Hotel Sherman. The dinner was sponsored by the Frank Lloyd Wright Endowment Fund for the perpetuation of Taliesin. Wright was the guest of honor. Label pasted on verso: "Chicago Sun-Times. Date: 10/17/56. Photographer: Mel Larson. Location: Sherman Hotel. Caption: Candids on Frank Lloyd Wright explaining architecture to honorable guest Mayor Richard Dailey." Caption pasted on verso: "Mr. Wright speaks, Mr. Daley Listens. Frank Lloyd Wright (left) engages in an animated discourse at testimonial dinner in his honor at Hotel Sherman. Famed architect admits that the speakers who referred to him as a genius were speaking the truth. But when Wright begins to discuss his proposed mile-high building, Mayor Daley (right) doesn’t seem to fully accept the idea. The controversial 87-year-old Wright was glum about modern architectural trends. Photos by Mel Larson." 5.5 x 6.8 B&W print, High Res image. 1147.34.1210
1956 Wright and Mayor Richard Daley at Sherman Hotel. Photograph taken from a higher angle looking down. Wright is gesturing with his hand, his fist is balled for emphasis, Daley is listening to Wright. Oct 17 1956. "Sixty Years of Living Architecture" was exhibited in Chicago from October 16, 17 and 18, 1956 at the Hotel Sherman, Chicago. Mayor Daley proclaimed October 17, Frank Lloyd Wright Day. Details of the mammoth structure were explained by Wright at a dinner in his honor Wednesday evening at the Hotel Sherman. The dinner was sponsored by the Frank Lloyd Wright Endowment Fund for the perpetuation of Taliesin. Wright was the guest of honor. Caption reads: "Frank Lloyd Wright explaining architecture to honorable guest Mayor Richard Daley at Sherman Hotel. Oct 17 1956." 8 x 10 B&W print, High Res image. 1147.35.1210
1956 Wright and Mayor Richard Daley at Sherman Hotel. Wright has an envelope in his hands. Both he and Daley are looking up at the display. Oct 17 1956. "Sixty Years of Living Architecture" was exhibited in Chicago from October 16, 17 and 18, 1956 at the Hotel Sherman, Chicago. Mayor Daley proclaimed October 17, Frank Lloyd Wright Day. Details of the mammoth structure were explained by Wright at a dinner in his honor Wednesday evening at the Hotel Sherman. The dinner was sponsored by the Frank Lloyd Wright Endowment Fund for the perpetuation of Taliesin. Wright was the guest of honor. Caption reads: "Frank Lloyd Wright explaining architecture to honorable guest Mayor Richard Daley at Sherman Hotel. Oct 17 1956." 8 x 10 B&W print, High Res image. 1147.36.1210
1956 Wright greeting guests before dinner at the Sherman Hotel. Oct 17 1956. "Sixty Years of Living Architecture" was exhibited in Chicago from October 16, 17 and 18, 1956 at the Hotel Sherman, Chicago. Mayor Daley proclaimed October 17, Frank Lloyd Wright Day. Details of the mammoth structure were explained by Wright at a dinner in his honor Wednesday evening at the Hotel Sherman. The dinner was sponsored by the Frank Lloyd Wright Endowment Fund for the perpetuation of Taliesin. Wright was the guest of honor. Caption reads: "Frank Lloyd Wright making speech on architecture at Sherman Hotel Oct 17 1956." 8 x 10 B&W print, High Res image. 1147.37.1210
1956 Mr. & Mrs. Wright seated at speakers table before dinner. Mrs. Maginel Wright Barney, Wright’s sister and children’s book illustrator, congratulates Wright with a kiss on the cheek. Oct 17 1956. "Sixty Years of Living Architecture" was exhibited in Chicago from October 16, 17 and 18, 1956 at the Hotel Sherman, Chicago. Mayor Daley proclaimed October 17, Frank Lloyd Wright Day. Details of the mammoth structure were explained by Wright at a dinner in his honor Wednesday evening at the Hotel Sherman. The dinner was sponsored by the Frank Lloyd Wright Endowment Fund for the perpetuation of Taliesin. Wright was the guest of honor. Label pasted on verso: "Chicago Sun-Times. Date: 10/17/56. Photographer: Mel Larson. Location: Sherman Hotel. Names L. to R.: Mrs. Wright. Frank Lloyd Wright. Mrs. Magda Barney of New York City. Caption: Mrs. Barney Frank Lloyd Wright’ sister plants kiss on his cheek at speakers table." 5.5 x 6.8 B&W print, High Res image. 1147.38.1210
1956 Frank Lloyd Wright is presented a plaque by Mayor Daley declaring this day to be "Frank Lloyd Wright Day" at the Sherman Hotel. Mrs. Wright is on the left, Ludd M. Spivey, President of Florida Southern College is seated, between Wright and Daley. Two exhibition catalogs sit on the table. Oct 17 1956. "Sixty Years of Living Architecture" was exhibited in Chicago from October 16, 17 and 18, 1956 at the Hotel Sherman, Chicago. Mayor Daley proclaimed October 17, Frank Lloyd Wright Day. Details of the mammoth structure were explained by Wright at a dinner in his honor Wednesday evening at the Hotel Sherman. The dinner was sponsored by the Frank Lloyd Wright Endowment Fund for the perpetuation of Taliesin. Wright was the guest of honor. Caption reads: "Frank Lloyd Wright & Wife 1956. Frank Lloyd Wright and his wife at a special ceremony where he was presented a plaque by Mayor Daley declaring this day to be ‘Frank Lloyd Wright Day’ October 17, 1956." 8 x 10 B&W print, High Res image. 1147.39.1210
1956 Wright listens to introductions. Mrs. Wright is seated on the left, Ludd M. Spivey, President of Florida Southern College is seated on the right waiting to speak. Exhibition catalog and plaque sit on the table in front of him. Oct 17 1956. "Sixty Years of Living Architecture" was exhibited in Chicago from October 16, 17 and 18, 1956 at the Hotel Sherman, Chicago. Mayor Daley proclaimed October 17, Frank Lloyd Wright Day. Details of the mammoth structure were explained by Wright at a dinner in his honor Wednesday evening at the Hotel Sherman. The dinner was sponsored by the Frank Lloyd Wright Endowment Fund for the perpetuation of Taliesin. Wright was the guest of honor. Caption reads: "Frank Lloyd Wright with wife at Sherman Hotel Oct 17 1956." 8 x 10 B&W print, High Res image. 1147.40.1210
1956 Wright speaks at Sherman Hotel Oct 17 1956. Wright describes the details of the Mile-High "Illinois" building at a dinner in his honor Wednesday evening at the Hotel Sherman. Ludd M. Spivey, President of Florida Southern College is seated on the left. Exhibition catalog and plaque sit on the table. Oct 17 1956. "Sixty Years of Living Architecture" was exhibited in Chicago from October 16, 17 and 18, 1956 at the Hotel Sherman, Chicago. Mayor Daley proclaimed October 17, Frank Lloyd Wright Day. Details of the mammoth structure were explained by Wright at a dinner in his honor Wednesday evening at the Hotel Sherman. The dinner was sponsored by the Frank Lloyd Wright Endowment Fund for the perpetuation of Taliesin. Wright was the guest of honor. Caption reads: "Frank Lloyd Wright making speech on architecture at Sherman Hotel Oct 17 1956." 8 x 10 B&W print, High Res image. 1147.41.1210
1956 Wright shakes Mayor Richard Daley’s hand and speaks with he and Mayor Ivan Nestigan after dinner at the Sherman Hotel Oct 17 1956. "Sixty Years of Living Architecture" was exhibited in Chicago from October 16, 17 and 18, 1956 at the Hotel Sherman, Chicago. Mayor Daley proclaimed October 17, Frank Lloyd Wright Day. Details of the mammoth structure were explained by Wright at a dinner in his honor Wednesday evening at the Hotel Sherman. The dinner was sponsored by the Frank Lloyd Wright Endowment Fund for the perpetuation of Taliesin. Wright was the guest of honor. Caption reads: "Frank Lloyd Wright, meets some of honored guests, Mayor Richard Daley and Mayor Ivan Nestigan, of Madison Wis. at Sherman Hotel. Oct 17 1956." 8 x 10 B&W print, High Res image. 1147.42.1210
1956 Wright speaks with Mayor Richard Daley and Mayor Ivan Nestigan after dinner at the Sherman Hotel. Mrs. Wright is seated on the left. Oct 17 1956. "Sixty Years of Living Architecture" was exhibited in Chicago from October 16, 17 and 18, 1956 at the Hotel Sherman, Chicago. Mayor Daley proclaimed October 17, Frank Lloyd Wright Day. Details of the mammoth structure were explained by Wright at a dinner in his honor Wednesday evening at the Hotel Sherman. The dinner was sponsored by the Frank Lloyd Wright Endowment Fund for the perpetuation of Taliesin. Wright was the guest of honor. Caption reads: "Frank Lloyd Wright with wife and Mayor Richard Daley at Sherman Hotel Oct 17 1956." 8 x 10 B&W print, High Res image. 1147.43.1210
1957
1957 Robie House Photo #1 - March 1957 - This set of seven photos was taken during the time that the Robie House was nearly destroyed.  These were purchased along with five newspaper clipping about the same subject. 1205.08.0302
1957 Robie House Photo #2 - March 1957 1205.09.0302
1957 Robie House Photo #3 - March 1957 1205.10.0302
1957 Robie House Photo #4 - March 1957 1205.11.0302
1957 Robie House Photo #5 - March 1957 1205.12.0302
1957 Robie House Photo #6 - March 1957 1205.13.0302
1957 Robie House Photo #7 - March 1957 1205.14.0302
1957 Wright at 89 (Jan 271957). Wright sitting in a chair, his fingers intertwined in front of his right knee. Date stamped on verso: "Jan 27 1957". Partial caption pasted on verso: "Frank Lloyd Wright, 87 year old architect announced at Santa Barbara, California he will go to Iraq in M... to design and build..." Original 7 x 10 B&W photograph. 1205.42.1210
1957 Arizona: New State Capitol. “Pro Bono Publico - Arizona. Frank Lloyd Wright Architect, February 17, 1957.” “(PN1) Phoenix, Ariz., April 5 - New State Capitol - Architect Frank Lloyd Wright presented this sketch today for new Arizona state capitol, but had little hope it would be built. Spires are radio-tv towers atop legislative chambers, wings are lawmakers’ offices, two extensions in rear are for governor and supreme court, and large canopy covers open portico for “the wind to blow in and out and birds to fly through.” Original silver gelatin photograph. 10 x 7.5. 1205.28.1007
1957 Monona Terrace Model - September 21, 1957. Caption on face: "Madison, Wis., Sept. 21 - Law Blocks Frank Lloyd Wright Building – Gov. Thompson today signed a bill which prevents construction by the city of Madison of a four million dollar civic auditorium on Lake Monona. It prohibits construction of a building higher than 20 feet on the state-owned shoreline. The Wright building (one of several models shown above) would be 60 feet high. (AP Wire Photo) 1957." Original 10 x 8 B&W photograph. Acquired from the AP News archives. 1205.46.1011
1957 Wright at 89, 1957. Frank Lloyd Wright wearing a black suit coat and tie, facing to the right. He is in front of a drawing of his proposal for the Arizona State Capital which he titled "Pro Bono Publico - The Oasis", dated February 17, 1957. Most likely photographed at the April 5, 1957 presentation. Stamped on verso: Dec 15, 1957. Original 10 x 8 B&W photograph. 1205.44.0811
1957 Frank Lloyd Wright at 90 (AP wirephoto)  (June 8, 1957).  Caption reads: "Spring Green, Wis., June 8  -  Wright Celebrates 88th Birthday, Frank Lloyd Wright, the world famous architect, posed with his wife, Olgivanna (right), and his daughter Iovanna, at his 88th birthday celebration here tonight.  Over 125 guests toasted Wright as he spoke of his commission from King Faisal of Iraq to design and plan a cultural center on a Tigris River island in Bagdad.  He called the commission a wonderful present."  This photo is also published in the Saturday Evening  Post, 2/4/61, Pg 38. 1957.00.0500
1957 Frank Lloyd Wright at 90.  Photographed in 1957 by Edgar L. Obma.  Published on the cover of “Frank Lloyd Wright Decorative Designs Collection Frank Lloyd Wright Foundation 1988.  Similar view in “The Master Architect, Conversations with Frank Lloyd Wright” Meehan 1984, Pg 313. (See Obma Article.) Verso second photograph: Stamped Dec 9, 1986, (written) 3C, and stamped Feb 26, 1994, (written) D27. Two original 8 x 10 B&W photograph. 1205.26.0507 1205.35.1209
1957 Wright at 90 (1957). Wright is standing behind a podium at Taliesin, arms outstretched. There is a stack of notes on the podium, and prints atop a book shelf in the background. He was working on the Baghdad project at the time. He was photographed for an article in "Look Magazine" entitled "A visit with Frank Lloyd Wright’", published on September 17, 1957. This photograph is on pages 32-33. Photographed by Michael A. Vaccaro on July 5, 1957. Stamped on verso: "(C) Michael A. Vaccaro. Frank Lloyd Wright, 1957. Heller Gallery (New York)." Original 9.75 x 8 B&W print. 1205.40.0510
1957 Wright at 90. Wright stands behind a podium at Taliesin, he is gesturing with his left hand, pointing out and up. There is a stack of notes on the podium, prints atop a book shelf in the background. He was working on the Baghdad project at the time. It was photographed for an article in "Look Magazine" entitled "A visit with Frank Lloyd Wright’", published on September 17, 1957. Photographed by Michael A. Vaccaro on July 5, 1957. Similar image is on page 32. 7 x 4.9 print, High res digital image. 1205.30.0609
1957 Wright at 90. Family portrait at Taliesin. Wright is seated looking to the left. Olgivanna is in the center, her head is turned to the right, but looking at the camera. Iovanna is on the floor seated on the left, looking directly into the camera. Verso: "For release: Monday A.M.’s, September 2, 1957. New York Bureau. Family Man. Madison, Wisc.: Posing for his first family portrait, world renowned architect Frank Lloyd Wright is the picture of patriarchal dignity in his home near Madison, WI. Wright, one of the pioneers in the development of modern architecture, is shown with his wife, Olgivanna, and daughter Iovanna (left), youngest of his eight children. He posed for the portrait for an article appearing in the new issue of Look Magazine. (This picture is released for publication in United States and Canadian newspapers for a period of two weeks and is subject to mandatory credit to Look Magazine). Credit (Look Magazine photo from United Press) 8/30/57. For release: Monday A.M.’s, September 2, 1957." Stamped Sep 3, 1957. It was photographed for an article in "Look Magazine" entitled "A visit with Frank Lloyd Wright’", published on September 17, 1957. Photographed by Michael A. Vaccaro around July 5, 1957. Published on page 30. (See S#1205.30) 7.7 x 10 print, High res digital image. 1205.31.0609
1957 Wright at 90 (1957). Mr. & Mrs. Wright meeting with Anne Baxter (left) and Charlton Heston (to the right of Anne) at Taliesin West. Anne Baxter was Wright’s grand daughter and an actress. In 1956 Baxter stared as Nefretiri the Egyptian queen, opposite Charlton Heston and Yul Brenner in "The Ten Commandments". Baxter and Heston acted together again in "Three Violent People". It was released in late 1956 and early 1957. Set in the American West after the Civil War, Charlton Heston was an ex-Confederate officer Colt Saunders who returns to the family ranch with his new bride Lorna Hunter (Anne Baxter) and faces problems from carpetbaggers and his jealous brother, and a secret from Baxter's past. One the verso, is hand written "Press Interview". The gentleman between Heston and Wright is wearing a badge (star) that reads "Sheriff Posse". This would indicate the press interview was for "Three Violent People". Stamped "From the Jimmy Starr Collection". Jimmy Starr (1904 – 1990) was an American screenwriter and columnist. Starr worked as a screenwriter in Hollywood during the 1930s. During the 1940s he worked as a film writer and columnist, providing reviews and insights into the film world. After retirement from the Hollywood scene, Starr moved to Phoenix, Arizona. (Note: Also in 1957 Wright designed a home for Marilyn Monroe and Arthur Miller, and visited their property in Connecticut. Could she possibly have been at this press interview? There’s no record of her visiting Taliesin West.) Gift from Randolph C. Henning. 8 x 10 print, High res digital image. 1205.32.0709
1957 Wright at 90 (1957). Wright meeting Charlton Heston and his grand daughter Anne Baxter (center) possibly at Taliesin West. In 1956 Baxter stared as Nefretiri the Egyptian queen, opposite Charlton Heston and Yul Brenner in "The Ten Commandments". Baxter and Heston acted together again in "Three Violent People". It was released in late 1956 and early 1957. Set in the American West after the Civil War, Charlton Heston was an ex-Confederate officer Colt Saunders who returns to the family ranch with his new bride Lorna Hunter (Anne Baxter) and faces problems from carpetbaggers and his jealous brother, and a secret from Baxter's past. Heston and Baxter held a press conference at Taliesin (1205.32) and this could possibly been in the evening, as Wright was fond of entertaining guests. Wright is wearing the same suite jacket and scarf. 5 x 6.25 print, High res digital image. 1205.33.0709
1957 Wright at 90 (Circa 1957). Mr. & Mrs. Wright are holding hands as they arrive at Taliesin. He is holding a cane and looking at the camera. She is looking at him. The Wisconsin hillside can be seen in the background. Gift from Randolph C. Henning. 8 x 10 print, High res digital image. 1205.34.0709
1957 Frank Lloyd Wright at the Robie House (1906 - S.127) 1957. Clipping on verso: "A Couple of Pioneers. Architect Frank Lloyd Wright stands by Robie House in Chicago, March 18, during a visit to the structure which has been called ‘the cornerstone of modern architecture.’ The aging pioneer and a committee seek to preserve the architectural landmark. The Chicago Theological Seminary, owner of the building, plans to demolish the structure to make room for a new dormitory. The building stands at 58th street and South Woodlawn Avenue, on the south side. Associated Press Photo, From Chicago. 3/18/57." 10.5 x 8 Print, High Res image. From the archives of the Associated Press. 1205.39.0410
1957 Wright at 90 (1957). Wright interviewed at WTTW, Mile High drawing behind him. Clipping on verso: (Stamped Oct 25, 1957) "This ‘spectacular’ will feature a conversation between Frank Lloyd Wright and Carl Sandburg and a story of modern architecture as told by George Edson Danforth. Alistair ‘Omnibus’ Cooke will be host and emcee on the program. Live on WTTW..." This was photographed before the "live" interview on October 29, 1957. Possibly an earlier interview at WTTW in 1956 or 1957, or a few days before the October 29th interview in preparation for, or for the promotion of the live interview. On October 29, 1957, Wright and Carl Sandburg were interviewed by Alistair Cooke for the program "Chicago Dynamic", which was broadcast on WTTW Chicago. For the complete interview see "The Master Architect" Meehan, 1984, pages 254-270. Illustration of Mile High Building in background. Acquired from the archives of the Chicago Sun Times. Original 8 x 10 B&W print. Two copies. 1205.36.0310 1205.43.0811
1957 Wright at 90 (1957). Wright signing a copy of "The Future of Architecture". Caption: "11/2/57 - Indianapolis: Architect Frank Lloyd Wright signs an autograph for 17 year old Stephen Mooring, an architectural student at the University of Cincinati (sp), at a reception for Wright 11/2 at Indianapolis. Wright is to speak to a group at the Herron Art Museum tonight. United Press Telephoto." Note: Mooring was a contributing author of "A.D. Profiles 16: Bruce Goff. Architectural Design: Vol. 48, No. 10". 1978. By Bruce Goff, John Sergeant, Lionel March, Charles Jencks, Stephen Mooring, Joe Price, Herb Greene, David De Long, Jeffrey Cook. Acquired from the archives of United Press Associations. Original 7 x 9 B&W print. 1205.38.0310
1957 Wright at 90 (1957). Stamped on verso: "Nov 1957." Caption on verso: "A date with Marilyn Monroe. Frank Lloyd Wright and him wife as they left via American Airlines for Phoenix Ariz. Where they will have as their guest Marilyn Monroe. Wright is building a home for the Millers in Conn. And they will go over the plane. Asked how big the home would be Wright replied as he gestured so high on top of a mountain top." Clipping on verso: Stamped: "Sat. Mar 2 ‘85" "Frank Lloyd Wright and his wife, Olgivanna Lloyd Wright, get ready to fly to Arizona in 1957 to meet with Marilyn Monroe, for whom he was building a house. Olgivanna Wright died yesterday at 87 in Scottsdale, Ariz." Stamped on verso: "Metro News Photo, 5700 S, Cicero Ave., Chicago, IL." Acquired from the archives of the Associated Press. Original 8 x 10 B&W print. 1205.37.0310
1957 (A) Wright at 90, 1957. A) 1957 (90);  B) 1951 (84);  C) 1953 (86);  D) 1954 (87).
A) Top Left: Wright at 90. 1957. Frank Lloyd Wright inspects construction of the Guggenheim in 1957. Ground was broken on August 14, 1956. Wright visited the site many times. Wright pasted away April 9, 1959, six months before the grand opening. Grand opening October 21, 1959. Published in "The Guggenheim", 2009, p 1, and a similar image taken at the same time, "Frank Lloyd Wright in New York", Hession, Pickrel, 2007, p 104. Photographed by John Engstead. Original 3.75 x 4.75 B&W photograph.
B) Top Right: Wright at 84, 1951. Wright in drafting room, Taliesin West in 1951. Photographed by Ezra Stoller. Similar image in "Frank Lloyd Wright’s Taliesin West", Stoller, 1999, p 8. Original 3.75 x 4.75 B&W photograph.
C) Bottom Left: Wright at 86, 1953. Frank Lloyd Wright at drafting table with a large image of the V.C. Morris Gift Shop (S.310 - 1948) in the background. Photographed by John Engstead. Published on the cover of "Frank Lloyd Wright Decorative Designs Collection", 1990. Original 3.75 x 4.75 B&W photograph.
D) Bottom Right: Wright at 87, 1954. Portrait of Frank Lloyd Wright, facing right, looking to the left. Photographed by Al Ravenna. Original 3.75 x 4.75 B&W photograph.
Montage of four portraits of Frank Lloyd Wright. Stamped on verso: "Nov 9 1998". Original 8 x 10 B&W photograph. Two copies.
0857.06.0911 0857.07.0911
1957 Wright at 90 (1957). November 9, 1957. "Architect Frank Lloyd Wright gives a lecture at Lane Tech in Chicago. November 9, 1957." Original 4 x 5 B&W negative and 8 x 10 B&W Print. 1205.41.0810
1957 Wright at 90 (1957). Caption on face: "4/9/59 – Phoenix: World-famed architect Frank Lloyd Wright died early 4/9. The 89-year-old Wright died following surgery here. He is shown in 1957 file photo. UPI Telephoto." Stamped on verso: "United Press International Photo". Wright was born on June 8, 1867 and passed away in Phoenix on April 9, 1959, age 91. Original 8 x 4.75 B&W photograph. 1205.45.0911
1958
1958 Frank Lloyd Wright at 90.  Associated Press Caption: “Wright Dies. Architect Frank Lloyd Wright, 89, Died April 9 in Phoenix, Ariz., following an operation for an intestinal obstruction on April 4.”  AP caption accompanying the photo.  Photograph shot in 1957-58 with Baghdad Opera House and Gardens Drawing as backdrop.  For Illustration note: “Truth Against the World”, 1987, Meehan, page 419;  “Arch Forum”, May 1958, page 89-102;  “Frank Lloyd Wright Quarterly” Winter 2004.  Stamped on back “Filed Apr 16, 1959 Not Used” and “Published May 17, 1970".  Original 5 x 7 silver gelatin photo. 1205.19.1006
1958 Wright at 91, 1958. Caption "Spring Green, Wis., June 9 - Birthday Party - About 80 persons attended a birthday party Sunday for Frank Lloyd Wright, noted architect, who was 89, at his palatial Taliesin estate near here. With Wright (left) are Mr. And Mrs. Harold C. Price, Bartlesville, Okla., two of the guests. AP Wirephoto. 1958." Stamped n verso: "Jun 1958." Acquired from the archives of the Associated Press. Original 10 x 8 B&W print. 1259.18.0310
1958 Frank Lloyd Wright at 91.  Fall 1958 Wright and female at Plaza Hotel, to discuss the Radcliffe Scholarship Tour of the incomplete Guggenheim Museum.  (This photograph was pasted inside the first page of a book that was purchased.  Handwritten below the photograph: "At the Plaza Hotel fall 1958 to discuss the Radcliffe Scholarship Tour of the incomplete Guggenheim Museum.")   5.3 x 3.2.  Original silver gelatin B&W photograph.  5.3 x 3.2 1259.14.0507
1958 Interior of the Ennis-Brown House. Caption on back: “House on Haunted Hill, A William Castle-Robb White Production for Allied Artists, stars Vincent Price, Carol Ohmart, Richard Long and Alan Marshal with Carolyn Craig and Elisha Cook in supporting roles. It was produced and directed by William Castle from an original screenplay by Robb White. Pictured here are, left to right: Carolyn Craig, Richard Long, Elisha Cook, Julie Mitchem and Alan Marshal.” Stamped on the back “Manbeck Pictures Corp. 3621 Wakonda Drive, Des Moines, Iowa, 50321-2132 U.S.A.” The House on Haunted Hill was filmed in 1958 and released on February 17, 1959.  This photograph is from the collection of Manbeck Pictures in Des Moines, Iowa. Mr. Manbeck collected 16mm movies and showed them in his garage as a teenager in the 1930's. He also collected movie posters and other advertising material that went with the films with the hopes of someday opening a movie museum. He retired in the early sixties as TV took over. He was still a source for rare 16mm prints up until the 1990's. Original 8 x 10 B&W photo. 1259.15.1208
1958 Guggenheim Museum 1958 (S.400). Caption "8/23/58 - New York: Here’s an excellent view of the Solomon R. Guggenheim Memorial Museum (see NXP 1165061) which is nearing completion on Fifth Ave. The structure was designed by Frank Lloyd Wright, who’s internationally known for his unusual architectural designs. UPI Telephoto." Printed on verso: "New York City - Bldgs - Solomon R. Guggenheim Memorial Museum". Stamped on verso: "Received Examiner Reference Library. Aug 24 1958". Original 9.2 x 7 B&W print. 1259.19.1010
1958 Robert Llewellyn Wright Master Bedroom Balcony, 1958 (1953 - S.358). Bethesda, Maryland. Stamped on verso: "ROTO Jun 29, 1958". Clipping n verso: "Apr 9, 1959. Wright. Looking Out - Cantilevered balcony projects off master bedroom. Door to utility room is below ground level." Robert Llewellyn was Wright’s sixth child. Although not published in House Beautiful, it did publish a spread about the home in the November 1995 issue, pages 244-245. Original 8 x 10 B&W photo. 1259.17.0310
1959
1959 Annunciation Greek Orthodox Church (1956 - S.399). Caption on face: "Milwaukee, May 18 – Architect’s widow speaks – Standing before an outdoor alter, Mrs. Olgivanna Lloyd Wright, widow of architect Frank Lloyd Wright, addresses members of Annunciation Greek Orthodox Church at a groundbreaking ceremony in suburban Wauwatosa for a new church designed by her late husband. Behind her, wearing clerical robe, is the Rev. E. N. Vergis, Annunciation pastor. Mrs. Wright helped turn the first shovelful of earth. (AP Wirephoto) 1959." Published in "New World Odyssey", Gurda, 1986, p 89. Original 8 x 10 B&W photograph. 1377.53.0911
1959 Peter A. Beachy Residence Remodel, Oak park (1906 - S.117) 1959. Label on verso: "Date: 12 Aug ‘59. Photographer: Gekler. Title: Wright Homes. Location: Oak Park. Caption: Home at 238 Forest Ave, Oak Park." Clipping on verso: "Oak Park home built early in the century has gabled roofs instead of the flat overhanging roofs which later characterized Wright’s prairie houses. It is now the home of Mr. And Mrs. Wallace W. Tudor. (Stamped) Aug 23 1959." Also stamped on verso: "Daily News, Jun 6 1964". Original 10 x 8 B&W Print. Acquired from the archives of the Chicago Daily News. 1377.39.0310
1959 George Blossom Dining Room (1892 - S.014) 1959. Stamped n verso: "Apr 11, 1959". Clipping on verso: "Dated Apr13, 1959. Wright house at 4858 S. Kenwood was built in 1892. It is now occupied by Donald C Baum and his wife Alice, both artists. Doorways are widely arched, after style of Wright’s teacher Sullivan. House has 12 rooms but the Baums say they don’t find the size overwhelming." Acquired from the archives of the Chicago Sun Times. Original 8.5 x 10 B&W print. 1377.33.0310
1959 The Cass House (S.409.2) was the first of two prefab houses designed by Wright, constructed for the Marshall Erdman Co.  This was a Erdman Co Prefab No. 1.  Cass House Package.  Package includes:  1) 2 photos of interior showing installed High Fidelity system.   2) 4 pages of hand written instructions   3) Letter from High Fidelity Magazine, July 15, 1959  4) New York Times, July 5, 1959, Article on Cass Home. 1959.08.1201
1959 Francisco Terrace Apartments (1895 - S.030) 1959. Caption on verso: "The Sullivan influence is seen again in the arch of court building at 253 N. Francisco. This is one of the Wright structures that shows signs of neglect." Stamped "Apr 13, 1959". Label on verso: "Chicago Sun-Times. Date: 4/10/59. Photographer: Larson. Title: Wright Homes... Location: 253 N. Francisco. Caption: Building at 253 N. Francisco designed by Frank Lloyd Wright." Original 7.5 x 10 B&W Print. Acquired from the archives of the Chicago Sun Times. 1377.37.0310
1959 Arthur Heurtley Residence, Oak park (1902 - S.074) 1959. Label on verso: "Chicago Sun-Times. Date: 12 Aug ‘59. Photographer: Gekler. Title: Wright Homes. Location: Oak Park. Caption: Home at 318 Forest Ave, Oak Park." Also stamped on verso: "Aug 1959". Original 10 x 8 B&W Print. Acquired from the archives of the Chicago Sun Times. 1377.40.0310
1959 Guggenheim Museum 1959 (1956 - S.400). Caption pasted on verso: "Couldn’t give it away. So comments Frank Serkal (right), long time resident of the Fifth Avenue area and a fitter in new York’s Saks Fifth Avenue store. He tells AP Newsfeature’s Writer Hugh Mulligan (left) that he doesn’t like the design created by architect Frank Lloyd Wright for the new Solomon R, Guggenheim Museum, still under construction (in background). The building has stirred up a lot of comment – pro and con –and some of it is pretty extreme. It’s the sort of hub-bub generally attending the works of Wright. Serkel told Mulligan that style is his business and as far as the museum goes he knows he ‘couldn’t sell that thing to anybody. I couldn’t give it away.’ 3/31/59" AP Newsfeature Photo. Acquired from the achieves of the Associated Press. Original 9 x 7 B&W print. 1377.46.0211
1959 Imperial Hotel and the Guggenheim Museum 1959 (two photographs). Caption: "(NY15-April 9) Wright Structures - Two of the late architect Frank Lloyd Wright’s structural designs are exemplified in Tokyo’s famed Imperial Hotel and the still uncompleted Guggenheim Museum on New York’s upper Fifth Avenue. Wright, who died today in Phoenix at the age of 89, designed the Tokyo hotel 40 years ago as an earthquake-proof building to withstand the frequent seismological disturbances. The museum, built to house the Solomon Guggenheim collection of priceless modern art, has excited considerable comments - both criticism and praise. (AP Wire photo)" Stamped on verso: "April 9, 10:16pm and April 10, 1959. Associated Press Wirephoto." Acquired from the archives of The Baltimore Sun. Original 10 x 8 B&W print. 1377.41.0910 1377.42.0910
1959 Guggenheim Museum 1959. Caption on face, right side: "(NY17 - Oct. 20) New Museum in New York – This is an exterior view of the new Solomon R. Guggenheim museum on New York’s Fifth Avenue which is to be formally opened October 21. The unusual looking structure, built round and round like a corkscrew, was designed by Frank Lloyd Wright. It is a memorial to the late Solomon R, Guggenheim, industrialist, philanthropist and patron of the art. (AP Wirephoto) (see story) (pr31331H) 1959. (Advance for release at 11 A.M., EST, Wed. Oct. 21, with story by W.G. Rogers)." Stamped on verso: "1959 Oct 20. Associated Press Wirephoto." Acquired from the archives of the Associated Press. Original 10 x 7.4 B&W print. 1377.45.1210
1959 Lloyd Lewis Residence (1939 - S.265) 1959. Label pasted on verso: "Reporte. Frank Lloyd Wright Home. Libertyville, Ill. Exterior of the (Frank)Lloyd Wright home in Libvertyville, Ill. This is a Frank Lloyd Home that belongs to Lloyd Lewis." (Sun-Times Photo by Carmen Reporte)." Acquired from the archives of the Chicago Sun-Times. Original 10 x 8 B&W print. 1377.47.0311
1959 Lloyd Lewis Residence (1939 - S.265) 1959. View of cantilevered carport and North side of home. Label on verso: "Chicago Sun-Times. Photographer: Reporto. Title: Lloyd Wright Home. Libertyville, Ill. Caption: Exterior of the (Frank) Lloyd Wright home in Libertyville, Ill. This is a Frank Lloyd Home that belongs to Lloyd Lewis." (Note: Taken at the same time as #1377.35 dated Aug 14, 1959.) Photographed by Carmen Reporte. Acquired from the archives of the Chicago Sun Times. Original 10.5 x 8.5 B&W print. 1377.34.0310
1959 Lloyd Lewis Residence (1939 - S.265) 1959. View of cantilevered balcony and South side of home. Stamped on verso: "Aug 14, 1959". Clipping on verso: "Architectural students from all over the world make pilgrimages to Chicago where Wright built houses for more than half a century. He built this one in 1940 on the banks of the Des Plaines River near Libertyville for the late Lloyd Lewis and Mrs. Lewis. The overhanging roofs and cantilevered balconies are typical. (Sun-Times Photo by Carmen Reporte)." Acquired from the archives of the Chicago Sun Times. Original 10.5 x 8.5 B&W print. 1377.35.0310
1959 Edward C. Waller Apartments (1895 S.031) looking East (1959). Edward C. Waller was an important early Wright patron. He lived in River Forest near Wright's William Winslow house. Waller sold Winslow the property upon which his home was built. Waller commissioned several projects to be designed by Wright: the Francisco Terrace Apartments 1895 (S.030) (since demolished); the Waller Apartments 1895 (S.031); the remodeling of his home in River Forest 1899 (S.047); the Edward C. Waller Gates (S.065) and Stables (S.066) 1901; and the Edward C. Waller Bathing Pavilion 1909 (S.166). Waller's son Edward C. Jr. commissioned Midway Gardens 1913 (S.180). The Waller Apartments consisted of five units. Unit #1 on the East end (right) #5 in the foreground at the West end (left). Unit #4 was demolished in 1968 after a fire gutted the unit. The Francisco Terrace Apartments (S.030) were directly behind these units. Original 4 x 5 B&W negative and 8 x 10 Print. 1377.43.0810
1959 Ward W. Willits Residence (1901 - S.054) 1959. Label on verso: "Chicago Sun-Times. Date: 4/11/59. Photographer: Lyon. Title: Frank Lloyd Wright House. Location: Highland Park. Caption: House Designed by Frank Lloyd Wright at 1445 Sheridan Road Highland Park." Clipping on verso: "April 13 1959. Wright-designed house at 1445 Sheridan, Highland Park, built in 1902, is considered his first prairie masterpiece. Still an architectural showplace, it was scene of an art exhibit in February. ‘Our home is more than a house. It’s art,’ said Mrs. Belle Kerman." Ward W. Willits was the president of the Adams and Westlake Company, a brass and bronze foundry. Orlando Giannini, an artist who designed art glass and murals for Wright, also worked for Adams and Westlake. In 1905, Willits and his wife accompanied Frank and Catherine Wright on their first trip to Japan. Ward Willits lived in his home until his death in 1951 at the age of 92. Acquired from the archives of the Chicago Sun Times. Original 10 x 8 B&W print. 1377.32.0310
1959 Wright’s Oak Park Studio (1897 - S.004) 1959. Label on verso: "Chicago Sun-Times. Date: 4/11/59. Photographer: Nocerino. Location: Wright bldgs.... 949 Chicago ave., Oak Park, Ill., Caption: building on S.W. corner of Chicago & Forest ave., or 949 Chicago ave., Oak Park, Ill." Caption on verso: " Wright built this home for himself at 949 Chicago, Oak Park, in 1891 and lived there for 19 years. (Sun-Times Photo)." Stamped: "Apr 13 1959". Original 10.25 x 8 B&W Print. Acquired from the archives of the Chicago Sun Times. 1377.36.0310
1959 Wright’s Funeral, Taliesin. Caption on face: "Spring Green, Wis., April 11 – Site of Wright’s Burial -- This small almost secluded Unitarian cemetery will provide the final resting place for Frank Lloyd Wright, famed Wisconsin-born architect who lived a controversial and turbulent life through most of his 89 years. Wright, who died in Arizona Thursday, will be buried here tomorrow afternoon near the Hillside Unitarian chapel, a church he frequently attended during his youth. Many of his mother’s relatives also are buried here. (AP (AP Wirephoto) 1959." Wright was born on June 8, 1867 and passed away April 9, 1959, age 91. Stamped on verso: "Apr 14 1959". Acquired from the archived of the Chicago Tribune. Original 10 x 8 B&W Print. 1377.50.0811
1959 Wright’s Funeral, Taliesin. Caption on face: "Spring Green, Wis., April 12 – Wright’s Funeral Cortege. A horse drawn wagon bearing the body of Frank Lloyd Wright begins its half-mile trek to the country churchyard where the famed architect was buried today. Wright’s widow and a daughter are directly behind the wagon, leading a procession of more than 50 mourners who walked to the chapel and graveyard services. Wright died Thursday in Phoenix, Ariz.., at age 89. (AP Wirephoto)." Wright was born on June 8, 1867 and passed away April 9, 1959, age 91. Driving the cart are Wesley Peters on the left and Gene Masselink on the right. Acquired from the archived of the Chicago Sun-Times. Original 10 x 8 Print. 1377.48.0411
1959 Wright’s Funeral, Taliesin. Label pasted on face: "Spring Green, Wis., April 13 – Wright’s Service – The widow of Frank Lloyd Wright and their daughter, Iovanna Lloyd Wright, at funeral services for architect Sunday. A horse drawn wagon carried the bough covered coffin from the Wright home to cemetery. Wright died Thursday at age 89. (AP Wirephoto) 1959." Wright was born on June 8, 1867 and passed away April 9, 1959, age 91. Acquired from the archived of the Chicago Tribune. Original 10 x 8 B&W Print. 1377.49.0811
1959 Harrison P. Young Residence Additions and Remodel, Oak park (1895 - S.036) 1959. Stamped on verso: "Sep 2, 1959". Clipping on verso: "This living room fireplace is original with the house. Built in 1894 and the famed architect designed the motto, the cushioned seat railing and even the andirons. (Stamped) Sep 11, 1959." Original 10 x 8 B&W Print. Acquired from the archives of the Chicago Sun Times. 1377.38.0310

 

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